1. Unit 66 lighting
Amber burgess

2. Moving head part 1 Moving head: Martin RUSH MH 1 Profile
“This super bright LED profile moving head with efficient optics punches out a variety of effects and colours from two gobo wheels and two colour wheels. For added versatility and effect, it also houses an electronic dimmer and strobe, iris and 3-facet prism.”
Weight 18 kg
Dimensions 41.8 x 32.8 x 58.8 cm
This perticular moving head light costs £1, from this site.
Physical
Length: 418 mm (16.5 in.)
Width: 328 mm (12.9 in.)
Height: 588 mm (23.1 in.)
Weight: 18 kg (39.7 lbs.)
Dynamic Effects
Color wheel 1: 7 colors plus open, rotation with variable direction and speed
Color wheel 2: 7 colors (incl. 1 x UV, 2 x CTC) plus open, rotation with variable direction and speed
Rotating gobo wheel: 7 gobos plus open, wheel rotation, gobo indexing, rotation and shake
Static gobo wheel: 8 gobos plus open, wheel rotation and shake
Electronic ‘shutter’ effect: Strobe effect, pulse effects, instant open and blackout
Prism: Indexing and rotation with variable direction and speed
Iris: Motorized
Focus: Motorized
Electronic dimming: 0 – 100%, four dimming curve options
Pan: 540°
Tilt: 270°
Pan and tilt speed: Adjustable via on board control panel and DMX

3. Control and Programming
Control options: DMX, stand-alone MOVING HEAD PART 2
DMX channels: 17
Stand-alone trigger options: Music trig, auto trig
Stand-alone sequences: 4 pre-programmed shows
Stand-alone memory: 20 scenes
Music trig sensitivity: Adjustable
Setting and addressing: Control panel with backlit LCD display
DMX compliance: USITT DMX512/1990
Optics
Light source: 180 W LED engine
Minimum LED lifetime: hours (to >70% luminous output)*
*Figure obtained under manufacturer´s test conditions
Construction
Color: Black
Housing: High-impact flame-retardant thermoplastic
Protection rating: IP20
Installation
Mounting points: Two quarter-turn brackets for rigging clamps
Location: Indoor use only, must be fastened to surface or structure
Orientation: Any
Connections
AC power in/thru: Neutrik PowerCon
DMX data in/out: 3-pin and 5-pin locking XLR
Electrical
AC power: / V nominal, 50/60 Hz
Typical total power consumption: 320 W

4. Moving head part 3
information from
At the lighting of the church event this particular moving head light could be used as a gobo to project images on the church walls, it specifies that it provides a versatile effect.
rushmh1profile

5. Nova-flower nova light
1200w lamp.
£7/12000
Used for outdoors,
It’s waterproof
Used for premieres
Different colours
Uses 16 amp connector
And power con
15 channels:
1) COLOURS (ALL THE POSSIBLE COMBINATIONS) + RAINBOW 2) COLOURS MOTORS’ SPEED
3) REFLECTOR’S SPEED
4) LAMP ON/OFF + RESET
5) SHUTTER
6) MAGENTA
7) CYAN
8) YELLOW
9) PAN 8 BEATS
10) TILT 8 BEATS
11) PAN 16 BEATS
12) TILT 16 BEATS
13) PAN SPEED
14) TILT SPEED

6. LEDJ Stratos Wash Features: 336 x 10mm LEDs (R: 108, G: 108, B: 120)
Beam angle: 120 degrees
0 – 100% dimming and variable strobe via DMX
DMX channels: 3 or 6 selectable
Static colour, colour change, colour fade, Sound active, master/slave and DMX
3 push button menu with LED display
IEC power in/out sockets
3-pin XLR in/out sockets
See Resources Tab for Lumen Chart
Specifications:Power consumption: 40W
Power supply: V~50/60Hz
Dimensions: 382 x 105 x 215mm
Weight: 2.5Kgs
Carton Size Qty Height Length Width Weight
Barcode
“The Stratos Wash features an infinite colour palette allowing the user to create thousands of incredibly smooth washes of constantly changing coloured effects mm LEDs ensure that light coverage is both even and powerful.”
this light could be used to reflect light upwards onto the windows, using smoke machines.

