1. Steven Figueroa Javaris Johnson Valerie Harris Johnson

2. What is copyright?  Copyright is protection given by law to authors or creators on anything that they create or make that they don’t want other people to steal or take.  It also gives the creator the opportunity to make money off their product and it prevent others from making money off someone else work. Johnson

3. History of copyright  “Law makers felt that the public had the right to access knowledge, but should not be restricted by the individual author’s right to restrict access. The application of copyright law helped achieve this balance.” Johnson

4. History continued  “When the United States Constitution was written in 1787, the framers included an authoritative clause in the Constitution, sometimes know as the patent, trademark, and the copyright clause, enabling both the public and the individual to benefit from the creation and dissemination of creative works.” Johnson

5. Rights of the owner  Section 106 of the U.S. copyright law gives the owner of the copyright the exclusive (the only one and no one else) right to do and authorize others to do the following: Johnson

6. Rights of the owner continued  To reproduce the work  To prepare derivative work based upon the work  To distribute copies of the work to public by sale or by other transfer of ownership, or by rental, lease, or lending  To perform the work publicly  To display the copyrighted work publicly  In the case of sound recording, perform the work publicly by means of digital audio transmission  In the case of “work of visual art” the author has certain rights of attribution and integrity  Right of Paternity Figueroa

7. To Reproduce the work  This means to create the work over given the permission of the owner.  Ex. The movie Freddy Krueger made in 1984 and remade in 2010. Figueroa

8. To produce derivative works based on the work  This means to create something based off the original work.  Ex. When people write books or create movies based on a true story or true events. Figueroa

9. To distribute copies of the work to the public by sale or other transfer of ownership, or by rental, lease, or lending  This means to make money from the work.  Ex. When Blockbuster sale movie or let people rent movies or when Books-a- million sale books. Figueroa

10. To perform the work publicly  This means to perform something that some one created in the publics eye.  Ex. A recording artist getting the permission from a producer to perform a song or songs that he/she has created. Figueroa

11. To display the copyrighted work publicly  This means showing the work in public,  Ex. Displaying someone else art work that he or she have created. Harris

12. In the case of sound recording, to perform the work publicly by means of digital transmission  This means playing a recording of some one perform someone else work  Ex. Listening to some one perform the poem “Still I rise” By Maya Angelou Harris

13. in the case of a “work of visual art” the author has certain rights of attribution and integrity in the case of a “work of visual art” the author has certain rights of attribution and integrity  This the means that the author of a work has the right to use his/ her name on his or her work and not let anyone use his or her name on something that looks like his or her work, but they did not create it.  Ex. Nikes that look like Air Force Ones but they are not. Harris

14. Right of paternity  “This right refers to the author's right to have his name on a work, to use a pseudonym, or to remain anonymous.”  This means an author can use his/her own name, they can use a fake name, or do note use a name at all. Harris

15.  Literary works  Musical works, including any accompanying words  Dramatic works, including any accompanying music  Pantomimes and choreographic works  Pictorial, graphic, and sculptural works  Motion pictures and other audiovisual works  Sound recordings  Architectural works Works that are protected Harris

16. Literary Works  This includes works "expressed in words, numbers, or other verbal or numerical symbols" in "books, periodicals, [lectures,] manuscripts, phonorecords, film[s], tapes, disks, or cards." Figueroa

17. Musical Works  This includes sheet music, musical manuscripts, and any accompanying lyrics. Figueroa

18. Dramatic Works  Protection extends to literal copying and to copying of the work's expressive elements, character, action, and dialogue. Figueroa

19. Pantomimes" and Choreographic Works  As with dramatic works, protection extends not only to literal copying but also to copying of the work's expressive elements, character, action, and dialogue. Figueroa

20. Pictorial, Graphic, and Sculptural Works.  This "include[s] two-dimensional and three-dimensional works of fine, graphic, and applied art, photographs, prints and art reproductions, maps, globes, charts, diagrams, [and] models," among other items. Figueroa

21. Motion Pictures and Other Audiovisual Works  This includes "a series of related images" that "impart an [expression] of motion." (9) It also includes the sounds, such as sound tracks, that accompany the work. Johnson

22. Sound Recordings  Protection extends to any collection "of musical, spoken, or other sounds." (10) Because protection for sound recordings is separate from protection for the musical score, the copyright holder for the sound recording may not necessarily be (and often is not) the copyright holder for the musical score. Johnson

23. Architectural Works  As of December 1, 1990, protection extends to "[t]he design of a building as embodied in any tangible medium," including buildings (such as houses, office buildings, churches, and gazebos), architectural plans, or drawings. An architectural work "includes the overall form as well as the arrangement and composition of spaces and elements in the design, but [it] does not include individual standard features." Johnson

