1. for Frankenstein By Mary Shelley

2. The point from which the story is told. Usually the narrator, character or outside observer who tells the story. http://cctvimedia.clearchannel.com/ktvf/car%20accident.jpg

3. When a character in the story tells the story. Example: When “I” or “Me” is used in a story or movie to tell the story. http://www.worth1000.com/entries/42000/42129AFhe_w.jpg

4. When “you” is used to narrate the story. It can be intimate or accusatory. This should be used in adventure and recipe books. http://www.pandora.ca/pictures9/676276.jpg

5. The narration does not use “I” or “me”. Only he/she/it. The narrator focuses on the thoughts and feelings of just one character. http://www.3d-screensaver-downloads.com/images/harry-potter-screensaver/big3.jpg

6. The all knowing narrator can tell us about the past, present and future of all the characters (godlike). http://landru.i-link-2.net/shnyves/God.creating.stars.jpeg

7. The person that is telling the story. http://www.unca.edu/housing/images/services/video-game-lending-library/videos/covers/forest-gump.jpg

8. The time and place of a literary work. Example: The setting for “The Cask of Amontillado” is “Early evening in an Italian city during a carnival immediately preceding Lent.” http://cummingsstudyguides.net/Guides2/PoeTales.jpg

9. A central message of a literary work. It is a generalization about people or about life that is communicated through the literary work. Readers think about what the work seems to say about the nature of people or about life. http://www.militarymuseum.org/Resources/saving%20private%20ryan%20poster.jpg http://victoryatseaonline.com/war/otherwars/images/patriot.gif

10. A person or an animal who takes part in the action of a literary work. Characters are sometimes classified as round or flat, dynamic or static. http://web.mit.edu/kayla/Public/Backgrounds/LOTR%20Frodo.JPG http://images.google.com/imgres?imgurl=http://www.numberonestars.com/movies/images2/cars.jpg&imgrefurl=http:// www.madeinatlantis.com/movies_central/2006/cars.htm&h=829&w=560&sz=96&hl=en&start=4&tbnid=Y6EU5Svon uLBTM:&tbnh=144&tbnw=97&prev=/images%3Fq%3DCars%26svnum%3D10%26hl%3Den%26lr%3D%26client% 3Dfirefox-a%26rls%3Dorg.mozilla:en-US:official_s%26sa%3DG

11. This character develops and grows during the course of the story. http://www.eurpac.com/hepicts/tsdvd/princess%20diaries%20dvd.jpg

12. This character shows many different traits-- faults as well as virtues. http://images.google.com/imgres?imgurl=http://www.bbc.co.uk/cult/malcolm/gallery/images/340/malcolm4.jpg&imgrefurl=http://www.bbc.co.uk/cult/malc olm/gallery/season3/malcolm4.shtml&h=255&w=340&sz=10&hl=en&start=16&tbnid=XhkiSujuGSyOkM:&tbnh=89&tbnw=119&prev=/images%3Fq%3 Dmalcom%2Bin%2Bthe%2Bmiddle%26svnum%3D10%26hl%3Den%26lr%3D%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en- US:official_s%26sa%3DG

13. This character does not change much in the story. http://static.flickr.com/39/82639167_4bdae091fd_m.jpg

14. Has only one or two traits. http://www.darrenfrodsham.pwp.blueyonder.co.uk/images/batman.jpg http://members.tripod.com/~film_circle/rushhour.jpg

15. The main character in a literary work. http://www.tribute.ca/tribute_objects/images/movies/napolean_dynamite/napoleandynamite3.jpg

16. A character or force in conflict with a main character or the protagonist. http://www.tvcrazy.net/tvclassics/wallpaper/superman/smallville/lex-luthor.jpg

17. The sequence of events in a literary work. http://www.cast.org/teachingeverystudent/toolkits/images/TMP_plotdiagram_large.jpg

