1. Teacher: Kenji Tachibana Digital Photography I x Making Images – 20 slides

2. Teacher: Kenji Tachibana Digital Photography I A nother Found Shot: I like my photography to be of the moment. I shot this red Tulip near my home after getting off the bus. I sometimes use my camera to relax or even meditate. Making Images: Red Tulip Center

3. Teacher: Kenji Tachibana Digital Photography I C amera Original: I do a lot in Photoshop but the image Making starts when capturing the camera original image. Seeing the interplay of light on the subject is the thing that usually captures my attention and my imagination. Making Images: Red Tulip Center

4. Teacher: Kenji Tachibana Digital Photography I C amera Controls: I check my camera to make sure that the important settings are where they need to be first. Then I evaluate the scene tonal range and adjust the camera Contrast accordingly. In this case, the contrast setting is lowered. I frame for design and not for ID, specific flower. It’s very windy so I need both fast shutter speed and deep DOF. The direct sun lighting allows me that… Making Images: Red Tulip Center

5. Teacher: Kenji Tachibana Digital Photography I C amera Settings: Color Representation (space)sRGB (Adobe) Zoom setting (Focal length)11mm (Human eye Normal) Aperture (f-number)F/6.3 (Maximum DOF) Shutter speed (exposure Time)1/400 sec. (Stop motion?) ISO (sensor sensitivity to light) ISO-100 (High Q slow) Light meter (meter mode) Matrix (Default Pattern) Bias (exposure compensation)-.7 step (Darken by 2/3 stop ContrastLow (Tone down range) SaturationDefault Normal Lens shade (light block)On if possible Filter (UV, Polarizing)None Close focusTurned ON Making Images: Red Tulip Center

6. Teacher: Kenji Tachibana Digital Photography I S ubject and Light: I spotted the Tulip planted along the side walk as I walked home. It was catching the mid-afternoon (4/24/09 - 2:51 PM) direct sunlight ‘just so’. I oriented myself to the subject so that the light was coming from about 11 O'clock. I moved in very close and framed the subject so that the single stamen became the focal point. I placed a finger on the side of the flower to steady it but it still continued to waver. I took a chance that fast 1/400 sec shutter speed would still the wavering… Making Images: Red Tulip Center

7. Teacher: Kenji Tachibana Digital Photography I E xposure: Balance of art & science I wanted to retain highlight detail since my focal point consisted of light tones. And I was willing to lose some of the shadow detail at the base. The Histogram tells the exposure story quite nicely. It’s showing that I retained highlight detail and that some of the shadow detail is being lost. Making Images: Red Tulip Center

8. Teacher: Kenji Tachibana Digital Photography I M etamorphoses: Original capture to fully Made Camera Original Basic Lab WorkTop/bottom burns Fully Made Glow Lab work is a routine ‘move’. I often add top, side, or bottom burns (darkening) to control movement within the composition. And I usually paint on the burn ‘mask layer’ to feather in minor movements… Making Images: Red Tulip Center r

9. Teacher: Kenji Tachibana Digital Photography I Before: Camera original

10. Teacher: Kenji Tachibana Digital Photography I After Glow:

11. Teacher: Kenji Tachibana Digital Photography I x Next: Related only by color and neighborhood walk

12. Teacher: Kenji Tachibana Digital Photography I M anmade Object: Red bulb Right near the Montlake Library is a bus stop and an antique store. After getting my DVD’s at the Library, I usually wait for the bus to take me up the hill. On a recent bus waits, this red light bulb caught my eye… Making Images: Red light

13. Teacher: Kenji Tachibana Digital Photography I C amera Original: I do a lot in Photoshop but the image Making starts when capturing the camera original. The white hot filament and the original and secondary reflection looked really cool. The red glass made it even hotter. I only wanted to hint Making Images: Red light

14. Teacher: Kenji Tachibana Digital Photography I C amera Settings: Color Representation (space)sRGB (Adobe) Zoom setting (Focal length)11mm (Zoom for framing) Aperture (f-number)F/6.3 (Maximum DOF) Shutter speed (exposure Time)1/100 sec. ISO (sensor sensitivity to light) ISO-100 (High Q slow) Light meter (meter mode) Matrix (Default Pattern) Bias (exposure compensation)-.3 step (Darken by 2/3 stop ContrastDefault Normal SaturationDefault Normal Lens shade (light block)Removed / lens on glass Filter (UV, Polarizing)None Close focusTurned ON Making Images: Red light

15. Teacher: Kenji Tachibana Digital Photography I S ubject and Situation: It was dark for an afternoon (4/22/09 3:06 PM) with heavy overcast promising rain. In the dim lighting, the red bulb in the antique store window looked particularly bright. I carefully chose a camera distance and angle to the glass to get the sky and other reflections on the glass bulb surface. I also chose to show a little bit of the bulb base to hint at the real subject. Otherwise, I was after the red lighting storm…. Making Images: Red light

16. Teacher: Kenji Tachibana Digital Photography I E xposure: Balance of art & science I was going for a low-key (dark Moody) shot. Since the focal point is the brightest part of the image, I needed highlight with detail and some pure white areas. I also wanted the predominantly dark shadow areas to be full of suggestive details. The Histogram shows a tonal range capable of what I intended to do in the final Image Making phase in Photoshop. Making Images: Red light

17. Teacher: Kenji Tachibana Digital Photography I M etamorphoses: Original capture to fully Made ab work is a routin Red light: … Oooops, missing dead black…

18. Teacher: Kenji Tachibana Digital Photography I M etamorphoses: Original capture to fully Made ab work is a routin Red light: Final tweak… with dead black…

19. Teacher: Kenji Tachibana Digital Photography I M etamorphoses: Original capture to fully Made ab work is a routin Red light: Lightning detail…

20. Teacher: Kenji Tachibana Digital Photography I S ummary: The digital camera is amazing piece of equipment but don’t expect the camera to produce the final image for you, which matches your vision and story. It has to have the raw material but use Photoshop to bring out the image characteristics that you originally saw. The things that got you excited to capture the image in the first place. Although, always be prepared to take it to the next level… Making Images: Red flower

21. Teacher: Kenji Tachibana Digital Photography I x End