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Published byJessie Sherman Modified over 9 years ago
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Begins on page 86 Chapter 10 The Baroque Period
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Styles in Music The treating of musical elements in a similar way in many works over an extended period of time. Example: Baroque style Names of styles are designated years after a style has ended
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Characteristics of Baroque Style From about 1600 to 1750 Grandiose dimensions Love of drama
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Baroque Art Infused with drama Design no longer balanced Figures often in “corkscrew” shape
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Baroque Intellectual Activity Isaac Newton – theory of gravity Religious intensity William Gilbert – electricity Robert Boyle – chemistry Rene Descartes – analytical geometry Robert Hooke – cellular structure of plants William Harvey – circulation of blood Galileo Galilei -- astronomy
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Music in the Baroque Patronage system ► Composers composed exclusively for their employer ► Steady employment ► Composer had to please patron ► Involved teaching singers, rehearsing instrumentalists, and writing music.
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Composers wrote a huge amount of new music used a short hand system called “figured bass” used melodies in more than one work didn’t fuss over details in the music
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Performance of Baroque Music Most performances took place in churches and palaces No professional orchestras No need for a conductor Opera houses were established Improvisation was important in Baroque music
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Characteristics of Baroque Music Homophony Recitatives developed Metrical rhythm Major/minor keys Tonal center Modulation Doctrine of Affections
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Handel: “The Voice of Him That Crieth in the Wilderness” from Messia Example of recitative ► Expressive of the text ► Flexible rhythm ► Tonal center ► Modulation ► Doctrine of Affections
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Features of Baroque Instrumental Music Tuning Terraced dynamics Continuo
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Summary Styles in music Characteristics of Baroque style Baroque instrumental music Music in the Baroque Performance of Baroque music Characteristics of Baroque music Handel: “The Voice of Him that Crieth in the Wilderness” from Messiah Features of Baroque instrumental music
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