18. Is a writing or speech that explains a process or presents information. In the plot of a story or drama, the exposition is the part of the work that introduces the characters, the setting, and the basic situation. Exposition

19. All the events leading up to the climax. Rising Action

20. The conflict reaches a high point of interest or suspense. Climax

21. Follows the climax and leads to a resolution. Falling Action

22. The end of the central conflict. Resolution

23. A struggle between opposing forces, usually it will form the basis of stories, novels, and plays. http://www.warnerbros.co.uk/movies/troy/img/troy_main.jpg

24. Involves a character in conflict with himself or herself. http://www.sfrevu.com/ISSUES/2002/0201/Film%20-%20A%20Beautiful%20Mind/beautiful%20mind.jpg

25. The main character struggles with an outside force. Usually the outside force consists of: man vs. man man vs. nature man vs. society man vs. supernatural (God or gods)

26. http://www.talithamackenzie.com/pics/biog/troy.jpg

27. http://www.canadian-titanic-society.com/book_cover.jpg

28. http://www.kidsclick.com/images/hercules_action.jpg

29. http://musicmoz.org/img/editors/jswafford/rememberthetitans.gif

31. A framework story is a “story within a story” – a convention used in such classical writings as the Arabian Nights and the Canterbury Tales. (Novel Units, Inc.) http://www.flash-screen.com/free-wallpaper/free,wallpapers,37841.html

32. The term (“ghostly double”) refers to a ghostly counterpart of a living person. Hawthorne and Poe are among the many writers who have used this device commonly to dramatize the dual nature—the “good” and “bad” selves– of a particular character.

33. A reference to a well-known person, place, event, literary work, or work of art. http://images.barnesandnoble.com/images/7050000/7053060.jpg http://content.answers.com/main/content/wp/en/thumb/b/b1/350px-Da_Vinci_The_last_supper_detail_Da_Vinci_code.jpg http://www.sonypictures.de/landing/the-da-vinci-code/images/img_1.jpg

34. Repetition of initial consonants for rhyme. Example: Sally sells seashells by the seashores.

35. Directly addressing an imaginary person, place, thing, or abstraction, either living, dead or absent from the work. Example: Ophelia, in Hamlet, says, “O, heavenly powers, restore him.”

36. Is an extreme exaggeration. Example: I have so much money, I am burning a hole in my pocket If I told you once, I’ve told you a thousand times

37. A figure of speech in which one thing is spoken of as though it were something else. Example: “Time is a monster that cannot be reasoned with” http://www.alyon.org/generale/theatre/cinema/affiches_cinema/s/seu-smo/simon_birch.jpg

38. Metonymy (unlike metaphor) uses figurative expressions that are closely associated with the subject in terms of place, time or background. The figurative expression is not a physical part of the subject. Examples are: The White House declared (White House = US government / President) The land belongs to the crown. (crown = king / queen / royal family / monarchy) Empty pockets never held anyone back. Only empty heads and empty hearts can do that. (Norman Vincent Peale) (empty pockets = poverty; empty heads = ignorance / dullness / density; empty hearts = unkindness / coldness) the spit-and-polish command post (meaning: shiny clean) The name of one thing is applied to another thing with which it is closely associated: “I love Shakespeare.”

39. a word whose sound (the way it is pronounced) imitates the meaning. Examples: “roar,” “murmur,” “tintinnabulation.”

