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VOCABULARY. Who’s Who in Musicals? Conductor Composer Lyricist Choreographer Principles Soubrette Chorus.

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Presentation on theme: "VOCABULARY. Who’s Who in Musicals? Conductor Composer Lyricist Choreographer Principles Soubrette Chorus."— Presentation transcript:

1 VOCABULARY

2 Who’s Who in Musicals? Conductor Composer Lyricist Choreographer Principles Soubrette Chorus

3 C onductor The person who directs the orchestra

4 C omposer The person who writes the MUSIC SCORE The music of the show, as composed

5 lyricist The person who writes the WORDS to the music That’s right…there’s no pictures… because its all WORDS!!!! LYRICS The words to a song Book/libretto The entire script of the musical

6 Choreographer The person who designs the dances for the stage

7 CHOREOGRAPHY The dances that are designed for a song in a production SO…that means that Choreography is….

8 principles The named lead characters in a musical

9 soubrette Secondary female lead, usually a comic role

10 chorus The singers other than the principles

11 Types of Musicals Opera Operetta Comic Opera Musical Revue Musical Comedy Concept Musical Musical Play Spoof

12 Opera Totally music – even conversations are SUNG! Examples La Traviata Sydney Opera House

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15 Operetta A lighter music and actors speak lines rather than just singing Examples Babes in Toyland The Merry Widow

16 Comic Opera A Offshoot of straight opera, it combines music and humor Examples The Pirates of Penzance The Mikado H.M.S. Pinafore

17 Musical Revue Consists of a loosely connected series of lavish production numbers Examples Ain’t Misbehavin’

18 Musical Comedy Combines music and humor Examples Guys and Dolls Annie Get Your Gun Anything Goes

19 Concept Musical A play that is built around a particular idea Examples Cats A Chorus Line Starlight Express

20 Musical Play Acting and choreography are equally integral, increased emphasis on real people in real situations Examples Oklahoma! Fiddler on the Roof

21 Spoof A farcical play that pokes fun at certain subjects or eras (time periods) Examples Once Upon A Mattress Little Mary Sunshine

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23 Parts of (some) Musicals Overture Crossover Lead in Line Change Music Production Number Underscore Vamp Recitative

24 Overture Music played at the start of a show, a medley of the show’s songs

25 Crossover A short scene played in front of the curtain while scenery is being changed

26 Lead in Line The line or lines of dialogue immediately preceding a song, usually underscored

27 Change music The music played between scenes

28 Production Number A large-scale musical number involving many performers

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30 Underscore Music played that accompanies dialogue

31 Vamp To repeat measures of music until a singer is ready

32 Recitative A singing style that is closer to speaking than to singing

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34 Misc. Other Stuff Backlighting Follow Spot Combos Reversibles

35 Backlighting Throws light on the performer from above and slightly upstage

36 Follow Spot A light that throws light on the performer even when they move

37 Combos A small group of instrumentalists

38 Reversibles Garments that are made doublefaced so they can be worn either side out


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