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Mapping the Photographic Territory. Photographic History.

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Presentation on theme: "Mapping the Photographic Territory. Photographic History."— Presentation transcript:

1 Mapping the Photographic Territory

2

3 Photographic History

4 Cameras

5 Development of Digital

6 Analogue

7 Plate

8 Film

9 Output

10 Chemical

11 Older developing processes

12 Daguerreotype Copper, silver-plated 1839 - c. 1860

13 Cyanotpye c. 1880 - c. 1910 still used Brilliant blue color, matte surface; invented in 1842 but not used until 1880's; paper fibers visible.

14 Wet collodian Glass 1851 - c. 1880

15 Dry Collodian

16 Etc

17 Ambrotype Glass, clear 1851 - c. 1880

18 Salted paper print(calotype) 1840 - c. 1860 1890s

19 Albumen print COATED PAPER 1851 - c. 1900s

20 The chemical darkroom

21 Digital

22 Online

23 In computers

24 Printed

25 Paper

26 Other materials

27 People

28 Photographic pioneers

29 Early 20th Century

30 Late 20th C/Contemporary

31 Photography as historical record

32 FSA

33 Dorothea Lange

34 War photography

35 Censorship

36 Propaganda

37 Genres

38 Landscape

39 Portraiture

40 Candid

41 Formal

42 Studio

43 School

44 Wedding

45 Sports

46 Photojournalism/Reportage/Street photography

47 Abstract

48 Nude

49 Fashion

50 Glamour

51 Porn

52 Social

53 Paparazzi

54 Wedding

55 Wildlife

56 Macro

57 Scientific

58 Medical

59 Forensic

60 Astrography astronomical photography

61 Micrography microscope photography

62 Infra Red

63 Commercial

64 Editorial/news

65 Architectural

66 Scenic

67 Corporate

68 Industrial

69 Advertising

70 Aerial

71 Underwater

72 Food

73 Culture differences

74 Within the UK

75 Photography as Middle-class hobby

76 Art, science or mere craft?

77 Between countries

78 Gender issues

79 Women as photographers

80 Women as subject matter

81 Porn

82 Glamour

83 Fashion

84 Feminist/non-sexist

85 Ethics

86 Porn

87 Candids

88 Voyeurism

89 Children

90 Consent and ownership

91 Philosophy

92 What is a photograph?

93 "All photograohy is exploitative and voyeurisitic" Walker Evans

94 Is it possible to photograph nothing?

95 Referents and signifiers

96 Accessibility

97 Everyone's a photographer now

98 Cheap point and shoot cameras

99 Lomography

100 Cameraphones

101 Easy dissemination

102 Impact of new technologies

103 on Communication/dissemination of information

104 Smartphones

105 Wireless technology

106 Online publishing

107 Newspapers/magazines

108 on camera ownership

109 Cheap and cheerful

110 Greater sophistication for less money

111 Photography as contemporary record

112 War journalism

113 Embedding journalists

114 Censorship

115 Terrorism

116 Amateur shots

117 Professional coverage

118 Reportage

119 AIDS

120 Africa

121 Drugs

122 Gang warfare

123 etc

124 Fashion

125 Key Texts

126 Camera Lucida Roland Barthes 0099225417 Vintage

127 Basic Critical Theory for Photographers Ashley la Grange Focal Press 0240516524

128 The Photograph: A Visual and Cultural History (Oxford History of Art S.) Graham Clarke 0192842005 Oxford 1997

129 The Photography Reader Ed Liz Wells 041524661X Routledge,an imprint of Taylor & Francis Books Ltd 2002

130 Photography: A Critical Introduction Ed Liz Wells 041530704X Routledge,an imprint of Taylor & Francis Books Ltd 2002

131 On Photography Susan Sontag 0140053972 Penguin 1979

132 Web resources

133 Far too many to list but here are my bookmarks Links: bookmarks.html

134 Summary


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