7. Zero88 Alpha pack 2
Taken from:
Alphapack 2 is a 3 channel fully portable dimmer unit, which can be safely secured to a stand or wall with the use a mounting bracket. One of our most popular dimmers, the Alphapack 2 finds uses in all areas of the lighting industry. Rental, display, education, event services and live music users have all found the Alphapack 2 to be a perfect solution. The local fader controls make the Alphapack 2 ideal for ‘fit and forget’ situations, as well as allowing use as a follow spot dimmer.
This compact and rugged unit has 3 faders for local control, or can be controlled remotely as part of a larger lighting system. The Alphapack 2 offers both analogue and DMX control inputs providing maximum flexibility for a great price. A unique safety system and overload protection circuit means that the Alphapack 2 provides an extremely safe and reliable solution to small dimming applications, never allowing the dimmer loads to draw more current than is available from the supply.
Features
Three Channels
6.3 Amps per channel
Three fader Local Control
Overload protection circuit
“In” and “Thru” Control Connections
Channel Selection Switch with LED
Optional Mounting Bracket
This could be used in a theatre when the lights need to be dimmed as the show starts and when they need to light the auditorium up again at the end and interval

8. Selecon
Scenarios:
When choosing wash lights I would choose the selecon wash because it has something similar to a frosted lens. I would choose this fixture over a parcan because you have more control over the beam angle and the shape of the image projected using the manual shutters. The parcan does not offer a frosted/diffused lens, however you can recreate this effect with a parcan by using frosted gel. I would use this light as a wash light to cover wide areas on stage.
Accessories
G – clamp
Barn doors
Gel frames
Safety chain
Adjustable arm
Adjustable knob
15 AMPS
Explanation:
This light is used for general wash on stage to light a whole area. The fixture has the ability to hold gel in the front, allowing you to create different colour washes. This fixture uses a 650w lamp.

9. PC G – clamp Barn doors Gel frames Safety chain Adjustable arm
Adjustable knob
15 AMPS
Accessories:
Explanation:
The pebbled effect gives the beam its characteristic soft edge. The edge of the beam is slightly harder than a Fresnel, but is not hard edged. The pebble convex lens uses the efficiency of the Plano convex lens and gives the light a softer edge. Like a Fresnel, there is one focussing knob to change the beam angle. This fixture also uses a 650w lamp
This light is used for general cover because it is part of the Fresnel family.
The pebble convex also has a pebble lens which means that you can also use it to replace a spotlight.
Scenarios:
if there was no option to use a source four to pin point a certain element on stage I would use a pc because they have a pebble convex lens so they can replace a spot and they have similar features of a Source 4. I wouldn’t use a par can because it is very difficult to be accurate and pin point a source as it is more of a wash than a profile.

10. CCT
Scenarios:
I would use this light to side wash a stage for a dace company because it provides a general wash cover.
Explanation:
A CCT is also part of the Fresnel family. This means that it diffuse light and is mainly used for general cover. You can also use the gels to create different coloured lights and the barndoors to isolate the light to a specific area. This light uses a halogen bulb 650W. I would use this light over a PC fixture because this fixture has a diffused output allowing general wash cover with no defined edges.
Accessories:
G – clamp
Barn doors
Gel frames
Safety chain
Adjustable arm
Adjustable knob
15 AMPS
Ridge Circular lens

11. Selecon G – clamp Barn doors Gel frames Safety chain Adjustable arm
Scenarios:
If I was choosing a light to create a general wash at a Christmas show I would choose a selecon because it is good at creating a general wash because it diffuse the light well. I would choose a selecon over a parcan because it only adds dept to general cover it isn't strong enough to cover the whole stage. I also would not choose a source four because it is too defined and wont diffuse the light well.
Accessories
Explanation:
G – clamp
Barn doors
Gel frames
Safety chain
Adjustable arm
Adjustable knob
15 AMPS
This is purposely used for general cover to light a whole area but you can use the gels to create many different colours and you could also use the barn doors to isolate the light to specific areas that you would want the light to highlight. This light uses a halogen bulb 650W.

