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Published bySpencer Cameron Modified over 8 years ago
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Italian and Northern Renaissance Art
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Characteristics of Italian Art Influenced by Byzantine art for 800 years 2 dimensional Large eyes Tempura paint: egg yolk mixed w/paint powder Gold background Quattrocento: 1450-1500 Florentine Art
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Art should be rational and appeal to intellect Made the profession respectable Balance, symmetry, and harmony like music Represent true form Concerned with reality Artist are learned and literary…many more subjects to draw from
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Madonna and Child Enthroned with Saints Cimabue; 1290-1295; tempura on wood Giotto; c. 1305-1310; tempura on wood
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Detail— Jesus' face
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David David Donatello; c. 1430; Bronze
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Mary Magdalene Mary Magdalene Donatello; 1454-1455; wood
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Gates of Paradise Lorenzo Ghiberti; 1425-52, Bronze, Baptistery, Florence Baptistery Doors, Florence
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Isaac Sends Isaiah to Hunt (panel from the eastern door) Detail of Baptistery Doors
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Trinity Trinity Massacio; 1425-28; Fresco Father Son Church Members/Patrons Example of Linear Perspective
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Detail— Jesus and Holy Father
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Detail— Patrons and Clergy
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Tribute Money Tribute Money 1426-1482; Fresco; Massacio; Brancacci Chapel;
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Baptistery Dome Baptistery Dome Brunelleschi Florence, 1420-1436
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Detail of the Dome
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Mona Lisa Mona Lisa 1503-1505; Leonardo da Vinci; oil on panel
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The Last Supper The Last Supper 1498; Leonardo da Vinci; Fresco
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Vitruvian Man “Renaissance Man” Vitruvian Man “Renaissance Man” 1492; da Vinci; pen, ink, water color and metal point on paper
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Birth of Venus Sandro Botticelli c. 1485 Tempera on canvas
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Pieta Pieta Michelangelo; 1499; marble
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Detail—Pieta
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"I SAW THE ANGEL IN THE MARBLE AND CARVED UNTIL I SET HIM FREE." David David Michelangelo; 1501; marble
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Detail of David
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Ceiling of Sistine Chapel Michelangelo; 1508-1512; Vatican City, Rome
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The Creation of Man
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Detail-Adam
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Expulsion of Adam and Eve from Eden
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Cowper Madonna Cowper Madonna Raphael; c. 1505; Oil on wood
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School of Athens School of Athens Raphael; 1509; fresco
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Characteristics of Northern Art “beauty created absolutely everything you see.” Used oil—gives more richness of color; easier to work with Perspective: observation and experimentation Faces are more real…accuracy of detail Revival of portraiture Interested in naturalism No real “rebirth”…di rect access not an option!
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Self-Portrait Self-Portrait Albrecht Dürer; 1500; oil on wood “I, Albrecht Dürer, divinely inspired artist.”
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Adam and Eve Adam and Eve Dürer; 1508-1512; engraving
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Portrait of Erasmus Portrait of Erasmus Dürer; 1520, black chalk,
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Jan Van Eyck Portrait of Giovanni Arnolfini and his Wife Jan Van Eyck; 1434; oil on oak
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signature Shows perspective and background Detail— Wedding Portrait
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Peasant Wedding Peasant Wedding Peter Brueghel the Elder; 1568; oil on wood ;
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Hunters in the Snow Hunters in the Snow Brueghel; 1565; oil on panel
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Peasant Dance Peasant Dance Brueghel; 1568; oil on oak panel
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Triptych, plus shutters Triptych, plus shutters Hieronomyous Bosch; c. 1504; Oil on panel
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Left Wing The Earthly Paradise (Garden of Eden) Detail—Eve
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Garden of Earthly Delights (Ecclesia's paradise) Garden of Earthly Delights (Ecclesia's paradise) Center Panel
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Detail— Center Panel
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Hell--Right Wing Detail—Tavern
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Detail—Processional
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Erasmus of Rotterdam Erasmus of Rotterdam Hans Holbein the Younger; 1523; Oil on wood
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Sir Thomas More Sir Thomas More Holbein; 1527; Tempera on wood
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The End! Think you understand it all?
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