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{ COLOR “Residential Housing and Interiors” (Good-Heart Wilcox)
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A space absent of color would not give any interest to the person occupying the space Color creates a mood within a room, and can communicate excitement, romance or solitude Many color perceptions affect the way people feel about a room, space or object People make associations with colors based on past experiences Each color has its own characteristics and common psychological impact The Psychology of Color
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Careful color consideration should be used in each area of the home The social area of a home should be decorated in colors that will make all members feel comfortable Bedrooms should be decorated in colors that make the occupants feel relaxed Dressing areas should be free of harsh colors that may contrast with choosing clothing The Psychology of Color
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List each color on a piece of paper. Next to the color, list the first word that comes to mind when you hear the color. Do not think for too long. Activity Black Orange Brown Yellow White Green Pink Blue Red Purple
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RED Associated with danger, power, love, passion, anger, fire and strength Bold, exciting, and warm Stimulates the nervous system and increases blood pressure, respiration rate and heartbeat It should be used with care in design Can be lightened or darkened to create other colors
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ORANGE Cheerful, warm, less aggressive than red Expresses friendliness, courage, hospitality, energy and hope Mixes well with cool colors
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YELLOW Cheerful, friendly, warm Associated with happiness, sunlight, sympathy, prosperity, cowardice, and wisdom Yellow rooms are light and airy Should be used with care because they demand attention Gold provides a luxurious touch and usually used in accents and accessories Yellows take on the tones of other colors and add flattering highlights
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GREEN Refreshing, the color of nature, cool, peaceful and friendly Associated with hope, envy, and good luck Mixes well with other colors and looks good with white
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BLUE Has the opposite effect of red Cool, calm and reserved Communicates serenity, tranquility, and formality Too much blue can be depressing
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VIOLET Color of royalty, dignity, and mystery Dramatic and works well with other colors Often used in small amounts as an accent
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BLACK Mysterious, severe and dramatic Symbolizes wisdom, evil, and death Small amounts help other colors appear more vivid Makes other colors appear more crisp and clear Use large amounts sparingly, as it can appear oppressive and claustrophobic
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WHITE The symbol of youth, freshness, innocence, purity, faith and peace Makes other colors appear cleaner and livelier
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BROWN Serious, down-to-earth, and approachable Signifies warmth, stability, reliability, structure, and support Good in rooms that get a lot of use such as family rooms http://dotcave.com/freebies/fr ee-dry-leaf-texture-designs/
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The full range of all existing colors The color wheel is the most commonly used tool for understanding color relationships in design The middle ring consists of three types of colors: Primary Secondary Intermediate The Color Spectrum
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The Color Wheel
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Color Characteristics Hue is the name of the color Value is the lightness or darkness of a hue A tint is when white is added to make it lighter A shade is when black is added to make it darker Intensity is the brightness or dullness of a hue The complement of a hue is the color directly opposite of it on the color wheel and can be used to dull each other
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Some colors may make a room seem warmer or cooler even though the temperature of a house is the same Warm colors are orange, red, and yellow Called advancing colors, make objects appear larger or closer, but a room appears smaller Associated with warm objects such as the sun and fire Cool colors are blue, green and violet Called receding colors, make objects seem smaller and further away, but a room looks larger Associated with grass, water and trees Warm and Cool Colors
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Neutral Colors Black, white and gray White is totally absent of color, black is a mixture of all colors and gray is a combination of black and white Brown, tan and beige are considered near- neutrals These are usually based on red, orange and yellow hues
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Natural light is energy supplied by the sun in wavelengths which range in size from short (ultraviolet) and long (infrared) There is a very small band of light that is visible and its colors are seen in a color band Natural light changes throughout the day causing colors to have different tints at different times of the day Always choose colors under the light that will be used in the room Cool colors need warm light and vice versa THE EFFECT OF LIGHT ON COLOR
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OTHER COLOR EFFECTS Effect of adjacent colors Colors change when placed next to others Some can intensify and others dull Effect of texture on color Flat, shiny surfaces reflect light and can enhance color Dull, soft or textured surfaces make color seem less intense and darker Effect of color on space Colors gain intensity when they cover large areas
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The Brewster System The standard color wheel Best known and simplest of all the color wheels Is also called the Prang system Based on the primary hues Includes primary, secondary and intermediate colors for a total of 12 colors
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The Ostwald System Uses yellow, orange, red, purple, blue, turquoise, sea green and leaf green Mixing these hues with black or white will create 24 hues
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The Munsell System A system of color notation that scientifically describes and analyzes color in terms of hue, value and chroma (the Greek word for color) Has a total of 100 different colors
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Color Schemes Certain colors used together in design There are seven basic color harmonies
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MONOCHROMATIC Based on a single hue and is the simplest color harmony Variation is achieved by changing the value and intensity of a hue and by adding neutral accents Makes a room appear larger and unified
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ANALOGOUS Combines three to five adjacent related hues on the color wheel Looks best when one color is dominant Examples: Yellow, yellow-orange, and orange Green, blue-green, and blue
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COMPLEMENTARY Combining two hues that are directly opposite each other on the standard color wheel Makes the colors appear more intense Examples Red/green, yellow/purple, orange/blue
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SPLIT COMPLEMENTARY Combining one hue and the two hues on each side of its complement Examples Red-orange, green, and blue Yellow, blue-violet, and red-violet
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TRIADIC Combination of any three colors that are of equal distance from each other The most common is the three primaries: red, blue and yellow This can be tricky because of the sharp contrast
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DOUBLE COMPLEMENT Combines two sets of color complements Examples: Red/green and blue/orange http://www.houzz.com/ideabooks/2827 05/list/choosing-hues-roll-with-the- color-wheel
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NEUTRALS Made by using combinations of black, white and gray Shades of cream, brown, tan and beige may also be used If only one of any of these colors is used in a space, it is still considered a neutral color scheme http://www.housetohome.co.uk/be droom/picture/relaxed-neutral- bedroom
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Consider color harmonies that happen in nature Ex: earth tones Think about the fabric you want to use or a painting you want to hang in the room Pull colors from these samples Some places are able to match paint colors directly to samples Always choose a dominant color Sometimes an equal amount of colors is overwhelming Color Decisions
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