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Published byGerard Rice Modified over 9 years ago
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Copyright & Licensing Practices in Mainland China Focus on Online Usage Chunyan Wang Associate Professor, School of Law Renmin University of China
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Internet Usage in China 2005 China Population 1.25 Billion Chinese Internet Users 100 Million Annual Growth Rate 30 % Third Largest in the World After U.S. and Japan
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Creative Commons Licensing China vs United States Coming from Different Directions China Tradition of Communal Ownership of Property United States Tradition of Private Ownership of Property
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The Two Extremes State of Anarchy The use of creative works online The case of the “Reader’s Home” Company digitizes many scholars’ works for use in a digital library without permission from the copyright holders Company gets sued by the rights holders
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The Two Extremes Author’s Consent Authors willingly allow dissemination of their works Example – Open Access Scientific Research Repository Most Chinese physicists agree to publish under CC Indifference to statutory royalties Copyright Agency of China: Ten million Yuan(US$1.2 M) in royalties not collected by the right holders 40,000 authors affected Main reason: Authors are eager to circulate their works without royalty payment to get the benefits from the publicity associated with wide distribution
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Basic Provisions of Copyright under Current Chinese Law Moral Rights Decision as to whether to publish Claiming authorship Authority over future alterations Integrity – protection against distortion
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Basic Provisions of Copyright under Current Chinese Law Economic Rights (some examples) Physical reproduction Distribution via sale or donation Lease – temporary grant of exploitation rights Exhibition – public display Performance Translation Internet Dissemination – wired or wireless Distinct from physical reproduction/distribution rights
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Two Scenarios in Mainland China Regarding Copyright Licenses The User Oriented Approach The user looks for the rights holder and wants to get permission from the rights holder. The Rights-Holder Oriented Approach The rights holder seeks out the prospective users to negotiate the use of rights.
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Categories of Users Non Profit Institutions National Digital Library Project of National Cultural Resources Sharing (within the Ministry of Culture of China)
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Categories of Users Commercial Companies The SS Reader (Super Star Company) The Reader’s Home ChineseALL
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The Approach of Non Profit Institutions Collecting Institution posts announcement asking rights holders to grant free copyright to the institution Examples - National Digital Library & Project of National Cultural Resources Sharing under Ministry of Culture of China Collected the works of more than 2,000 authors including some renowned law professors. Authors granted institutions non-exclusive rights for free Rewarding Authors Give authors certificate acknowledging the use of their work Royalty Payments Pay royalties based on click-throughs to the related works
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Overview of Copyright Licensing Strategies for Commercial Usage Getting Permission “One by One” Getting Permission via “Copyright Agency” or “Collective Copyright Administrative Society” (also called “Collecting Society”) “Granting Offer”
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Getting Permission One by One Model adopted by Beijing Super Star Company (SS Reader) Model adopted by ChineseALL Model adopted by CAJEPH (China Academic Journal Electronic Periodical House)
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Beijing Super Star Company Model Developed first commercial digital library system in China Created so-called “clearance building movement” (now known as the “Super Star Model”) More than one hundred employees involved In-Person Visits - visiting the right-holders directly to get their permission Permission granted from 230,000 authors! Provides free reader’s card for 10 years as consideration Considered a good model for getting legal permission from the rights holder
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The ChineseALL Model ChineseALL established in 1999 as the first e-Book Publisher Posts a standard license, prepared by the potential licensee (not licensor ), on its website and requests approval from author Has signed such agreements with 18 renowned Chinese writers Permission is granted to ChineseALL to publish all their works on its website
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CAJEPH Model China Academic Journal Electronic Periodical House CAJEPH is responsible for editing the database of CNKI (China National Knowledge Infrastructure). It gets permission from the appropriate press or periodical house. CAJEPH has made more than 17,600 such agreements in the past five years.
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The Collective Administrative Society of Copyright Music Copyright Society of China (MCSC) Established in 1992 The only collecting society of copyright currently in China MSCS has more than 2,500 members Administers more than 1,400 music compositions Written Works Copyright Society of China Being formed - currently developing procedures
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The “Granting Offer” Model Initiated by the Reader’s Home Company Designed 14 different kinds of choices The case of “The Last Straw”
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The Case of “The Last Straw” A book written by Mr. Zhong Hongqi First published in September 2004 The first book to ever adopt the approach of the “Granting Offer” Announcement of copyright was printed on the front page of the book
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Announcement of Copyright As It Appeared on Book’s First Page
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What the Copyright Announcement Says Any individual or institution may use this book provided they satisfy the following conditions: 1.Scope of Rights Granted - digital reproduction, distribution and/or dissemination online 2.The Royalty - 5% of revenue from the user of the work 3.Method of Payment - pay to Copyright Agency of China within 6 months of receiving any revenue. 4.Conditions of Usage - attribution and no distortion 5.Reservation of all other rights
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Background on “Granting Offer” Solves the problems of the traditional “One by One” model. Avoid infringement suits against the advocates of the “Granting Offer” – “The Reader’s Home” Promotion & Publicity - half the books published in China were self-financed by the authors Authors are willing to distribute their works for free More than 90% of authors contacted by the “Reader’s Home” indicated they wanted to use this approach
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Advantages and Disadvantages of the Different Copyright Licensing Strategies One by One Model Collecting Society Granting Offer
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One by One Model Advantages The guarantee of legality Super Star Company established good will among right holders getting permissions using the One by One model. Disadvantages The high cost, yet low efficiency, of getting permission
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Collecting Society of Copyright Model Advantages Solves some of the problems in the “One by One” model Disadvantages Limitation of choice - currently only one music copyright society is available Limitation of membership – qualifications for joining the society prevent most musicians from becoming members The qualifications require that at least one music composition has been published, broadcast, or performed by a specific level of publisher, broadcast station, or performer
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Granting Offer Model Advantages Good for the user to avoid infringement suits. Disadvantages Since initiated by for-profit company, the Reader’s Home (one of the largest users of copyrighted works), this model was designed to benefit the user, not the author. Most authors are not happy - the Reader’s Home tried to promote this model through the National Copyright Administration in an attempt to require all publishers in China to adopt this model. Comment This model is somewhat similar to the CC License (regarding the nature of the license), but the purpose and the promotion approach are totally different.
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A Suggested Middle Ground Solution between the Two Extremes in Chinese Copyright Licensing Models Use the “One by One” Model Only in Appropriate Cases (well-known authors) Offer a Choice in Collecting Societies Introduce Creative Commons License As Replacement for “Granting Offer” Model Considered Best Choice for Mainland China
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