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Published byJasper Parks Modified over 9 years ago
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Abstract Form Cs1 Abstract Form
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One Option for Abstract Ideas n From the following Artists you can imitate their subject matter and style. n You could even replicate or due a spin off of one of their works.
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Henry Moore n Moore, Sheep Piece, 1972, Bronze, 568cm long, England
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Moore n Moore, Family Group, 1948-49, Bronze(cast1950) 59 ¼ x 46 ½ “
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And Still Moore n Moore, Drape Reclining figure, 102x152cm, Museum Ludwig, Cologne
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One Moore time n Moore, Reclining figure, Elmwood
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Barbara Hepworth n Hepworth, Assembly of Sea Forms, 1972, White marble
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Hepworth n Hepworth, Figure for Landscape, Bronze, 1906, Hirshorn
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Hepworth n Hepworth, Two Figures, 1954-55, Teak, 54 inches
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Hepworth n Hepworth, Pelagos, 1948, Tate Gallery
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Umberto Boccioni n Boccioni, Unique forms of Continuity in Space, 1913, Bronze, 111cm
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Container n You are going to bring in a container or make a container for casting that fits your idea
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Container n Such as a water bottle
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Carving n You have to figure out what negative space to remove to produce the positive form.
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Use your drawings n Use the sketches of what you want to do as a guide
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Carving n Your not going to have something produce in a short time. n It takes time to figure it out.
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Carving n You can draw on the surface to aide you.
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Copying an Artist n It is alright to copy and artist’s subject matter and style. n You can also do a spin off of the subject matter. n Many artist have done this while they were learning.
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Carving n Shave the plaster, it will remain moist for a few days. n If you go too quickly you could end up breaking the work.
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What if it breaks? n You have to figure out what to do. n You can use wire or wood to attach pieces. n When completely dry you can glue. n Be creative
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Example n He added wire. n He also used moist shaving to make sphere.
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Example n This work also broke into several pieces and solved by adding wire
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Example n Be creative with your mistake. n This work also broke into several pieces
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Example n You could also use wood.
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Observe while you Carve n Look at your form. n Turn it upside down. n Rethink your design if it is not working. n Is there movement? n Is the negative and positive space working?
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Observe while you carve n Texture? n Smooth and Rough n If you use ceramic tool wash them.
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Observe while you Carve n Look at the action of the tool, sometimes your working on surface creates interesting textures. n You want to keep these.
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Carving n Be careful not to cut yourself. n Do not rub your eyes, it will irritate them. Flush with water if you do.
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Carving n Once the positive form starts to appears, pay attention to the movement in the form.
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Carving n How does the positive and negative space create movement? n When looking at the work how does your eye move?
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Carving n You can make changes n Critique your work n Get suggestions from others and myself
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Carving is complete n You need to refine
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Refine n Once dry, you can use other tools--rasps and saw blades, even sand paper. n If plaster is still moist, those items will not work efficiently.
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Other Materials n Use can use other materials, such as wire, wood, or metal
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Other view n You may decide to use color. You may use spray varnish to seal.
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Texture n Rasps can also create texture
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Final Steps n You have to add a finish. n Spray varnish n watercolor or paint n Spray paint
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Watercolor n If you want to blend, watercolor is easier to use.
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Acrylic or enamel n For single color you can use the acrylic or the water based enamels. n These do not come out of your clothes.
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Remember this one? n Looks good. n When it broke, the student creatively solved the sculpture. n Look fine the way it is…but...
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I have no sense of color n Did the person ask me for suggestions? No n Did the person ask if look fine white? No n Can the change it? Possibly by using acrylic or spray paint.
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When finished n Writing assignment n This can be found on the evaluation sheet.
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Evaluation n 100…Paper n 100…Composition n 100…Creativity n 100 Follow Objectives n 100…Work Ethic n 500 points total
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