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Published byJerome Terry Modified over 9 years ago
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THE ETRUSCANS GARDINER – CHAPTER 9-2 PP. 223-234
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LATER ETRUSCAN ART 5 th century was golden age of Greek art -> but not in Etruria 509 BCE Romans expel their last Etruscan king -> replace the monarchy with republican form of govt 474 BCE Etruscan defeated at sea ending Etruscan dominance of the seas and ending prosperity TARQUINIUS SUPERBUS (“the Arrogant”) - Rome’s last king
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CAPITOLINE WOLF Best known later Etruscan statue, and one of most memorable depictions of an animal in the history of world art Capitoline Wolf, from Rome, 500- 480 BCE, bronze, 2’ 7” high Etruscan bronze of she-wolf that nursed the infants Romulus and Remus, the founders of Rome Animal is has a tense, gaunt body, lowered head and neck, alert ears, glaring eyes -> psychic intensity Suckling infants are 15 th century additions
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CHIMERA OF AREZZO Masterpiece of Etruscan bronze casting -> 1 st half of 4 th century -> from Arezzo, Italy CHIMERA = Greek monster w/lion’s head and body, serpent’s tail, and goat head growing out of left side Goat head shows wound inflicted by Greek hero Bellerophon Muscles tightly stretched over ribs, wounded, preparing to attack, roar coming from open jaws
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FICORONI CISTA 4 th century Rome begins conquering Etruscan territory Ficoroni Cista, from Palestrina, Italy, late 4 th century, 2’ 6” high Cista = cylindrical container for woman’s toiletry articles Made of sheet bronze with cast handles and feet and elaborately engraved bodies -> depicts the myth of the Argonauts in search of the Golden Fleece
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PORTA MARZIA, PERUGIA Porta Marzia (Gate of Mars), Perugia, Italy, 2 nd century BCE Arch has a long history in ancient architecture -> most common in Etruscan and Roman buildings Arcuated = arch shaped gateway Pilasters = flat columns -> frame the rounded opening -> Jupiter and his half sons Castor and Pollux and their steeds look out between the pilasters
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SARCOPHAGUS OF LARS PULENA From Tarquinia, Italy, 2 nd century, 6’6” long Front shows the deceased between 2 death demons swinging hammers -> signals success of journey to afterlife Late Etruscan sarcophagi are much more somber than Archaic examples Lars Pulena proudly displays open scroll with a record of his achievements
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AULE METELE Etruscan portrait statue of the magistrate Aule Metele, raising his arm to address an assembly -> modern nickname Arringatore/Orator 1 st century BCE, bronze, 5’7” This orator is Etruscan in name only -> wears short toga and high laced boots of a Roman magistrate Aule Metele became Roman and Etruscan art became Roman art
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