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Pg. 49 A Have your ever wanted to escape it all? Ever wanted to be carried off by aliens or fairies? Ever wanted to live in a dream world you imagined in your head or a far off country you have never seen? Explain, where you would go and why. How is this related to the kind of Movie you like?
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Vocabulary: Dehumanize- to take away human characteristics like compassion and individual value. Alienation- to become isolated. Rationalism- the belief that all answers can be found through the use of reason. Irrational- to be without reason. Macabre- To be preoccupied or to think often on death. Gothic- Having to do with the middle ages.
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Dehumanize- to take away human characteristics like compassion and individual value.
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Alienation- to become isolated.
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Rationalism- the belief that all answers can be found through the use of reason.
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Irrational- to be without reason. ?
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Macabre- To be preoccupied or to think often on death.
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Gothic- Having to do with the middle ages.
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Modern Goths 1980s and Today
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Who would want this life 24/7?
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Pollution, endless work, barren landscape, exhaustion…. This is the world of the Industrial Revolution.
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1790-1850 What people are thinking … e We support the French Revolution. e The Industrial Revolution is affecting society… e Individuals are important but they feel alone and isolated… e Industrialization dehumanizes workers… e Maybe Violent Change is better… e We support the French Revolution. e The Industrial Revolution is affecting society… e Individuals are important but they feel alone and isolated… e Industrialization dehumanizes workers… e Maybe Violent Change is better…
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Romanticism Notes: Please answer the following questions on pg. 49B of your notebook like this: Your AnswerRomanticisms Answer The Question
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What is the role of the Artist in Society?
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Characteristics of Romanticism 1. The Engaged & Enraged Artist The artist must be separate from from corrupting society. The artist must be the Critic of society, must start Revolution. The artist as genius. 1. The Engaged & Enraged Artist The artist must be separate from from corrupting society. The artist must be the Critic of society, must start Revolution. The artist as genius.
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How do we see Nature in Todays Modern World?
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Characteristics of Romanticism 2. Glorification of Nature: Ø Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates]. Ø Awesome, powerful, horrifying aspects of nature. § Uncaring of the fate of humans. § Overwhelming power of nature. 2. Glorification of Nature: Ø Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates]. Ø Awesome, powerful, horrifying aspects of nature. § Uncaring of the fate of humans. § Overwhelming power of nature.
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Please do not talk at this timeDec 16 What to Bring to the Final: –Final Product –Final Written Work + Works Cited Page –Final Presentation Materials (notes, cards, etc) –Pen or Pencil –Binder Paper WEDNESDAY, DEC. 17 TH 5th Period 8:05 - 9:40 6th Period 10:05 - 11:40 Lunch 11:40 - 12:10 7th Period 12:15 - 1:50 THURSDAY, DEC. 18 TH 3rd Period 8:05 - 9:40 4th Period 10:05 - 11:40 Lunch 11:40 - 12:10 0 Period 12:15 - 1:50
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What is the Appeal of Monsters, Vampires, Werewolves, Ghosts, and other supernatural creatures in books, movies, and TV? Notes continued on Pg 49B
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Characteristics of Romanticism 3. The Supernatural: Ghosts, fairies, witches, demons, Oh My! The shadows of the minddreams & madness. A reaction to rationalism [an escape from reason!] 3. The Supernatural: Ghosts, fairies, witches, demons, Oh My! The shadows of the minddreams & madness. A reaction to rationalism [an escape from reason!]
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Why do we like New things so much? What is the Attraction of the Unusual?
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Characteristics of Romanticism 4. Exoticism: Ø The sexy other. Ø A sense of escape from reality. Ø The desire to acquire that which is new and different Revival of Past Styles: Ø Gothic & Romanesque revival. 4. Exoticism: Ø The sexy other. Ø A sense of escape from reality. Ø The desire to acquire that which is new and different Revival of Past Styles: Ø Gothic & Romanesque revival.
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The Enlightenment Society is good, curbing violent impulses! Civilization corrupts; institutions increase corruption! Romanticism Early 19c
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The New Romantics Paint what they Feel, and what they Believe.
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Lady Macbeth - Henry Fuseli, 1794
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Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823 Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823
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Greece on the Ruins of Missolonghi Eug è ne Delacroix, 1827
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Liberty Leading the People Eug è ne Delacroix, 1830
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Napoleon at the St. Bernard Pass Jacques-Louis David, 1803 Napoleon at the St. Bernard Pass Jacques-Louis David, 1803
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The Shooting of May 3, 1808 Francisco Goya, 1815
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Wandering Above the Sea of Fog Caspar David Friedrich, 1818
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The Dreamer Gaspar David Friedrich, 1835
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An Avalanche in the Alps Philip James de Loutherbourg, 1803
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The Deluge Francis Danby, 1840
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The Wreck of the Hope (aka The Sea of Ice) Caspar David Friedrich, 1821
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The Raft of the Medusa Th é odore G é ricault, 1819
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Theodore Von Holst Frontispiece to Mary Shelley, Frankenstein published by Colburn and Bentley, London 1831
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Isaac Newton – William Blake, 1795
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Rain, Steam, and Speed Joseph Mallord William Turner, 1844
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The Slave Ship Joseph Mallord William Turner, 1842
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The Slave Ship (details)
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The Corn Field John Constable, 1826
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The Hay Wain - John Constable, 1821
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Salisbury Cathedral from the Meadows John Constable, 1831
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Eldena Ruin Gaspar David Friedrich, 1825
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Winter Landscape with Church Gaspar David Friedrich, 1811
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British Houses of Parliament 1840-1865
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Man and Woman Contemplating the Moon Gaspar David Friedrich, 1825
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Cloister Cemetery in the Snow Caspar David Friedrich, 1817-1819
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Abbey in an Oak Forest Caspar David Friedrich, 1809-1810
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Pandemonium - John Martin, 1841
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Pity - William Blake, 1795
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Nightmare (The Incubus) Henry Fuseli, 1781
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Saturn Devours His Son Francisco Goya, 1819-1823
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The Fanatics of Tangiers Eug è ne Delacroix, 1837-1838
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The Sultan of Morocco and His Entourage Eug è ne Delacroix, 1845
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The Bullfight - Francisco Goya
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The Royal Pavillion at Brighton John Nash, 1815-1823
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