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Published byLuke Pierce Modified over 9 years ago
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SGGK overview Complex Structure Romance –Genre concerned with Knightly Identity
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SGGK Overview Identity –Honor –Masculinity –Sexuality
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SGGK Overview Poem explores Knightly Character The nature of Chivalry
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SGGK Overview Strong Christian component in the text
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The Book of Margery Kempe Important Terms –Litteratus—amanuensis –Mysticism –Imitatio Christi
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Mysticism “an immediate knowledge of God attained in this present life through personal religious experience. It is primarily a state of prayer, and as such admits of various degrees from short and rare divine ‘touches’ to a practically permanent union with God” Oxford Dictionary of the Christian Church
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Book of Margery Kempe Genre Autobiography –Hagiography –Spiritual autobiography –Can we consider this autohagiography?
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Kempe Defying Categories –Options for women –Kempe’s marriage and secular life Life with her husband – youth and age Book 1.11 Book 1.76
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Kempe Mystical experiences –1.1 –1.79 –Mysticism and eroticism
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Pilgrimage Jerusalem, heavenly and earthly 1.28 Bodily eye/spiritual eye Affective piety –Changes in representations of Christ
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Early medieval
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Kempe’s reaction to a Pietà Weeping—Affective piety –Book 1.28 The Compassion of Mary 1.79 (p. 397)
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Vision of the Passion Meditations on the Life of Christ Kempe comforts the Virgin Mary 1.79 Visions of torture –Connections to Anti-Semitism
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York Play Context in medieval drama –Mystery cycles –Passion plays –Corpus Christi plays –Communal forms, connections to liturgy
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York Play Urban form Community based Chester, York, N-Town, Towneley
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Medieval Drama Non-professional Cross-dressing Early Records (REED) Pageant Wagons Feast of Corpus Christi
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The York Play Crucifixion is one part of a sequence describing suffering The banality of evil l. 229 The role of the spectator –L. 253
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York Play Anachronism –Mahound (line 61)
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Controversy over Passion Plays
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Medieval Section Overview Two linguistic and literary historical periods Old English—Anglo-Saxon Middle English
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Beowulf Nature of the hero Structure of the poem –Relation to issues of gender
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Canterbury Tales Estates Satire Miller’s Tale—Fabliau—Quitting Wife of Bath—Anti-feminist Satire Pardoner— –Spiritual and physical ambiguity
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Sir Gawain and the Green Knight Text Structured through parallels The façade of courtly culture Testing of Knightly Identity
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Kempe Auto-hagiography Affective piety
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