1. The Hero’s Journey Joseph Campbell The Hero with a Thousand Faces (1949)

2. The Hero’s Journey Text Rendering Exercise: One Sentence One Phrase One Word

3. Three Stages
Seventeen Steps
Essential Question: What is the nature of man?

4. Home/Birth
The hero’s home environment is uncomfortable (as if the hero knows something is not quite right…)
The nature of the hero’s birth is questionable (as if one or both parents aren’t present)

5. Separation Initiation Return
The Stages
Separation
Initiation
Return

6. Stage One: Separation

7. 1. The Call to Adventure
The call to adventure is the point in a hero’s life when they are first given notice that everything is going to change, whether they understand it or not

8. 2. Refusal to the Call
Often when the call is given, the future hero refuses to heed it. This may be from a sense of duty or obligation at home, fear, insecurity, a sense of inadequacy, or any range of reasons that work to hold the hero in his current circumstances

9. 2a. Answering the Call
Ultimately, the hero finds motivation to answer the call.

10. 3. Supernatural Aid
Once the hero has committed to the quest, consciously or unconsciously, his guide and magical helper appears or becomes known.

11. 3a. Meeting the Mentor
This guide may be a specific character who helps the hero to understand their situation in life and provides the hero with special training.

12. 3b. Talisman
This guide may be an item with special significance that is presented to our hero.

13. 3c. Companions
The hero is aided on this quest by an assortment of individuals whose personalities are often at odds with each other.

14. 4. Crossing of the First Threshold
This is the point where the hero actually crosses into the field of adventure, leaving the known limits of his world and venturing into an unknown and dangerous realm where the rules and limits are not known. Often there is some form of physical transportation.

15. 4a. Threshold Guardians They have two functions:
People, beings or situations that block passage across the threshold of adventure
They have two functions:
Protect the hero from journeys he is unprepared for
Point the way for the hero to begin his journey

16. 5. The Belly of the Whale
The belly of the whale represents the final separation from the hero’s known world and self.
It is sometimes described as the person’s lowest point, but it is actually the point when the person is between or transitioning between the worlds and selves.

17. 5. The Belly of the Whale
The Hero begins to distinguish between the old world and his old self and the potential for a new world and new self.
By entering this stage, the hero shows their willingness to undergo a metamorphosis or to die.

18. Stage Two: Initiation

19. 6. The Road of Trials
The road of trials is a series of tests, tasks, or ordeals that the hero must undergo to begin the transformation. Often the person fails at one or more of these tests, which often occur in threes.
If the hero continuously fails, he will have to start the journey all over, since he is apparently not yet ready to go through the necessary pains to grow into something new.

20. 6a. Brother Battle
The hero battles, physically or emotionally, with someone who is a relative or close friend.

21. 6b. Abduction
Our hero is kidnapped or someone close to the hero is taken away.

22. 6c. Night/Sea Journey
The hero’s travels take him to far-away and unknown lands. Often these journeys take place at night or at sea. These journeys may be forced upon the hero.

23. 6d. Dragon Battle
The hero is forced to battle some kind of monster. Sometimes, this struggle is with the hero’s inner-demons.

24. 6e. Ritual Death or Dismemberment
The hero is injured and thought to be dead. Or the hero mistakenly believes that someone close to him is dead.
The hero suffers an injury in which he loses a limb or the use of another body part.

25. 7. The Meeting with the Goddess
The meeting with the goddess represents the point in the adventure when the hero experiences an all-powerful, all-encompassing, unconditional love – similar to the love a child may receive from his or her mother.

26. 7a. The Sacred Marriage
The Hero creates a special emotional bond with another character
This union may take place entirely within the hero. In the other words, the hero begins to see himself in a non-dualistic way.

27. 8.Temptation Away from the True Path
At one level, this step is about those temptations that may lead the hero to abandon or stray from his quest.
As with the meeting with the Goddess, this step does not necessarily have to be represented by a woman.

28. 9. Atonement with the Father
In this step the hero must confront and be initiated by whatever holds the ultimate power in his life.
In many myths and stories this is the father, or a father figure who has power over life and death.

29. 9. Atonement with the Father
This is the center point of the journey. All the previous steps have been moving into this place, all that follows will move out from it.

30. 9. Atonement with the Father
Although this step is most frequently symbolized as an encounter with a male entity, it does not have to be a male; just someone or something with incredible power.

31. 9. Atonement with the Father
For the transformation to take place, the hero (as he previously was) must be “killed” so that the new self can come into being.
Sometimes this killing is literal, and the earthly journey for that character is either over or moves into a different realm.

32. 10. Apotheosis
The apotheosize is to deify.
(or to make into a god)

33. 10. Apotheosis
When the hero suffers a physical death, he moves into a state of divine knowledge, love, compassion and bliss.
If death does not occur during this stage, then the hero is held up as an ideal or worshiped as if they were a god.

34. 10. Apotheosis
A more mundane way of looking at this step is that it is a period of rest, peace and fulfillment before the hero begins the return.

35. 11. The Ultimate Boon
The ultimate boon is the achievement of the goal of the quest. It is what the hero went on the journey to get.
All the previous steps serve to prepare and purify the hero for this step.

36. 11. The Ultimate Boon
In many myths the boon is something like the magic elixir of life itself, or a plant that supplies immortality, the dragon’s fire or treasure, the damsel in distress, or the holy grail.

37. Stage Three: The Return

38. 12. Refusal of the Return
So why, when all has been achieved, the ambrosia has been drunk, and we have conversed with the gods, why come back to normal life with all its cares and woes?

39. 12. Refusal of the Return
This is much like the refusal to start the journey, but now the hero wonders if “roots” and “home” are necessary or is concerned how he will now fit in his previous surroundings.

40. 13. Magic Flight
Sometimes the hero must escape with the boon, if it is something that the gods have been jealously guarding.
It can be just as adventurous and dangerous returning from the journey as it was to go on it.

41. 14. Rescue From Without
Just as the hero may need guides and assistants to set out on the quest, often times he or she must have powerful guides and rescuers to bring them back to everyday life, especially if the person has been wounded or weakened by the experience.

42. 14. Rescue From Without
Or perhaps the hero doesn’t realize that it is time to return, that they can return, or that others need their boon.

43. 15. The Crossing of the Return Threshold
The trick in returning is to retain the wisdom gained on the quest, to integrate that wisdom into a human life, and then maybe figure out how to share the wisdom with the rest of the world. This is usually extremely difficult, especially when others find this new wisdom dangerous to their current lives.

44. 16. Master of Two Worlds
This step is usually represented by a transcendental hero like Jesus or Buddha.

45. 16. Master of Two Worlds
For a human hero, this step may mean achieving a balance between the material and spiritual. The person has become comfortable and competent in both the inner and outer worlds.

46. 17. Freedom to Live
Mastery leads to freedom from the fear of death, which in turn is the freedom to live.
This sometimes referred to as living in the moment, neither anticipating the future nor regretting the past.

48. Questions?