1. Musica l Theatr e Write this down – Yes, there will be a test….

2. So, let’s say that you want to produce a play. Hypothetically speaking. So, what do you do first ? Choose the play, right? So how can you get hold of plays and musicals to read? Is there a place you can go to get synopses of plays, so you don’t have to read the whole thing? YES. Samuel French, Inc. Dramatists’ Play Service are the two biggest. AND The biggest publishing houses for musicals are:

3. Music Theatre International

6. You can Google them and get the online versions of the catalogues, but you can request the hard copy, too. Once you choose several that you might want to produce— you want to read them to pick the right one, yes? So, how do you get the publishers to send you scripts? Let me back up for a minute: The catalogs will give you synopses of scripts, numbers of characters, cost per performance, instrumentation, and sometimes more info than that. So how do authors get paid?

7. What are Royalties? --an amount of $$$$ paid to the publisher to get permission to produce a play or musical. So you pay the publisher and the publisher takes his cut and then pays the authors. That’s how an author makes a living. What is a play without music called? Straight play They get royalties. So what are they, the King? Nope.

8. Scripts for a straight play costaround $8.00 apiece Scripts for a straight play cost around $8.00 apiece Shakespeare and old plays like that--free (no royalty) Neil Simon--royalty of $50-$75 first performances $25-$50 subsequent performances Where does one go to purchase scripts? Oh, yeah--Samuel French Dramatists’ Play Service So, one could do 3 performances of a straight play for $175.00 plus scripts. If you paid for 10 scripts it would total $80.00. So, you could get the rights to produce the play for around $250.00. Scripts for musicals are more, though… So, if you are reading straight plays,

9. Musicals cost more—but they make more money, too. There are more costs involved…what do you think they might be? Librettos Royalties Music VocalInstrumental Musical royalties, including scripts and music run about $1800 to $3000. Depending on whether the show has been on Broadway or not and how recently. So Cabaret cost less than $2000 for royalties and rental. Guys and Dolls cost $3000 even though it was an old show because it had just had a revival. Just an aside, they charge $50 per book for unerased music.

10. Equity- AFTRA- SAG- IATSE- ASCAP- OSHA- Royalty- Actor’s Equity Association (the stage actor’s union) Allied Federation of Television and Radio Artists Screen Actors’ Guild American Society of Composers, Authors & Publishers International Alliance of Theatrical Stage Employees Occupational Health and Safety Administration An amount of money paid to the publisher to get permission to produce a play or musical.

11. Opera In opera, even conversations are sung “Hello.” “How are you?” “I am well, but how are you?” “My sciatica is giving me fits.” -Generally serious “heavy” music on serious or tragic themes Tosca, Susannah, Amal and the Night Visitors, La Boheme (became Rent)

12. http://www.youtube.com/watch?v=X8X89GIRUv0 3 minute trailer for La Boheme http://www.youtube.com/watch?feature=endscreen&v=hj7LRuusFqo&NR=1 3 minute trailer for Seasons of Love from the movie version of Rent

13. Operetta Operetta has lighter music, flimsy plots, less serious subjects, there is spoken dialogue, but the music is still in a classical style -Songs happen around the plot, they don’t develop it The Merry Widow, Babes in Toyland, The Student Prince, Little Mary Sunshine Jeanette McDonald and Nelson Eddy?

14. I looked for a clip from Little Mary Sunshine… I couldn’t find a you tube example that was decent— there may not be one in existence… So, we’re skipping it- You’re welcome.

15. Comic Opera Comic Opera may have some spoken dialogue but is mostly distinguished by its humorous and/or satirical nature Gilbert and Sullivan What is satire? -HMS Pinafore, The Mikado, The Pirates of Penzance sat·ire Noun/ˈsaˌtī(ə)r/ 1. The use of humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues.

16. Show the beginning of the Pirates of Penzance

17. Musical Review A Musical Review is songs strung together with a theme rather than a plot Ain’t Misbehavin’, Zeigfeld Follies, Jersey Boys?

