1. Comment critiquer l'art.
HOW TO CRITIQUE

2. Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
The four steps in art criticism are:
Describe
Analyze
Interpretation
Judgment.
Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
HOW TO CRITIQUE

3. Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
Describe
First describe the facts:
the name of the work, artist, medium, etc.
What does the art look like?
What is it made of?
What objects do you see in it?
What textures, shapes, or colors are there?
Are the colors vivid and bright, or subdued?
Remember, all of these are straight facts, with no opinions added yet.
If you wanna be really thorough, look for and describe each of the “elements” of art: line, shape, form, color, space, texture and value.
Be very general at first, then get more specific later on.
Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
HOW TO CRITIQUE

4. Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
Describe - Example
The first step goes something like this: In this painting, I see butterflies (obvious, but necessary). There are two of them, and they are in flight with their wings open. I also see what appears to be the side of a cliff, or a flat wall that has been broken off. It is daytime because the sky is blue, but there is also another drastic light-source coming from the right side, creating harsh shadows. The landscape appears to be outdoors, because of the sky and because of the vast desert in the distance. The colors are very intense, especially the blue and the orange. There is a strong contrast between light and dark, and overall, the lines are very defined. The viewer is either very close in proximity to the butterflies, or the butterflies are rather large. As the viewer, we appear to be standing in front of this scene, looking straight at it, and the overall effect is realism. Etc.
*Note: Through all this, you are not supposed to say whether or not you “like” any of the things…you’re just describing at this point.
Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
HOW TO CRITIQUE

5. Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
Analyze
Tell how all the answers from the description you just made are related to each other, ie, how the above facts are organized, compliment one another, or create harmony or distress. This step can often be the most confusing, because it is very similar to the first and can easily overlap.
A good suggestion is to think about some of the “principles” of art:
movement (or rhythm),
variety,
proportion,
emphasis,
balance,
contrast.
Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
HOW TO CRITIQUE

6. Analyze - Example
As I view this piece, my eyes are occasionally led over to the vanishing point on the left (in the distance), but keep coming back to the focal point around the butterflies. This movement happens largely because of the shadow that the rock casts in that direction. The blue of the sky and the orange of the rock are very intense and bright (highly saturated), and their opposition with each other also contributes to the back and forth motion of our eyes as we view the painting. If the blue color was not as saturated, more focus would be on the right side of the painting, it would have too much “weight,” and our eyes would linger there more. As a result, the painting’s composition would be less balanced.
Also, because the butterflies appear to be abnormally large (in comparison to what we assume is a rock face or cliff), we do not have a concrete sense of scale or proportion. This creates an interesting sense of ambiguity, and as a viewer we’re not sure if in fact we are very small, or simply lying close to the ground, or if these are mutated giant butterflies next to a huge cliff. Who can be sure? There aren’t even any pebbles on the ground or other recognizable objects in the paintings to give us clues about scale. The bottom-most butterfly shadow (as well as the butterflies themselves, and the shadow cast by the rock) has a sort of glow around it caused by the lighter orange color surrounding it. This causes the shadow to further “emerge” from the surface it’s supposed to be cast on, making it appear more three-dimensional and adding focus to it. We know that actual, “real-life” shadows do not have this effect, and so it creates a surreal feeling–one of the things Dali’s paintings are most famous for.
HOW TO CRITIQUE

7. Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
Interpret
Basically, how does the painting make you feel?
What does it make you think of? (Don’t say you think the artwork “sucks”…Not yet! That comes in the next step!)
What do you think the artist is trying to communicate to you as a viewer?
This step is more open-ended than the previous two, and there aren’t really any “right or wrong” answers, in my opinion it’s the most important (and fun) step.
Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
HOW TO CRITIQUE

8. Interpret - Example
I don’t feel either sad or happy when looking at this…The colors are nice ‘n bright, and butterflies usually make people feel happy, but I mainly feel “curious,” and maybe a bit confused. I’d like to have more details about what’s going on that are not available in the painting. The colors to me feel very cool, and even the oranges and browns have a lot of light “coolness” to them, but the surrounding visuals suggest a desert of some-sort, or somewhere very dry. The butterflies are painted fairly realistically, and are beautiful, but the wings on both are stuck in the same exact position, like they are pinned onto an entomologist’s board. Not to mention their somewhat unrealistic shadows and highlights.
So this is what I think Dali probably did: I think he found some recently dead butterflies and wanted to paint them, like one would paint a still-life with fruit or flowers or something. But to make them less boring than a typical still-life of butterflies pinned to a board, he added an imaginary background to make it into a “landscape” instead. That way, as a viewer, we could have the sense that these creatures are alive and kicking, in their own little colorful world. To me, I think this is a great concept, and a creative way of approaching a painting and making it more intriguing than a plain old still-life.
HOW TO CRITIQUE

9. Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
Judgment
You NOW get to say whether it is a success or a failure in your opinion.
Do you feel it is original or not original (have you seen this before?)
Would you hang it on your wall at home?
Here’s the place for all the gut feelings that you had when you first looked at the artwork.
Salvador Dali – Paysage aux papillons (Landscape with Butterflies)
HOW TO CRITIQUE

10. Judgment - Example
In general, I think this is an interesting and unique artwork. I enjoy the bright colors and would hang it up in my house if someone gave it to me for my birthday, but I probably wouldn’t buy it myself unless it was on sale. (Dali doesn’t do “bargain basement” prices?–oh well, never mind then.) As an artist myself, I appreciate the technical skill it took to create such a painting, and might be inspired to create a painting similar to this in the future, but perhaps with another subject. I certainly recognize the elements of “surrealism” that Dali’s artworks are famous for, and I think it succeeds, representing this category of art fairly well.
HOW TO CRITIQUE