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Published byPamela Nichols Modified over 9 years ago
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Roman Theatre
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Horace 65-8 BCE Son of freed slave Father sent him to Athens and Rome for education to eventually get high government post Supported poet, was given a farm by patron Often called Rome’s Aristotle
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Theatre of Pompey 55 BCE Before Theatre of Pompey, theatres were temporary structures Roman officials opposed theatre buildings Pompey insisted the theatre was a religious due to the shrine
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8,000 to 25,000 Freestanding Orchestra was semicircle and used for seating Comfort – Awnings – “air conditioning”
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Stage Craft Plays did not require unique environments Periaktoi, auleum (front curtain) and siparium (painted backdrop) Stage too big for curtains
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Ars Poetica/ Art of Poetry Horace was known to Renaissance scholars before Aristotle, so Horace was the basis of many theatre “rules”
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Horace’s Rules 3 Actor Rule Don’t mix comedy and tragedy Plays should have 5 acts Gods should not be brought in to resolve a play unless absolutely necessary. Drama’s purpose is to “profit and please” or entertain and instruct.
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Decorum – Character actions and words must fit traditional ideas of behavior for the character type Age, gender, social status, emotional state – nothing extreme or fantastical
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Horace’s Chorus Should be used to move the action forward High moral tone Give good counsul
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Acting Companies Local government managed festivals and hired acting troupes Unofficial competition Troupes managed by the dominus – lead actor, financier, bought scripts – Actors were called historiones – Actors may have been slaves – Actors could earn wealth and respect Aesopus and Roscius
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Popular Entertainment Colossseum Circus Maximus
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