18. Musical Comedy plot is weak but there is one, characters are more believable, dialogue is clever, songs are stuck in--they may reiterate the plot, but they don’t develop it. -Anything Goes, Guys and Dolls, Annie Get Your Gun -Showboat-bridged gap between operetta, musical comedy, and today’s musical play (Kern /Hammerstein) Musical comedies and musical plays are, like jazz, an American art form.

19. www.youtube.com/watch?v=bmoKhFJRUOk Clip from Annie Get your Gun

23. Musical Play -real people in real situations -acting and choreography are important -good story, clever dialogue -interesting characters -well-designed choreography -catchy music -meaningful ballads all woven together. Les Miserables?Big River? SONGS CONTINUE THE PLOT OR DEVELOP IT Sweeney Todd?

24. book entr’act - choreography - choreographer - chorus - blocking - composer - conductor - Musical Theatre Vocabulary - the dialogue - the dance - the person who plans the dances - The singers --they support the leads - movement that goes with the words - writes the music - leads the orchestra or band - music before Act II begins (like overture only between the acts)

25. libretto - librettist - lyrics - lyricist - musical - overture - dialogue -- the spoken words - script with dialogue and written lyrics - person who writes the libretto - words to the songs - writer of the song lyrics - a play with music, songs and often dance Musicals are not meant to be realistic. They are an ALTERNATE way of expressing an emotional message. My friend Timm says that characters sing in a musical when their emotion is too great to be expressed in words. -pieces of all the songs in the show, played before the show begins to give the audience a taste of what the music is like it sets the mood

26. production number - recitative - score - segue - sides/asides - ingenue - soubrette - principals -- leading roles - singing and dancing by the whole cast - song performed by talking –sort of like rap (ex. Trouble) - the musical notes - a transition - pieces of the script containing only one person’s lines - first lead female (usually young and innocent) ex. Laurie OKLAHOMA - Second lead female (usually comic role) ex. Ado Annie OKLAHOMA

27. vamp - straight play - royalty - crossover - concept musical - underscore -- music under dialogue - to repeat measures of music (for as long as necessary) - not a musical - fee paid to composer, lyricist, librettist, publisher, etc. for legal rights to produce their work - short scene designed and written to cover a scene change - a play built around a theme (ex. Cats, Chorus Line)

28. About West Side Story and Li’l Abner Plot: Plot: from Romeo and Juliet Shakespeare swiped it from a Greek myth Myth: Pyramus and Thisbe WSS: Dance: WSS: Dance: Choreography by Jerome Robbins Dance as expression of emotion Dance as athleticism Because it is filmed, the choreography can be done nearly perfectly (and is ). (This explains why we have not produced WSS. We don’t have enough men with dance training.) 10 Academy Awards: Best Picture 1961 Best supporting actress: Rita Moreno (Anita) Best Supporting Actor: George Chakiris (Bernardo)

29. John Astin’s cameo as Glennon Watch for John Astin’s cameo; he creates a whole character in less than ten lines. Symbolism: Colors of Maria’s dresses… scene in the dress shop NOTEs: When the Sharks catch up with Baby John, they pierce his ear. Natalie Wood (Maria) didn’t sing her own songs. Marney Nixon (who did the voice over for Audrey Hepburn in My Fair Lady) sang Maria’s songs. Notice the 1950s slang : “Buddy-boy” “Daddy-o” “You won’t dig it” Jets character names: Riff, Ice, A-rab, Baby John, Action, Anybody’s How are the adults, especially the cops, depicted?

30. Li’l Abner Li’l Abner – Comic strip by Al Capp Dogpatch USA Notice set and costume differences: WSS WSS – realistic Abner Abner – cartoon

31. "if I had my druthers"...... "amoozin but confoozin"..... "natcherley"..... "double whammy"..... "as any fool can plainly see".... "bootiful".... "corn-tinue".... “Capp-isms”

33. Deliberately making fun of something in order to reveal a weakness or flaw. In Li’l Abner, politics and politicians are made fun of all over the place. You need to have some idea about the cold war to understand the nuclear fallout jokes. See what else you can spot that is satirized. Satire:

34. REMEMBER: Singing and dancing are not meant to be realistic. They are meant to be an alternate way of expressing the same emotional message that can be expressed with “realism” only maybe more interesting - especially when singing & dance are combined…