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1-- If the range of ethical standards you follow are duty based they are called deontological.

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Presentation on theme: "1-- If the range of ethical standards you follow are duty based they are called deontological."— Presentation transcript:

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2 1-- If the range of ethical standards you follow are duty based they are called deontological

3 2-- The ethical standard followed when what you do is based on the notion that individuals should be treated equally in terms of rights and responsibilities egalitarian

4 3-- What kind of coverage is it when a judge allows only one television camera and one still camera (that all interested media will use the same shots from), which minimizes court proceedings’ interference? pool

5 4-- The term for the person who puts the newscast together; s/he decides what goes where, the type each story is, and the length of time given to each story producer

6 5--A(n) ----- is a device that helps assignment editors know which news to cover—it’s a collection of story ideas, notes and news releases about upcoming events Futures file

7 6-- Sweeps are done in November, February, May, July

8 7-- The term for the outline of a TV news program rundown

9 8-- What are the ‘theories of the press’ Social responsibility, libertarian, authoritarian, communist, developmental

10 9--As a reporter does a live close of a news story, the anchor may do a short question/answer with the reporter, reestablishing the anchor’s command of the show Anchor debrief

11 10-- The authority of an individual that can reasonably be assumed to be sufficient for a reporter to enter someone else’s premises or property Apparent authority

12 11-- Our book calls it ------ reporting, in referring to a process of communicating with every available tool—the camera, microphone, spoken word, editing process, etc multidimensional

13 12-- The law that states that at twice the distance from a subject, artificial lights provide only one-fourth their original level of illumination Inverse square law

14 13-- The ---- shot shows the view as seen through the subject’s eyes Subjective / POV

15 14-- Several shots of action done by the photojournalist, in which shots vary from LS to MS to CU, and that replicate how a viewer would break down the action if (s)he were at the scene is called shooting --- sequences

16 15-- Lighting a scene with a single light that produces uninteresting pictures with little sense of depth or modeling is called --- lighting flat

17 16-- Accent or separation light in a 3-point lighting set-up is the --- light Back

18 17-- A highly directional light coming from above and behind a subject, adding highlights, shape, and separation from the background. backlight

19 18-- The three parts of three-point lighting Key, fill, and back

20 19-- In normal shooting, each eye normally contains one highlight, called ------. When lights are improperly placed, the subject’s eye’s frequently contain how many? Catchlights / two (one in each eye)

21 20--The two more dominant brand names of nonlinear video editing systems Avid and Final Cut Pro

22 21-- A rectangular floodlight. Broad (or) pan

23 23-- The brand name of the classic controlled- beam spotlight; A light with a well-defined lens; the beam width is varied as the bulb is moved toward and away from the lens. Fresnel

24 24-- The relationship of the brightest area to the darkest area in a given camera shot, as determined by reflected light readings. contrast ratio

25 25-- Inside the modern TV camera, the ---- is the solid-state chip that converts reflected light into electrical signals Charge-coupled device (CCD) or CMOS

26 26-- Whenever you compose a shot in the viewfinder, you must allow for TV -----, in which home TV screens clip off the edges of the transmitted image Cut-off

27 27--The contrast ratio in NTSC television is ---- 30:1

28 28-- If, while a shot is being made, you shift the focus from one subject to another (such as from a foreground to a background subject), the effect is called a ----- focus rack

29 29-- A thin translucent, colored material such as gelatin or plastic that can be mounted in front of lighting instruments to produce specific color effects. gel

30 30--What technique does the text suggest we follow in composing shots in which we mentally divide the viewfinder horizontally and vertically and place subjects or interest- catching features at points where these lines intersect. Rule of thirds

31 31-- Visuals of a news story that should have nat sound but which are used as cut-ins, cutaways and inserts B-roll

32 32--The legal concept of ------ means saying something that damages someone’s reputation Defamation / libel

33 33-- A camera filter that reduces the amount of light hitting the charge-coupled device without affecting the color temperature. neutral density

34 34-- The scale of measurement used to measure frequencies so that color temperature can be determined. Kelvin

35 34-- The color temperature of TV studio lights is ---- 3,200 degrees Kelvin

36 35-If a camera is set to shoot outdoors but is used indoors the video will be ----; if set for indoors but used outdoors, the video will be ---- Red/orange ; blue

37 36-- Writing down what is on a videotape, including the content of each shot, the inpoints and outpoints, and comments about the quality of the shot. logging

38 37-- Current, breaking news is most clearly defined in television as spot news

39 38--What are the primary means by which TV stations sent their signal back to the station when reporting live in their local community? -- from a distant location? Live truck and sat truck

40 39-- A floodlight that contains a single bulb in a bowl-shaped metal reflector. scoop

41 40. Our text says a good reporter doing a newsgathering interview should ask questions the __ would ask viewer

42 40-- The effect created when direct light throws strong highlights and distinct shadows Specular light

43 41-- The opening sentence of a news story is best defined as the lead

44 42--The term for the reporter’s live intro and close to a prerecorded segment, such as a package Lead-in

45 43--A court order to produce documents or other information, including on-air tape, a reporter’s notes, or perhaps even the names of sources. subpoena

46 44-- When shooting video for a news story, if a subject moves screen left in the first shot, then (s)he must move left in all other shots or the result will be a _____. False reverse

47 45-- Rapid montage cutting is also known as _______ cutting flash

48 46--A distinct visual jump called the “______ cut” occurs if the camera is allowed to remain on the same axis line from one shot to the next, typically seen when shooting a WS followed by a MS or CU without moving the camera off the original axis line pop

49 47-- In editing, ------ occur when a shot ends and its accompanying sound ends, only to be replaced at the splice line by a new picture with new sound Cold cuts

50 48--The text says most of the individual shots in a typical TV news story average --- to --- seconds 4 / 7

51 49--What are you told to shoot first upon arriving at the scene of a story? Perishable (fleeting) video

52 50--The book calls it “_________ video” when referring to too many photographers around the country who shoot everything that moves with little regard to story line or subject matter. Rambo

53 51--The book’s author says what part of the news story should be so strong that nothing else can top it, and that, ideally, the moment the reporter arrives on the scene, (s)he should begin looking for a shot for it? The close

54 52--Combined with a master shot, typical --- shots include the close-up or insert shot, reaction shot, and point of view shot Pick -up / cut-in

55 53--Even when photographing with a single camera, a photographer can produce shots that can be edited together in matched action provided that (s)he also shoots --- action Overlapping

56 54--The shot that is often called ‘the pan with a purpose.’ Moving (follow) shot

57 55--According to John DeTarsio, while a news story is told by the action—whether it’s a death or murder scene or whatever, it’s the _______ that makes the story memorable reaction

58 56-- In all on-camera appearances, the cardinal rule is to choose clothing and accessories that will help keep attention on the Reporter’s face

59 57-- Of the TV live shot formats, which of the options would a reporter use between their standup in a live shot with the least time to prepare, such as when covering a story as it unfolds? What are the other types? “Scene scan:; this question, like others, should remind you of a list of terms to study, similar to this

60 58-- One of the first rules for writing television news is to reference your ------. video

61 This may get updated – be sure to study these first but then also check back, just in case. And – go back though the course outline and previous review materials—looking for more of the major ideas we covered this semester. video

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