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Marcello Venusti, Portrait of Michelangelo, after 1535.

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Presentation on theme: "Marcello Venusti, Portrait of Michelangelo, after 1535."— Presentation transcript:

1 http://michelangelo.syr.edu

2 Marcello Venusti, Portrait of Michelangelo, after 1535

3 Leone Leoni, Portrait Medal of Michelangelo, 1561

4 Psalms 51:13: “Then will I teach transgressors thy ways, and sinners shall be converted unto thee.”

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6 1. Michelangelo was largely self-taught and owed very little to the artistic example of others. MYTHS ABOUT MICHELANGELO (largely invented by the artist himself)

7 Domenico Ghirlandaio, Tornabuoni Chapel, Santa Maria Novella, Florence

8 Michelangelo, Studies of Three Nudes, 1531-32

9 Michelangelo, Head of Leda, 1529-30

10 Bernardo della Volpaia, Studies of Ancient Monuments, Codex Coner, c. 1510-15 Michelangelo, Studies after the Codex Coner, c. 1515

11 Studies of Roman monuments, c. 1515

12 Michelangelo, Sacrifice of Isaac, c. 1535 Filippo Brunelleschi, Sacrifice of Isaac, 1401

13 1.Michelangelo was largely self-taught and owed very little to the artistic example of others. 2.Michelangelo’s ideas came to him fully formed. MYTHS ABOUT MICHELANGELO

14 Michelangelo, Sonnet 151, c. 1538-41 “Not even the best of artists has any conception that a single marble block does not contain within its excess, and that is only attained by the hand that obeys the intellect.”

15 Michelangelo, Sacrifice of Isaac, c.1535

16 Study for a Christ in Limbo, c. 1530--3

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18 Michelangelo, Studies for a cornice and for nudes for the Sistine Ceiling, 1508-9

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21 1.Michelangelo was largely self-taught and owed very little to the artistic example of others. 2.Michelangelo’s ideas came to him fully formed. 3.Michelangelo painted the Sistine Ceiling laying on his back. MYTHS ABOUT MICHELANGELO

22 “I’ve grown a goiter at this work, like the cats of Lombardy…”

23 1.Michelangelo was largely self-taught and owed very little to the artistic example of others. 2.Michelangelo’s ideas came to him fully formed. 3.Michelangelo painted the Sistine Ceiling laying on his back. 4.Michelangelo was a melancholic who did not have much of a sense of humor. MYTHS ABOUT MICHELANGELO

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25 “You have a face sweeter than boiled grape juice, and a snail seems to have passed across it, it shines so much, and it is more beautiful than a turnip.” Michelangelo, Sonnet 20, c. 1523

26 1.Michelangelo was largely self-taught and owed very little to the artistic example of others. 2.Michelangelo was the ultimate solitary genius, who largely worked alone. 3.Michelangelo painted the Sistine Ceiling laying on his back. 4.Michelangelo was a melancholic who did not have much of a sense of humor. 5.Michelangelo did not appreciate female beauty. MYTHS ABOUT MICHELANGELO

27 Michelangelo, Head of Leda, c. 1529-30

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29 Contract for the Vatican Pieta, 1498

30 Michelangelo, Head of Leda, c. 1529-30

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32 Michelangelo, Se dal cor lieto divien bello il volto, c.1544 “If by a happy heart the face is made beautiful and by a sad one ugly…” “…it would be good for both to paint her with a happy heart and a dry face: it would make her beautiful and me not ugly.” “Of divine things one speaks on a blue field”

33 1.Michelangelo was largely self-taught and owed very little to the artistic example of others. 2.Michelangelo was the ultimate solitary genius, who largely worked alone. 3.Michelangelo painted the Sistine Ceiling laying on his back. 4.Michelangelo was a melancholic who did not have much of a sense of humor. 5.Michelangelo did not appreciate female beauty. 6.Michelangelo was the ultimate solitary genius, who largely worked alone. MYTHS ABOUT MICHELANGELO

34 Michelangelo, Sketches of blocks of marble for the tomb of Julius II, c. 1516

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36 Notice to Master Andrea, 1524 ‘Master Andrea, those men whom I have not called to work and whom you have not called either, will not be paid for the day’s work.’

37 Plan for San Giovanni dei Fiorentini, 1559-60

38 1.Michelangelo was largely self-taught and owed very little to the artistic example of others. 2.Michelangelo was the ultimate solitary genius, who largely worked alone. 3.Michelangelo painted the Sistine Ceiling laying on his back. 4.Michelangelo was a melancholic who did not have much of a sense of humor. 5.Michelangelo did not appreciate female beauty. 6.Michelangelo was the ultimate solitary genius, who largely worked alone. 7.Michelangelo was a poor man, often underpaid for his work. MYTHS ABOUT MICHELANGELO

39 Michelangelo, Study of a Gate (Porta Pia?), 1561

40 Marcello Venusti, Portrait of Michelangelo, after 1535

41 http://michelangelo.syr.edu


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