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ART ELEMENTS REVIEW
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THE ART ELEMENTS The Seven Building Blocks of Art LINETEXTURECOLORVALUESPACESHAPEFORM “South Seneca Falcons Love To Celebrate Victories”
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VALUE is the artistic term for lightness and darkness. “South Seneca Falcons Love To Celebrate Victories ”
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When using only black and white, values range from white, to shades of gray, to black… Such as in a VALUE SCALE.
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When using color, a TINT is a LIGHTER VALUE of the color (White mixed with color)
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And a SHADE is a DARKER VALUE of the color (Black mixed with color)
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Using a FULL RANGE OF VALUES creates interest and a good artwork!
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CONTRAST OF VALUES Low Contrast High Contrast
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Low Contrast has LITTLE CONTRAST. It gives a SOFT & SUBTLE effect.
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Low Contrast Low Contrast of Values
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Jean Francois Millet “The Gleaners” Low Contrast Low Contrast of Values
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High Contrast has SHARP CONTRAST. It gives a DRAMATIC effect.
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High Contrast High Contrast of Values
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René Magritte “Empire of Light” High Contrast of Values
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THE 5 TYPES OF SHADING Smooth Blending Hatching Cross Hatching Scumbling Stippling
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SMOOTH BLENDING HATCHING CROSS HATCHING SCUMBLINGSTIPPLING
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SMOOTH BLENDING Using SMOOTH BLENDING to create Values SMOOTH BLENDING
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HATCHING Using HATCHING to create ValuesHATCHING
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CROSS HATCHING Using CROSS HATCHING to create Values CROSS HATCHING
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SCUMBLING Using SCUMBLING to create ValuesSCUMBLING
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STIPPLING Using STIPPLING to create ValuesSTIPPLING
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5 PARTS OF A SHADED OBJECT LIGHT SOURCE HIGHLIGHT SHADING REFLECTED LIGHT CAST SHADOW
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THE EFFECTS OF VALUE Feeling of an Artwork Emphasis in an Artwork Illusion of Distance Illusion of Form
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Feeling Different types of lighting can give a different feeling to the viewer.
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Artemisia Gentileschi "Judith and Maidservant With the Head of Holofernes" Value can create FEELING
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Frederick Church “Twilight in the Wilderness” FEELING Value can create FEELING
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Thomas Cole “Voyage of Life: Old Age” FEELING Value can create FEELING
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Edward Hopper “Nighthawks” FEELING Value can create FEELING
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DIRECTION OF LIGHT The DIRECTION OF LIGHT can affect both the appearance of an object and the feeling created by the shading and cast shadow.
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direction of light Photographers and movie directors control the direction of light to create certain feelings in their works. Backlighting
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Horror or suspense films often use below or above lighting to create unusual shading and shadows that intensify feelings.
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Emphasis An area of light placed next to an area of dark can create contrast and make a focal point.
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Salvador Dali “The Persistence of Memory” EMPHASIS Value can create EMPHASIS
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Georges de la Tour “Joseph, the Carpenter” EMPHASIS Value can create EMPHASIS
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Francisco Goya “The Third of May” EMPHASIS Value can create EMPHASIS
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Illusion of Distance Close is dark and vivid and far is light and faded.
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BACKGROUND (light and faded) MIDDLE GROUND (middle tone) FOREGROUND (dark and vivid)
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Thomas Cole “Scene from ‘The Last of the Mohicans’” Value can create ILLUSION OF DISTANCE the ILLUSION OF DISTANCE
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Michael Whelan “Sentinels” Value can create ILLUSION OF DISTANCE the ILLUSION OF DISTANCE
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Illusion of Form Value follows form and changes on different surfaces.
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M. C. Escher “Three Spheres II” Value can create ILLUSION OF FORM the ILLUSION OF FORM
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Chiaroscuro Chiaroscuro (kee-air-o-skur-o) Italian for “light-dark”. Using lightness and darkness to create a sense of volume and depth on a flat surface.
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Rembrandt Peale “Portrait of Reubens” ILLUSION OF FORM Value can create the ILLUSION OF FORM
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Caravaggio “Narcissus” ILLUSION OF FORM Value can create the ILLUSION OF FORM
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