1. This work is from the _____________________ period. Early Medieval It is representative of that period’s ________________ Culture of the Book It depicts ____________ an Evangelist (St Matthew) writing the Gospel Old Exam questions (multiple choice)

2. Romanesque A key style of the Early Medieval Textbook pp. 145-151

3. Fontenay Abbey, 1139-47 not in text

4. Abbey St Marie, Souillac-Chevet, 12 th c.

5. Poitiers, early 12 th c. not in text

6. Some definitions Romanesque – architectural style in vogue between 1050 and 1200, consisting of semi-circular arches, relatively massive walls supported by buttresses, and consequently smaller openings for natural light. The Romanesque style evolved as rapidly as the Gothic which replaced it, and despite the Romanesque interior's reputation for gloominess, great sanctuaries such as Vezelay and Autun achieve a lightness and a luminosity which rival those of the first Gothic edifices. Term coined around 1825. 900-1200. In architecture the Romanesque is typified by the use of the round arch and conspicuously heavy construction. In painting and sculpture forms are often expressively distorted to convey religious emotion. [Textbook] the medieval artistic style of c. 900-1200, in architecture characterized by the use of rounded arches, tunnel vaults, and other features of Roman architecture (hence the name "Romanesque“) Note that Roman realism is not part of the Romanesque style.

7. St. Sernin see text p. 148-149

8. St. Sernin

9. Church of La Madeleine, Vezelay, France, c.1120-32

10. interior, Church of La Madeleine, Vezelay, France, c.1120-32 Some influences from the Islamic world...

11. Great Mosque of Cordoba, interior Spain c. 736

12. San Zeno Maggiore Verona, 1120-38 not in text

13. San Zeno Maggiore Verona, 1120-38

18. Church of La Madeleine, Vezelay, France, c.1120-32 tympanum see text p. 131, 151

19. The Romanesque approach to the human form

20. Tympanum, Church of La Madeleine, Vezelay, France, c.1120-32 Proportions? Not in textbook

21. Tympanum, left detail, Church of La Madeleine, Vezelay, France, c.1120-32

22. Tympanum, right detail, Church of La Madeleine, Vezelay, France, c.1120-32

23. Mystic Mill, Moses & St Paul Grinding Corn, capitol, Church of La Madeleine, Vezelay, France, c.1120-32 textbook, p 149 hair “flows” into drapery of clothing Another art history text interprets this as a wine press

24. Demon & Woman, capitol, Church of La Madeleine, Vezelay, France, c.1120-32 Not in textbook serpent

25. Gislebertus, Last Judgment, tympanum detail, Autun, France, c.1120-35 detail, p. 147 – 5th general view, p 130

26. San Zeno Maggiore Verona, 1120-38 No in-the-round human forms – all relief sculpture

27. San Zeno Maggiore Verona, 1120-38

29. Visitation 11-12 th c. Spain fresco p. 144

30. Next up - Late Medieval & Gothic Ch. 7

31. EARLY MEDIEVAL SUMMARY 800-1150 POLITICS – Charlemagne, Ottonian (German) emperors ARCHITECTURE – Romanesque Style, c. 900 ART – relief sculpture and a fantastic approach to human form IDEAS – The Culture of the Book; monasteries MUSIC – consolidation of chant; early notation neumes & staff (staff c.1000)

32. see text p. 145-150 Name: style: elements: St. Sernin Romanesque - round arches - a few narrow windows - heavy Hard to find parking

33. New Anchor Dates 1000 - Musical STAFF used for - CHANT in the - EARLY MEDIEVAL PERIOD in - MONASTERIES 1066 - BATTLE OF HASTINGS depicted in the - BAYEUX TAPESTRY which we associate with - FEUDALISM

34. Up to dates? 480 BC 0 547 c.1000 Start of CLASSICAL GREEK PERIOD Just after the start of the ROMAN EMPIRE; Caesar Augustus reigns SAN VITALE; sort of end of Early Christian period Guido describes the musical staff