24. Copyright infringement  When someone violates another person’s intellectual or creative property. Johnson

25. Reasons why people try to justify Copyright Infringement  People only download stuff that they otherwise would not buy, so a company's profits are not affected.  Downloading material allows people to "taste" something before they buy it. If they like it, they buy it; if they don't like it, they don't buy it and supposedly delete the downloaded item.  Downloading something allows people to boycott a product or person whom they disagree with. Johnson

26. Ways to stop copyright infringement  Include a strongly worded copyright tag  Use a summary feed for your business blog  If you ‘must’ use a full text feed — copyright protect it! Harris

27. Include a strongly worded copyright tag  At the bottom of each of your original content posts/articles should include a brief copyright tag. this is your first line of defense. This will prevent all but the most unscrupulous of people from stealing your content. Harris

28. Use a summary feed for your business blog  Use summary feeds to protect against blog scraping, dilution of content, and degradation of search engine rankings. Harris

29. If you ‘must’ use a full text feed — copyright protect it!  Always remember it you are using a full text feed to copyright it. Harris

30. R eference  Beyond economic rights.(copyright corner).  http://find.galegroup.com/gps/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale( en%2C%2C)%3AFQE%3D(KE%2CNone%2C29)copyright+righ ts+of+the+owner%24&sgHitCountType=None&inPS=true&sor t=DateDescend&searchType=BasicSearchForm&tabID=T003& prodId=IPS&searchId=R2&currentPosition=3&userGroupNam e=naal_uwa&docId=A148094792&docType=IAC&contentSet=I AC-Documents http://find.galegroup.com/gps/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale( en%2C%2C)%3AFQE%3D(KE%2CNone%2C29)copyright+righ ts+of+the+owner%24&sgHitCountType=None&inPS=true&sor t=DateDescend&searchType=BasicSearchForm&tabID=T003& prodId=IPS&searchId=R2&currentPosition=3&userGroupNam e=naal_uwa&docId=A148094792&docType=IAC&contentSet=I AC-Documents http://find.galegroup.com/gps/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale( en%2C%2C)%3AFQE%3D(KE%2CNone%2C29)copyright+righ ts+of+the+owner%24&sgHitCountType=None&inPS=true&sor t=DateDescend&searchType=BasicSearchForm&tabID=T003& prodId=IPS&searchId=R2&currentPosition=3&userGroupNam e=naal_uwa&docId=A148094792&docType=IAC&contentSet=I AC-Documents  Copyright 101  http://www.lib.byu.edu/departs/copyri ght/tutorial/module1/page7.htm http://www.lib.byu.edu/departs/copyri ght/tutorial/module1/page7.htm http://www.lib.byu.edu/departs/copyri ght/tutorial/module1/page7.htm Johnson

31. Reference  Copyright Infringement by Joseph Devine  http://www.researchcopyright.com/copyri ght-infringement.php http://www.researchcopyright.com/copyri ght-infringement.php http://www.researchcopyright.com/copyri ght-infringement.php  Copyright protection: the forgotten stepchild of a franchise intellectual property portfolio.  http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale(en%2C%2C)%3 AFQE%3D(KE%2CNone%2C19)copyright+licensing%3AAnd%3ALQE%3D(AC %2CNone%2C8)fulltext%24&sgHitCountType=None&inPS=true&sort=DateDe scend&searchType=BasicSearchForm&tabID=T002&prodId=LT&searchId=R3 &currentPosition=4&userGroupName=naal_uwa&docId=A186949852&docTy pe=IAC http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale(en%2C%2C)%3 AFQE%3D(KE%2CNone%2C19)copyright+licensing%3AAnd%3ALQE%3D(AC %2CNone%2C8)fulltext%24&sgHitCountType=None&inPS=true&sort=DateDe scend&searchType=BasicSearchForm&tabID=T002&prodId=LT&searchId=R3 &currentPosition=4&userGroupName=naal_uwa&docId=A186949852&docTy pe=IAC http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale(en%2C%2C)%3 AFQE%3D(KE%2CNone%2C19)copyright+licensing%3AAnd%3ALQE%3D(AC %2CNone%2C8)fulltext%24&sgHitCountType=None&inPS=true&sort=DateDe scend&searchType=BasicSearchForm&tabID=T002&prodId=LT&searchId=R3 &currentPosition=4&userGroupName=naal_uwa&docId=A186949852&docTy pe=IAC Johnson

