1. atmospheric or aerial perspective
Chiaroscuro & tenebrism
cross-hatching and hatching
hue, value (key), and intensity (saturation)
local, perceptual, optically mixed, and arbitrary color
palette
pointillism & optical mixing of color
primary, secondary and intermediate colors
spectrum
Temperature
Symbolic or expressive color
Visual texture
Motion and time
Action painting
Outline or contour line
Implied line
Expressive line
Analytic or classic line
Shape and mass
3-dimensional space
2-dimensional space
Linear perspective
Vanishing point
One-point linear perspective
Foreshortening

2. FORMAL ELEMENTS OF ART Test on April 2 Entire section on Formal Elements of Art

3. Foreshortening

4. Illusion of depth // two-dimensions - 1490 (left) versus 1907 (right)

5. Atmospheric perspective The first object of the painter is to make a flat plane appear as a body in relief and projecting from that plane. -- Leonardo da Vinci

6. Chiaroscuro: In drawing and painting, the use of light and dark to create the effect of 3-dimensional, modeled surfaces. Tenebrism: A heightened form of chiaroscuro

7. Hatching and cross-hatching

8. Color Spectrum and color wheel (invented in the 18th century)

9. Test for red/green color blindness Normal color vision should read the number 3. Red-Green deficiencies should read the number 5. Total color blindness should not be able to read any numeral.

10. Cool and warm temperature monochormatic palette

11. Value (key) scale: the relative lightness or darkness of a picture or the colors employed in it

12. Saturation and intensity // tints and shades Intensity: the relative purity of a color’s hue and a function of its relative brightness or dullness

13. Interaction of colors

14. Pointillism // optical mixing of color

15. Chuck Close, optical mixing

16. Arbitrary color versus local color

17. Symbolic or Expressive color

18. visual texture (versus actual texture based on touch)

19. Claude Monet, Waterlilies, late 19th century Impressionist oil on canvas panorama painting at the Jeu de Paume in Paris. No focal point gives sense of timeless time.

20. Time and motion // visual rhythm

21. Action Painting – Jackson Pollock (viewer has awareness of time – event of painting as verb)

22. Op art: visual motion / visual rhythm Bridget Riley

23. Tinguely, Homage to New York, kinetic sculpture

24. Alexander Calder, Mobile, National Gallery of Art, Washington D
Alexander Calder, Mobile, National Gallery of Art, Washington D.C // kinetic sculpture

25. Pattern

26. Miriam Schapiro, Mother Russia, Pattern as a feminist statement, 1994, Femmage