40. Figure of speech containing two conflicting terms. (See examples on next slide)

41. Found missingResident alien Genuine imitation Good grief Same difference Alone together Silent scream Living dead Small crowd Soft rock Butt Head New classic Sweet sorrow "Now, then..." Passive aggression Taped live Clearly misunderstoodExtinct Life Plastic glasses Terribly pleased Pretty ugly Working vacation

42. Inanimate objects have human characteristics. “The wind cried in the dark.” “The leaves were dancing in the trees.” To Kill a Mockingbird

43. A figure of speech in which like or as is used to make a comparison between two basically unlike ideas. Example: Claire is as flighty as a sparrow. http://www.abcteach.com/circus/images/simile10.gif

44. Anything that stands for or represents something else. An object that serves as a symbol has its own meaning, but also represents abstract ideas. http://wynn.house.gov/images/American%20Flag.gif http://www.homeschooloasis.com/wedding_rings2.jpg

45. This is a form of metaphor. A part or something that is used to the signify the whole: “Turning our long boat round […] on the last morning required all hands on deck” (hands = people) (4)(4) Whole used instead of a part: Troops halt the drivers (troops = soldiers) “Canada played the United States in the Olympic Hockey finals.” The container representing the thing being contained: “The pot is boiling” The material from which an object is made stands for the object itself: “The quarterback tossed the pigskin.”

46. A word choice intended to convey a certain effect. Example: “It was easy to use that laptop” or “It was effortless using that laptop”

47. A word that contains a set of ideas associated with it in addition to its explicit meaning. Based on the word, it can be personal and/or based on individual experiences. Example: “My bad” or “Sorry” “House” or “Home”

48. The writer or speaker’s attitude toward a subject, character, or audience, and it is conveyed through the author’s choice of words and detail. Tone can be formal or informal, serious or playful, bitter or ironic, indignant, objective, etc. http://pressunic.com/video/images/shangai_kid2.jpg

49. The use in a literary work of clues that suggest events that have yet to occur (future action). Use of this technique helps to create suspense, keeping readers wondering and speculating about what will happen next. htt://www.hyperborea.org/journal/images/foreshadowing.jpg

50. The general term for literary techniques that portray differences between appearance and reality, expectation and result, or meaning and intention. Implies a twist. http://kilby.sac.on.ca/towerslibrary/pages/users/DVD%20-%20Romeo%20&%20Juliet%20(Hollywood).jpg

51. Words are used to suggest the opposite of what is meant. http://us.movies1.yimg.com/movies.yahoo.com/images/hv/photo/movie_pix/twentieth_century_fox/ star_wars__episode_iii___revenge_of_the_sith/_group_photos/hayden_christensen5.jpg

52. There is a contradiction between what a character thinks and what the reader or audience knows to be true. http://www.sunnews.com/images/2003/0821/jasonRGB.jpg

53. An event occurs that directly contradicts the expectations of the characters, the reader, or the audience. http://www.d8a.co.uk/vcd/Planet-of-the-apes.jpg

54. The descriptive or figurative language used in literature to create word pictures for the reader. These pictures or images, are created by details of sight (visual) – p. 678, sound (auditory), taste (gustatory), touch (tactile), smell (olfactory), movement (kinesthetic), or internal (organic). http://www.thailandtradenet.com/photos/cat alog/bedroom/chinese-bed.jpg http://www.sciencenewsforkids.org/article s/20050601/a798_129.SMELL.JPG

55. Also known as atmosphere, is the feeling created in the reader by a literary work or passage. Usually it is created by the suggestive descriptive details. It can sometimes be described by a single word, such as lighthearted, frightening or despairing. http://www.geekroar.com/film/archives/underworld.jpg

56. a literary work that has a second meaning beneath the surface, often relating to a fixed, corresponding idea or moral principle.

57. A literary character or narrator who is a thinly disguised representation of the author, poet, or playwright creating a work.

58. Repetition of a word, phrase, or clause at the beginning of two or more sentences in a row. This is a deliberate form of repetition and helps make the writer’s point more coherent. Example: *We shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills. We shall never surrender. Churchill. http://www.crab.rutgers.edu/~awoll/churchill.jpg

59. deliberate omission of a word or of words which are readily implied by the context. And he to England shall along with you. from Hamlet, Act 3, Scene 3 Red light means stop; a green light, go.

60. a foil is a character who provides a contrast to another character. In Frankenstein, Robert Walton and Victor Frankenstein are foils.