Presentation is loading. Please wait.

Presentation is loading. Please wait.

9/17/20151 RTV 322 Camera use: Shooting to Edit Cell phones off and put away.

Similar presentations


Presentation on theme: "9/17/20151 RTV 322 Camera use: Shooting to Edit Cell phones off and put away."— Presentation transcript:

1 9/17/20151 RTV 322 Camera use: Shooting to Edit Cell phones off and put away

2 9/17/20152 Getting started Cel phones off and put away. -100 points each time used during class. Training and certification—Find sign on PAC 117 door—Must Sign up this week See syllabus and outline directions

3 A few tech points… Camera / lens / mount Lighting Production Design Sound Design FX Producer / Director etc. 9/17/20153

4 4 Film vs. Video Film  a thin flexible strip of plastic or other material coated with light- sensitive emulsion for exposure in a camera, used to produce photographs or motion pictures Video  magnetic tape for recording and reproducing visual images and sound.

5 Film vs. Video We’re not ‘filming’ anything Film stock chemicals react to light to encode an image into the film stock Video recording uses magnetic storage of data 9/17/20155

6 6 Film vs.Video Film stock is the imaging device for motion picture film CCD or CMOS is the imaging device for video Future for film?

7 9/17/20157 Film 8 mm, 16mm, 35mm, 70mm Super 16 and 35 mm Film stock--costs and processing  Film stock types: b/w or color, negative or reversal, fast or slow, tungsten or daylight 1.33:1 aspect ratio / TV / 2.35:1 24 fps Sprocket holes, audio recording  Later-- sound and film

8 9/17/20158 Magnetic Videotape Analog vs. Digital Interlaced or Progressive Standard or High Def 4:3 (1.33:1) or 16:9 Digital Compression Codecs Not ‘filming’ Chemical vs. electromagnetic

9 9/17/20159 New storage and distribution options HDD DVD / Blu Ray / Optical discs Flash memory (built in vs. removable, like SD card) Cloud Storage

10 9/17/201510 Digital Video Pixels: 480 vs. 720 vs. 1080 Contrast ratio Megapixels I vs. P Lossy or Lossless codecs Color sampling: relationship of chroma to luminance / luma Bit depth: the number of individual 0s and 1s sampled

11 9/17/201511 Illusion of Movement Persistence of vision 24 vs. 30 fps (transfers) Shoot only in 30 fps ‘shutter speed’

12 9/17/201512 Time Code Vital to videotape Important for timing / syncing SMPTE VITC vs. longitudinal ‘striping’ Time code vs. control track

13 Our cameras Canon XH A1 (mini DV)  Manual mode Manual mode  ‘point and shoot’ JVC HM 150 (SDXC card)  Class 6 or above  Brand matters  Georgia tutorial Georgia tutorial  Our settings:  SD(DV), QuickTime, 16:9 (GL1) 9/17/201513

14 9/17/201514 Lenses Camera body vs. lens Zoom or fixed (prime) -- critical focus Optical vs. Digital zoom Diaphragm / aperture -- f-stops / t-stops / number means what? Manual vs. autofocus  Sharp focus, Selective focus, follow focus, rack focus, soft focus, swimming focus Depth of field is affected by focal length, aperture, and the distance of objects from the camera.

15 9/17/201515 Video Shooting Tips http://multimedia.journalism.berkeley.edu /tutorials/shooting_tips/

16 More tech later… Now, the script…Chapter 1 9/17/201516

17 The script Everything we produce, we write first News is shot with a planned structure in mind Commercials—good idea, put on paper, shoot & edit Training video, sports event, talk show, newscast, movie…  PRE-PRODUCTION / Script 9/17/201517

18 Blueprint Good director ‘sees’ the movie before he/she shoots it When directors, actors, etc. read a script, they ‘see’ the movie Every good movie is produced around a well-written script Not only is the script the most important aspect of making a movie, it is also the cheapest 9/17/201518

19 How does it start? Chapter One gives tips about being a writer. If you want to make a great movie do you write it? Hollywood Formula: AIS Formula 9/17/201519

20 Getting a script Writing what you know Determine a genre (action, comedy) Determine a format (animation, documentary) Plot Type (the way the story is told) Understand what makes a great story (more about writing the story next week – conflict, exposition, rising action, conflict, turning point,etc. ) 9/17/201520

21 Steps to a script Concept Treatment Outline Pitch Greenlighting Development Rewriting Production 9/17/201521

22 So, Read Chapter 1 Use course outline to look for specific terms and content Make notes of terms as you read Watch for practice quizzes on the course outline And… 9/17/201522

23 This week All RTV majors and minors in a Practicum and started  Cannot pass 322 without it Must sign up for your Project Shift  See posted sheets on PAC 117 Must have and bring your book to class – print or electronic ### 9/17/201523


Download ppt "9/17/20151 RTV 322 Camera use: Shooting to Edit Cell phones off and put away."

Similar presentations


Ads by Google