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THE MIDDLE EAST MUSIC IN THE CRADLE OF GREAT RELIGIONS Islam, Iran, Arabic, Sufism, Judaism © TAYLOR & FRANCIS
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MIDDLE EAST MAP © TAYLOR & FRANCIS
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BACKGROUND PREPARATION West Asia & North Africa Islam, Christianity, Judaism Ancient civilizations Influence on Europe Arabic, Turkish & Persian © TAYLOR & FRANCIS
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ISLAM & ARABIC MUSIC Site 1: Islamic “ Call to Prayer ” Site 2: Arabic Taqasim for ‘Ud and Buzuq © TAYLOR & FRANCIS
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Non-music (vs. Music) Koranic Chant Adhan – Call to Prayer Pilgrimage Chants (Hajj) Eulogy Chants & Chanted Poetry “Alif Laam Raa. A book which we have revealed to you (Muhammad) so that you may lead the people from out of the darknesses into the light by their Lord's leave to the path of the All-Mighty, the Praiseworthy.” [Koran 14:1] © TAYLOR & FRANCIS
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Site 1: Islamic “ Call to Prayer ” First Impressions Heightened speech Aural Analysis Melismatic male voice “ Allah ” – God is Great A muezzin performs the Call to Prayer © TAYLOR & FRANCIS
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CULTURAL CONSIDERATIONS Muhammad Koran Muslim Mosque Mihrab Mecca The Ka’aba Minaret Muezzin The Ka’aba © TAYLOR & FRANCIS
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The “Blue Mosque” Sultanahmet Camii mosque in Istanbul, Turkey © TAYLOR & FRANCIS
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(NON-MUSIC) VS. MUSIC Family and Celebratory Music Occupational music (Caravan, shepherd, work songs) Military Music © TAYLOR & FRANCIS
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Site 2: Arabic Taqasim First Impressions Improvising chordophones Aural Analysis Ud and Buzuq Maqam – “ Composition Kit ” Taqasim Free Rhythm 24 pitches to the octave Al’UdBuzuq © TAYLOR & FRANCIS
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CULTURAL CONSIDERATIONS Islamic attitudes toward music Legitimate Music for worship or function Controversial “ Art ” or “ Entertainment ” Non-Islamic sacred music Illegitimate Sensual music Haram © TAYLOR & FRANCIS
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Iran Site 3: Dastgah for Santur and Voice © Taylor & Francis
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Largely mountainous Persian, not Arabic Predominantly Shi ’ a Muslim Theocracy since 1979 Ayatollah Ruhollah Khomeinii (1900–1989) © Taylor & Francis
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First Impressions Melancholy Melisma Aural Analysis Santur Dastgah Gusheh Radif Santur © Taylor & Francis
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Schools of Dastgah Non-meter over meter Classical underground © Taylor & Francis
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Egypt Site 4: Arabic Takht Ensemble © Taylor & Francis
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Arrival Egypt Pyramids & Pharaohs Suez Canal – 1869 Modern Era Temple of Ramses II at Abu Simbel © Taylor & Francis
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Site 4: Arabic Takht Ensemble First Impressions ◦ Graceful “ belly ” dance music Aural Analysis ◦ Takht Melody: ud, kemanja, kanun, ney Rhythm: riqq, tablah (darabukka/dombak) ◦ Dulab, Bashraf & Iqa-at © Taylor & Francis
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Takht Instruments Front Row, L to R: Ud, Kanun, Tablah Above: Duff, Tablah, and Riqq Right: Ney © Taylor & Francis
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Cultural Considerations “Belly” Dance Music evokes emotion A “belly” dancer from Morocco © Taylor & Francis
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Sufism Site 5: Dhikr Ceremony © Taylor & Francis
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Arrival: Sufism “ Mystical ” branch of Islam Noted for their woolen ( suf ) robes Most common in Turkey and Pakistan Monasteries and dervish © Taylor & Francis
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Site 5: Sufi Dhikr Ceremony First Impressions “ Spinning top ” vocal swirl Vocal cry over hearty chant Aural Analysis Ney and “ takht ” instruments Unison singing with shifting tonal center Followed by: Melismatic chant in free rhythm Deep, raspy “ Allah ” chant © Taylor & Francis
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Cultural Considerations Dhikr – “Remembrance” Music as a “spiritual ladder” Spiritual ecstasy - Oneness with Allah “Whirling” dervish Sufis “whirling” during dhikr ritual © Taylor & Francis
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Judaism Site 6: Liturgical Cantillation © Taylor & Francis
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Arrival: Judaism Israel –The Holy Land The Diaspora Sephardic – Ashkenazi A man prays at the Wailing Wall in Jerusalem © Taylor & Francis
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Site 6: Jewish Cantillation First Impressions –Sung recitation Aural Analysis –Shofar & Cantor –“Speech” rhythm –Melodic formulas Shofar © Taylor & Francis
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Cultural Considerations Torah Synagogue Torah © Taylor & Francis
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