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Art Characteristics through the Ages

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Presentation on theme: "Art Characteristics through the Ages"— Presentation transcript:

1 Art Characteristics through the Ages

2 Characteristics of Classical Art
Mythological Themes/Heroes ancient Greek & Romans viewed as religious Idealized portrayal of subject: Larger than life Emphasized fitness and strength Nude Contrapposto = Italian “for set against.” Position of body with weight on one leg while the other is at rest- suggests movement. Uses balance and perspective (technique used to give depth to a painting using lines and angles), symmetry and simplicity.

3 What is Contrapposto? Michelangelo’s David is a great example.
The right leg is the weight-bearing leg. The left leg is relaxed and suggests movement. It is a relaxed natural posture. Compare to ancient Egyptian statues.

4 Differences between Ancient Egyptian and
Greek Sculpture Greek Art Egyptian Art

5 Differences between Ancient Egyptian and Greek Sculpture
Hermes Greek Art Egyptian Art

6 Nike of Samothrace Artist: Unknown 190 BC

7 Athena Unknown Hellenistic Period

8 Socrates Unknown Hellenistic Period

9 Three Graces Unknown 100 BC Three Graces

10 Characteristics of Medieval Art
Religious Themes New Testament Lives of saints Lack of emotion/stiff flat (almost cartoonish looking) Stylized portrayal of subject: Gold background Faces all look the same

11 Christus Patiens Marcovoldo 1260 AD

12 Christus Patiens Coppo di Marcovaldo 1261 AD

13 Joan of Arc Unknown Early Middle Ages

14 Madonna and Child Duccio di Buoninsegna Late Middle Ages (1300?)

15 Enthroned Madonna and Child with Angels and Prophets (Maesta)
Cimabue 1280 AD

16 Madonna Enthroned with Angels and Saints (Maesta)
Duccio 1311 AD

17 Medieval Classroom Artist: Unknown Late Middle Ages

18 Characteristics of Renaissance Art
Science of Looking: Perspective : gives depth by using lines and angles. Light and shadow. Knowledge of anatomy and nature (looks realistic) Classicism- reference to ancient Greece and Rome: Mythological subject. Architecture. Style: larger than life, nude, contrapposto. Humanism: emphasis on the individual and emotions. Self-portrait/ordinary people. Emphasis on emotions/gestures.

19 Perspective First use of linear perspective! Perspective! The Trinity
Masaccio 1427 Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective! What you are, I once was; what I am, you will become.

20 Light & Shadowing/Softening Edges
Sfumato Chiaroscuro

21 Emphasis on Individualism
Batista Sforza & Federico de Montefeltre: The Duke & Dutchess of Urbino Piero della Francesca,

22 * First Free Standing Nude Bronze Statue Since Classical Times
David Donatello 1440 * First Free Standing Nude Bronze Statue Since Classical Times Find spot: David’s hat= Florentine Shephard’s hat. This is a statue for Florence (patron saint). Civic pride = Humanism.

23 ` The Penitent Magdalen Donatello 1450

24 The Annunciation Fra Angelico 1445

25 Trinity with Mary, John the Evangelist and Two Donors
Massacio 1428 Tour de force: artist displays master of a technique. (tiled arch in background)

26 (it looks like you can step into the entrance way into the picture)
St. Jerome in His Study da Messina 1455 Trompe L’oeile: an Optical illusion. (it looks like you can step into the entrance way into the picture)

27 Adoration of the Magi Botticelli 1470

28 The Birth of Venus Botticelli 1486

29 Primavera Botticelli 1482

30 The Last Supper- Jesus’ last meal with apostles- was another common subject like the christus patiens and Maestas The Last Supper Dieric Bouts ( )

31 The Last Supper Ghirlandaio (late 1400s)

32 The Last Supper Andrea del Castagno 1447

33

34 Madonna of the Goldfinch Raphael 1506

35 Madonna and Child with St. Anne Leonardo da Vinci 1513


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