32. Reference  Commentary: Use copyright to protect your brand  http://web.ebscohost.com/ehost/detail?vid=7&hid= 8&sid=45232c00-b00c-408c-a97e- 45bd5bb15767%40sessionmgr14&bdata=JnNpdGU 9ZWhvc3QtbGl2ZQ%3d%3d#db=bwh&AN=L546036 3DRMD http://web.ebscohost.com/ehost/detail?vid=7&hid= 8&sid=45232c00-b00c-408c-a97e- 45bd5bb15767%40sessionmgr14&bdata=JnNpdGU 9ZWhvc3QtbGl2ZQ%3d%3d#db=bwh&AN=L546036 3DRMD http://web.ebscohost.com/ehost/detail?vid=7&hid= 8&sid=45232c00-b00c-408c-a97e- 45bd5bb15767%40sessionmgr14&bdata=JnNpdGU 9ZWhvc3QtbGl2ZQ%3d%3d#db=bwh&AN=L546036 3DRMD  History of Copyright of Selected Non-Print Material.  http://web.ebscohost.com/ehost/detail?vid=4&hid= 8&sid=e8cb74ce-3cc2-4281-807c- 8b9d332856d8%40sessionmgr4&bdata=JnNpdGU9 ZWhvc3QtbGl2ZQ%3d%3d#db=eric&AN=ED255189 http://web.ebscohost.com/ehost/detail?vid=4&hid= 8&sid=e8cb74ce-3cc2-4281-807c- 8b9d332856d8%40sessionmgr4&bdata=JnNpdGU9 ZWhvc3QtbGl2ZQ%3d%3d#db=eric&AN=ED255189 http://web.ebscohost.com/ehost/detail?vid=4&hid= 8&sid=e8cb74ce-3cc2-4281-807c- 8b9d332856d8%40sessionmgr4&bdata=JnNpdGU9 ZWhvc3QtbGl2ZQ%3d%3d#db=eric&AN=ED255189 Johnson

33. Reference  Implied license: an emerging new standard in copyright law.  http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale( en%2C%2C)%3AFQE%3D(SV%2CNone%2C49)%22copyright+ licensing_laws%2C+regulations+and+rules%22%3AAnd%3AL QE%3D(AC%2CNone%2C8)fulltext%24&sgHitCountType=Non e&inPS=true&sort=DateDescend&searchType=BasicSearchF orm&tabID=T002&prodId=LT&searchId=R10&currentPosition =3&userGroupName=naal_uwa&docId=A193176356&docType =IAC http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale( en%2C%2C)%3AFQE%3D(SV%2CNone%2C49)%22copyright+ licensing_laws%2C+regulations+and+rules%22%3AAnd%3AL QE%3D(AC%2CNone%2C8)fulltext%24&sgHitCountType=Non e&inPS=true&sort=DateDescend&searchType=BasicSearchF orm&tabID=T002&prodId=LT&searchId=R10&currentPosition =3&userGroupName=naal_uwa&docId=A193176356&docType =IAC http://find.galegroup.com/gtx/retrieve.do?contentSet=IAC- Documents&resultListType=RESULT_LIST&qrySerId=Locale( en%2C%2C)%3AFQE%3D(SV%2CNone%2C49)%22copyright+ licensing_laws%2C+regulations+and+rules%22%3AAnd%3AL QE%3D(AC%2CNone%2C8)fulltext%24&sgHitCountType=Non e&inPS=true&sort=DateDescend&searchType=BasicSearchF orm&tabID=T002&prodId=LT&searchId=R10&currentPosition =3&userGroupName=naal_uwa&docId=A193176356&docType =IAC  Flickr from Yahoo  http://www.flickr.com/photos/heidiologies/37875418 09/ http://www.flickr.com/photos/heidiologies/37875418 09/ http://www.flickr.com/photos/heidiologies/37875418 09/ Johnson

34. Reference  Art.com Canvas Art  http://www.art.com/gallery/id-- d207238/canvas.htm http://www.art.com/gallery/id-- d207238/canvas.htm http://www.art.com/gallery/id-- d207238/canvas.htm  17 USC 106A Rights of certain authors to attribution and integrity  http://www.bitlaw.com/source/17usc/1 06A.html http://www.bitlaw.com/source/17usc/1 06A.html http://www.bitlaw.com/source/17usc/1 06A.html Johnson

35. Reference  Six Steps to Prevent Content Theft and Combat Copyright Infringement on Your Business Blog  http://www.advancedbusinessblogging.co m/businessblog/six-simple-steps-to- combat-blog-content-theft-ranking- degradation-and-damage-to-your- reputation-part-1/ http://www.advancedbusinessblogging.co m/businessblog/six-simple-steps-to- combat-blog-content-theft-ranking- degradation-and-damage-to-your- reputation-part-1/ http://www.advancedbusinessblogging.co m/businessblog/six-simple-steps-to- combat-blog-content-theft-ranking- degradation-and-damage-to-your- reputation-part-1/ Johnson