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Published byClement Welch Modified over 9 years ago
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American Neoclassicism The Federal Period 1780 – 1830 (started 20 years after England)
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The Lack of a Profession no architectural profession no large scale projects –residence of small scale public constructed by builders, craftsmen, bricklayers or amateur architects –pattern books
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Charles Bulfinch Boston politician & gentleman amateur architect failed investment –had to practice to survive
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Harrison Gray Otis Boston, 1790s, by Charles Bulfinch (very clear relationship to English Neoclassicism)
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1 2 3 4 clearly responding to Neoclassicism delicate ornamentation 1—tablets—inspired by Robert Adam 2—palladian window 3—fanlight— invented by Adam—attached to the front door 4—sidelights
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lunette tripartite construction string courses
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central hall double pile
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Parlor symmetry citron/aquamarine Adamesque drapes—swag with double jabot wallpaper frieze classical arrangement allover or fitted carpet pier table—looks like mirror is attached/one piece because mirror goes below table
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historically preserved space American furniture is more simple than England fireplace anchors the room—almost exact replica of Adam’s work
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Thomas Jefferson: Politician member of Virginia House of Burgesses, 1769-74 member of Continental Congress, 1775-76 Governor of Virginia, 1779-81 member of Continental Congress, 1783-85 Minister to France, 1785-89 Secretary of State, 1790-93 (under Washington) Vice President, 1797-1801 (under J. Adams) President, 1802
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Thomas Jefferson: Politician wanted a unique architectural expression for America anti-British
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Thomas Jefferson: Scientist scientist / inventor farmer –believed that everything good about America came from its land –makes a concentrated effort to connect outside with inside father was a surveyor
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Monticello Charlottesville, VA, by Thomas Jefferson, 1772-1812 trying to create an “American” interpretation
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full-scale laboratory for building and testing design ideas
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Villa Pisani by Palladio relied not on pattern books, but Palladio’s Quatro Libre
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Hotel De Salm inspired while in France—felt it looked original
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cruciform shape added a lot of windows— connection to outside four stories—basement, main 1 st,main 2 nd, rotunda
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second floor first floor
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conflict of window and balustrade
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garden façade (personal)—shows much more of the inventor
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Chinese Chippendale
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like Hadrian’s cryptoporticus— so slaves were not visible to guests
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invention so you saw only one slave
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garden front public face
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garden face—showing the scientist/inventor
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Public/Front Façade—sense of refinement and simplicity
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weather vane— indication of scientist double faced clock—one mechanism
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compass indicator from weather vane version of the Doric order—connection to Greece, the original democracy
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Entry Hall: The First American Museum busts of politicians specimen of the American landscape simple furniture—slave made; trade skill when freed
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triple sash window— easy connection to outdoors
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eagle & stars—popular motifs most floors a simple herringbone pattern
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interpretation of the Versailles floor pattern Parlor collector of art—mostly portraits
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Parlor
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triadic color scheme musician
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back doors of parlor
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Dining Room fireplace most likely took this design from a pattern book—customary tablet that imitates jasperware
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Breakfast/ Tea room— half- octagonal addition to dining room two sets of doors to create an air pocket these open for when both sets of doors are closed
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Tea Room
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gained a 180 degree view
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Bedroom & the Venturi Effect alcove bed (French influence) to create a draft
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morphed writing desk and chaise lounge candles built into chair invention creates two copies at once
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to light closet skylight
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library had over 10,000 volumes— largest private collection bed
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design attributed to Jefferson holds five books at once allows reader to rotate stand unfolds as step ladder revolving five-sided book stand
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American motifs American Cow Skull, Roman Urn, Hatchet, French Medallion
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exploration of vertical circulation
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building drum rotunda takes skills that Americans don’t yet have
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