1. Salsa Roots Part 2

2. Bellwork: Define Terms  Corrido—a Mexican ballad  Jibaro —folk songs of the Puerto Rican Mountain peoples  Guaracha—Afro-Cuban musical theater/pop music  Bomba- a puerto rican dance style  Plena—a Puerto Rican song originally used as a auditory newspaper.  Timbales- a cuban drum

3. Outcomes  Grammar: Learn basic facts about the roots of salsa music  Logic: Make your own salsa

4. Announcements  Test on Salsa Roots Thursday, December 12 th.  Reading #16 due Today  Outline of slide show due Today  Exam study guide due Thursday, December 12 th

5. Make your own salsa

6. Corrido

7. Jibaro

8. Guaracha

9. Bomba-Play it R R L LL R R L LL R R L LL R R L LL

10. Plena-Play it R L R L R R L R L

11. Timbales

12. Guided Notes  In the United States from 1940-1950 there was a large influx of Latin immigrants.  Sanitaria is a system of Yoruba religious customs, including a trance for communicating with their ancestors and deities, animal sacrifice and sacred drumming and dance.  Salsadromos are large dance halls in Lima, Peru.  A Salsamingo is a salsa fan or expert.

13. Active Listening #3  What instruments are also used in Big Band music?  The choir of singers is replaced by a choir of what?

14. Just the Facts: Ran Kan Kan  Tito Puente was an innovator, mixing Latin genres with big band tunes and jazz.  The timba rhythm is played on the congas.

15. Active Listening #4  Name three instruments in the percussion section:  What instruments are acting as the “response” to the trumpets call?

16. Just the Facts: El Manisero  Rodriguez's primary instrument was the trumpet.  Bauza was the first to explore modal jazz, setting the stage for later jazz greats Miles Davis and John Coltrane.

17. Take your own notes  In addition to Puerto Rican, Cuban and US influences Mexico, Venezuala and Columbia were instrumental in the development of salsa.  Some feel labeling of salsa is detrimental since it homogenizes the complex musical forms, genres and practices of Afro-Caribbeans.  Many Cuban musicians like Mambo King Perez Prado Cubans believe that salsa music doesn’t exist, that it is purely Cuban Music.

18. CFU: Whiteboards  Answer the following questions on your whiteboards

19. Q1  What type of jazz music did Arsenio Rodriguez discover?

20. Q2  Many Cuban musicians like Mambo King Perez Prado Cubans believe that salsa music doesn’t exist, that it is purely:

21. Q3  In the song Ran Kan Kan, what type of rhythm is played on the congas?

22. Q4  What is a Salsamingo?

23. Active Listening #5  What number do they count up to (in Spanish)?  Which percussion instrument is the loudest?

24. Just the facts: Hay Fuego en el 23  Rodriguez’s played the tres, a Cuban guitar.  The son montuno is the final up-tempo section of a son (Cuban song), with its semi-improvisation, repetitive vocal refrain and brash instrumental climax.

25. Exit Ticket  What is the name for a Mexican ballad?  What is a Plena?  Define Sanitaria:  Tito Puente was an innovator, what three genres did he mix into his salsa music?