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Published byGwen McBride Modified over 8 years ago
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Leonardo da Vinci: Perspective study for the “Adoration of the Magi” What we see isn’t always what we see. It took artists thousands of years before the concept of perspective was perfected. Beginning in the 15th century artists dabbled with the use of perspective, but until Brunelleschi no one had mastered its geometry. This study by da Vinci shows how the geometric lines of perspective converge toward a single vanishing point on the page.
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vanishing point
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Leonardo da Vinci: The Adoration of the Magi
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Leonardo da Vinci Study of an Old Man’s Profile The efforts of Renaissance painters to improve the realism and accuracy of their figures reflects the increasing humanism within European society. During the Middle Ages, when society concentrated on life in the hereafter, rendering everyday life accurately was unimportant, but humanism sought to reflect on life in the present. This shifted the focus to the individual, and as the individual’s importance increased so did the human detail in painting. Leonardo conducted careful studies of the human form, even going so far as to dissect cadavers and sketch the muscles and organs under the skin.
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Leonardo da Vinci, The Annunciation
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Leonardo da Vinci The Madonna of the Carnation
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Last Supper, after restoration
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Castagno, Last Supper
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Mona Lisa
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Duke and Duchess of Urbino, Piero della Francesca, 1465-1466
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Lady with Ermine
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Virgin and St. Anne
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Leonardo da Vinci (ca. 1485) Virgin of the Rocks
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Mantegna (1493-1496) Madonna of the Victory
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Filippo Lippi (1485-1486) Madonna and Child
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