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Song of Solomon Chapters 1-5
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Flight Pilate sings the titular song at Mr. Smith’s flight, just before Milkman’s birth “O cleave the air fly away home/My gran, he, flew back to Africa” Pilate’s father tells her “You just can’t fly off and leave a body” (147). Pilate sings the titular song at Mr. Smith’s flight, just before Milkman’s birth “O cleave the air fly away home/My gran, he, flew back to Africa” Pilate’s father tells her “You just can’t fly off and leave a body” (147). (Hayden)
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Flight Canonical Afro-American folklore legend of the “Flying African” Loss and disappearing Transformation and revolution Nostalgia and return Canonical Afro-American folklore legend of the “Flying African” Loss and disappearing Transformation and revolution Nostalgia and return (Hayden)
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Flight Mythological basis in Icarus and Daedalus, father and son “O Daedalus, Fly Away Home” Drifting night in the Georgia pines... ” Icarian heights overreach Daedalus is successful Mythological basis in Icarus and Daedalus, father and son “O Daedalus, Fly Away Home” Drifting night in the Georgia pines... ” Icarian heights overreach Daedalus is successful (Hayden)
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Flight Milkman is born the day after Mr. Smith’s flight “O Sugarman done fly away/... Sugarman cut across the sky/ Sugarman gone home” (6). Milkman loses interest in himself when he learns he cannot fly (9) If Mercy were Montgomery, he’d buy a plane ticket Milkman is born the day after Mr. Smith’s flight “O Sugarman done fly away/... Sugarman cut across the sky/ Sugarman gone home” (6). Milkman loses interest in himself when he learns he cannot fly (9) If Mercy were Montgomery, he’d buy a plane ticket
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Identity Naming has the power to form identity Who has the power to give names? “Niggers get their names... the best way they can” (88). Naming has the power to form identity Who has the power to give names? “Niggers get their names... the best way they can” (88).
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Identity Macon Dead = drunk Yankee’s mistake Milkman = unnaturally prolonged childhood Guitar = passion Bible names = Providence (Pilate, Ruth, First Corinthians, Magdalena, Rebecca [Reba], Hagar) Macon Dead = drunk Yankee’s mistake Milkman = unnaturally prolonged childhood Guitar = passion Bible names = Providence (Pilate, Ruth, First Corinthians, Magdalena, Rebecca [Reba], Hagar)
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Identity The white world gauges worth by money and possessions “A nigger in business is a terrible thing to see” (22). “Own things. And let the things you own own other things” (55). Milkman leaves Hagar a note and money The white world gauges worth by money and possessions “A nigger in business is a terrible thing to see” (22). “Own things. And let the things you own own other things” (55). Milkman leaves Hagar a note and money
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Coming of Age Milkman is the victim of a prolonged childhood Nursed by his mother for tool long Kept out of WWII by his father’s influence Held back by father for 31 years Milkman is the victim of a prolonged childhood Nursed by his mother for tool long Kept out of WWII by his father’s influence Held back by father for 31 years
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Coming of Age Milkman senses the restlessness of change Concentrates on things behind him, “[a]lmost as though there were no future” (35). Walking in a different direction than everyone else Milkman senses the restlessness of change Concentrates on things behind him, “[a]lmost as though there were no future” (35). Walking in a different direction than everyone else
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Fathers and Sons Macon Dead is orphaned at a young age Father had been a slave Father had established “Lincoln’s Heaven” Tricked by the white man’s greed Macon Dead is orphaned at a young age Father had been a slave Father had established “Lincoln’s Heaven” Tricked by the white man’s greed
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Fathers and Sons Milkman is born into purposeless privilege Father attempts to abort him Milkman follows his father’s business Milkman strikes out against his father Milkman is born into purposeless privilege Father attempts to abort him Milkman follows his father’s business Milkman strikes out against his father
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Fathers and Sons Guitar is fatherless, raised by a grandmother Father is killed in a grisly sawmill accident The white man gives him candy as recompense Finds identity and purpose among the Seven Days in the barber shop Guitar is fatherless, raised by a grandmother Father is killed in a grisly sawmill accident The white man gives him candy as recompense Finds identity and purpose among the Seven Days in the barber shop
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Singing and Songs The “flying African” folklore is preserved in song Macon is drawn to Pilate’s siren song The ghost of Pilate’s father tells her to “Sing. Sing” (147). The “flying African” folklore is preserved in song Macon is drawn to Pilate’s siren song The ghost of Pilate’s father tells her to “Sing. Sing” (147).
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Female Roles Wife and mother = life giver and sustainer Ruth nurses Milkman for too long, yet she cannot cook Pilate gives birth to herself and is marked as preternaturally different Hagar sees Milkman as “my home in this world” (137), yet she tries to kill him Wife and mother = life giver and sustainer Ruth nurses Milkman for too long, yet she cannot cook Pilate gives birth to herself and is marked as preternaturally different Hagar sees Milkman as “my home in this world” (137), yet she tries to kill him
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Female Roles Sorceress and healer = power over creation Pilate gives Ruth an elixir to seduce Macon and create life Pilate protects Milkman with voodoo sorcery Both Ruth and Pilate derive meaning from the (D)ead Sorceress and healer = power over creation Pilate gives Ruth an elixir to seduce Macon and create life Pilate protects Milkman with voodoo sorcery Both Ruth and Pilate derive meaning from the (D)ead
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Female Roles Queen or courtesan = powerful empress of men’s fates Macon jealously kills Dr. Foster to possess Ruth Pilate nearly kills Reba’s lover Hagar is paralyzed and unable to kill the resigned Milkman (D)ead Queen or courtesan = powerful empress of men’s fates Macon jealously kills Dr. Foster to possess Ruth Pilate nearly kills Reba’s lover Hagar is paralyzed and unable to kill the resigned Milkman (D)ead
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Works Cited Hayden, Robert. Collected Poems. Ed. Frederick Glaysher. Noew York: Liveright, 1985.
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