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Primavera – Botticelli, 1482 Depicted classical gods as almost naked and life-size.

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Presentation on theme: "Primavera – Botticelli, 1482 Depicted classical gods as almost naked and life-size."— Presentation transcript:

1 Primavera – Botticelli, 1482 Depicted classical gods as almost naked and life-size.

2 A Portrait of Savonarola By Fra Bartolomeo, 1498. Dominican friar who decried money and power. Anti-humanist  he saw humanism as too secular, hedonistic, and corrupting. The “Bonfire of the Vanities,” 1497. /Burned books, artwork, jewelry, and other luxury goods in public. /Even Botticelli put some of his paintings on the fire!!

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4 Venus of Urbino – Titian, 1558

5 The Penitent Mary Magdalene by Titian, 1533 By the mid-16c, High Renaissance art was declining. Mannerism became more popular. This painting is a good example of this new artistic style.

6 “The Last Supper,” 1498 fresco Leonardo da Vinci; Painted in the Convent of Santa Maria delle Grazie, Milan

7 Michelangelo “David,” St. Peter’s, Rome “The Pieta,” St. Peter’s Rome

8 Details of panels from Michelangelo’s painting of the Sistine Chapel showing the Creation of Adam (top) and Eve (right).

9 Rembrandt van Rijn “The Jewish Bride,” 1667 “The Return of the Prodigal,” 1669 The greatest of “The Dutch Masters,” Rembrandt perfected art as realism and the use of chiaroscura.

10 Goya “The Shootings of May Third,” 1814 “The Puppet,” 1791 Goya represents an early turning in art from realism (as likeness), to art as alteration. Many of his works were expressive of an inner vision and commentary about the times in which he lived.

11 The Advent of Photography and the end of the dominance of realism Above: 31 st PA Regiment Soldier’s Family visits on the battlefield (1861-65); Upper Right: Abraham Lincoln c. 1860; Lower Right: Union Dead at Gettysburg, July 1863

12 Impressionism “The Waitress,” 1877 Eduard Manet “Madame Monet and her Son,” 1875 Claude Monet Sought to focus on the way light is perceived by the human eye. This period inaugurates art as alteration. Imitation in art is within the painter.

13 “The Child’s Bath,” 1893 Mary Cassatt

14 Post-Impressionism Vincent Van Gogh “Self-Portrait with Bandaged Ear,” 1889 “Fifteen Sunflowers in a Vase,” 1888

15 Pointilism “Le Pont de Courbevoie,” 1886-1887, by Georges Seurat

16 The 1913 69 th Regiment Armory Exhibition Named for the building in New York City where this art exhibition took place.Named for the building in New York City where this art exhibition took place. Brought to the U.S. many of the new modern artists who were launching into art as alteration with boldness and intensity.Brought to the U.S. many of the new modern artists who were launching into art as alteration with boldness and intensity. This art exhibition found few admirers at the time due to its radical departures from traditional painting.This art exhibition found few admirers at the time due to its radical departures from traditional painting. Unlike Van Gogh (and others in Post-impressionist alteration) who began with the natural world and painted it as they saw it, alteration for these modern artists sought to impose something new on the world, something inside themselves.Unlike Van Gogh (and others in Post-impressionist alteration) who began with the natural world and painted it as they saw it, alteration for these modern artists sought to impose something new on the world, something inside themselves.

17 Abstractionism “Composition VIII,” 1923, Vasiliy Kandinsky

18 “Arearea” (Joyousness), 1892, by Paul Gauguin

19 Cubism “Les Demoiselles d’Avignon,” 1902, By Pablo Picasso

20 “Guitar and Violin,” c. 1912 By Pablo Picasso

21 “Guernica,” 1937; By Pablo Picasso

22 “Bottle and Fishes,” 1910; By Georges Braque

23 Surrealism “The Persistence of Memory,” 1931 By Salvador Dali A style of painting that has recognizable figures and shapes but these things are related to each other as objects in dreamlike state.

24 “The Last Supper,” 1955, By Salvador Dali

25 Georgia O’Keefe “Series 1, Number 8,” 1919 “Iris,” 1929

26 “Red and Orange Hills,” 1938-1939

27 Modern Realism “Nighthawks,” 1942, By Edward Hopper

28 “Cape Cod Afternoon,” 1936 (Carnegie Museum of Art)

29 “A Woman in the Sun,” 1961, The Whitney

30 “Into Bondage,” 1936, Aaron Douglas

31 “Aspects of Negro Life: From Slavery through Reconstruction,” 1934

32 “Ugly Americans,” by Duane Hanson

33 Abstract Expressionism “Greyed Rainbow,” 1953, By Jackson Pollock

34 Study for “Woman Number 1,” 1952, By Willem de Kooning


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