12. Scene 1K
Scenarios:
If I was choosing a light to use for creating a backlight in a musical I would choose a 1K because it diffuse light well and create a good general wash and because it is very bright to create a good definition of the actors. I would choose a 1k over a birdie because a birdie is not bright enough and I would not choose a minutte profile either because it is too defined.
Accessories:
Explanation:
The scene (1K) diffuse light and can be used for general cover. You can use the gels to create many different colours and you could also use the barn doors to isolate the light to specific areas that you would want the light to highlight. This light is also used for a back light, this is when you create a definition of the actor on stage because it is lit from behind to make them stand out. The 1K does not go further than other lights but it is much brighter. This light uses a 1K halogen bulb.
G – clamp
Gels
Barndoors
Gel frames
Safety chain
Adjustable arm
Adjustable knob
15 AMPS
Ridge circular lens

13. Floodlight Scenarios:
If I was choosing a light to light a cyclorama I would choose a flood light because it is good at creating a general wash so the cyclorama would be lit evenly. I would choose a floodlight over a birdie because a birdie is to small and not powerful enough and I would not choose a minutte profile because it would be too defined and not create a general cover.
Explanation:
You can use the gels to create many different colours. This light floods the room with light and you would use it to light up the audience because it has no direction. You could also use it for crowd surfing at a gigs and lighting up the cyclorama in a contemporary dance performance. This light cannot control the size of the light and is controlled by the lighting desk. This light uses a 500W halogen linear bulb.
Accessories
G – clamp
Gels
Gel frames
Safety chain
15 AMPS

14. Birdie G – clamp Gels Gel frames Safety chain 13/15 AMPS Halogen bulbs
Scenarios:
I would use this light for lighting up table centres for an awards show using one light per table to highlight centre pieces.
Accessories
Explanation: to light up centre pieces on the tables for an awards show I would use the Birdie over a parcan because the parcan has a wider beam angle than the Birdie, the birdie has a very narrow beam allowing you to pin point certain elements.
G – clamp
Gels
Gel frames
Safety chain
13/15 AMPS
Halogen bulbs

15. Parcan
Scenarios:
This is a parcan and I would use it for a music gig, this light is perfect for giving general wash cover and creating wash sequences.
Accessories
Explanation:
Parcans are really good at giving a good wash of light across the stage I would use this light over a profile such as a source 4 because a source 4 will give you a defined edge where as there is no defined edge with a parcan.
G – clamp
Gel frames
Safety chain
Adjustable gels
15 AMPS
Encased light bulb

16. L.E.D
Scenarios:
If I was choosing a light to use provide multiple colour enabling the scenes mood to change I would use a L.E.D because it uses a DMX cable so I can change the colour of the light from the lighting desk so it would be less effort and no fuss on stage and it is also energy saving and produces primary colours. I would choose a L.E.D over a floodlight because they use gel frames so it would be much harder to change the colours with ease. I would also not choose a source four because it is a special so it would not create a general wash it would be more specific on a certain object or actor.
Accessories
Explanation:
You can use the gels to create many different colours. This light has many different small LED bulbs inside it and this means it does not get hot. It has no direction and just creates a general wash. An L.E.D has the same job as a parcan but you can change the colour from the lighting desk instead with a DMX cable from the light to the desk and this is made with male and female parts.
G – clamp
Gels
Gel frames
Safety chain
Adjustable arm
13/15 AMPS
DMX cable

17. Source Four G – clamp Gels Gel frames Safety chain 15 AMPS Shutters
Scenarios:
This is a source four light if I was in a theatre I would use this light to light up certain elements on the stage, such as an actor or prop because this light has the ability to be focused on different shapes and sizes on stage. For example if I wanted to light a certain actors face only this fixture would be perfect.
Accessories
Explanation:
I would use this source four over a parcan because the parcan only offers a wash of light and if I wanted to pin point a certain area on stage the parcan would not be suitable because it does not offer the same features as the source four, the source four has shutters built in to the fixture enabling you to create any shape.
G – clamp
Gels
Gel frames
Safety chain
15 AMPS
Shutters
Iris
gobo

18. Minuette Profile Explanation: Accessories G – clamp Gels Gel frames
The differences between the Minuette profile and a parcan are that the Minuette can take a gobo and project patterns onto the area in question. The parcan does not offer this facility, however the parcan is a brighter lighting fixture.
Accessories
G – clamp
Gels
Gel frames
Safety chain
15 AMPS
Shutters
Iris
gobo
Scenarios:
This light is excellent for producing patterns on the stage or floor. It has the ability to take a gobo allowing you to create all kinds of different effects. for example if I wanted to create a look with tree branches you can use a gobo in this light to re create this image.

19. Pin Spot G – clamp Safety chain 13/15 AMPS Accessories
Scenarios: A pin spot is used for lighting up a mirror ball/glitter ball because it has a very narrow sharp beam.
Explanation: I would use the pin spot over a Birdie because the pin spot has a very narrow beam and is more powerful than the birdie, although the birdie has quite a narrow beam the pin spot is more focused and sharp allowing you to create the effect needed when using mirror balls.