1. INTERNATIONAL NEOCLASSICISM Karl Friedrich Schinkel – Germany –Prussian genius –All levels of building –Fused site and building –Master of illusionary effects Leo Von Klenze –Bavarian –Developed evolved versions of “Temple on High” and Propylaea gate

2. BERLIN SCHAUSPIELHAUS (NATIONAL THEATRE) 1819 Complex program –Theatre, concert halls, offices Style –Grecian neoclassicism –Greek revival and Michaelangelo –Through 19 th century functionalist eyes Site relationship –Building mirrors architectural program of two churches fronting on square

3. Berlin Schauspielhaus 1819

4. ALTES MUSEUM - 1824 Shrine of cultural treasures –Siting and approach contribute –Faces royal palace with garden between Trees on both sides part for Berlin Cathedral Monumental image –Simple elements Model of planning and utility –Su,,etru amd axoa;out –Well lighted galleries along exterior walls with flexible spaces and panels perpendicular to window for glare

5. ALTES MUSEUM 1824

12. LATER WORK 1826 - 1840 Utilitarian Works –Inspired by England’s factory buildings –Skeletons cast in historicist forms Library project 1853 Bauakademie 1836 –Looks forward to commercial buildings of later 19 th C. Picturesque Tendencies –Villas Charlottenhof, Potsdam - 1826

13. Schinkel Bauakademie Memorial

19. Charlottenhof 1826

21. Rundbogen

23. Walhalla 1831 Von Klenze

26. Propylaea Gate 1846

27. Ludwigstrasse