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What is Romanticism? Romanticism is an international artistic and philosophical movement that redefined the fundamental ways in which people in western.

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Presentation on theme: "What is Romanticism? Romanticism is an international artistic and philosophical movement that redefined the fundamental ways in which people in western."— Presentation transcript:

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4 What is Romanticism? Romanticism is an international artistic and philosophical movement that redefined the fundamental ways in which people in western cultures thought about themselves and about their world The ideologies of Romanticism are: – Appreciation of nature – Emotion over reason – Interest in art, literature, music, poetry, etc. Romanticism also emphasizes the individual, the imaginative, the emotional, and the visionary and is a reaction against the rationality and political norms of the Enlightenment Period Begins in England and Germany in the late 18th Century and goes until the end of the 19th Century

5 Enlightenment Society is good, curbing violent impulses! Civilization corrupts! Romanticism Early 19c A Growing Distrust of Reason e The essence of human experience is subjective and emotional. e Human knowledge is a puny thing compared to other great historical forces. e “Individual rights” are dangerous efforts at selfishness  the community is more important. e The essence of human experience is subjective and emotional. e Human knowledge is a puny thing compared to other great historical forces. e “Individual rights” are dangerous efforts at selfishness  the community is more important.

6 Characteristics of Romanticism The Engaged & Enraged Artist:  The artist apart from society.  The artist as social critic/revolutionary.  The artist as genius. The Engaged & Enraged Artist:  The artist apart from society.  The artist as social critic/revolutionary.  The artist as genius.

7 Wandering Above the Sea of Fog Caspar David Friedrich, 1818

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9 Characteristics of Romanticism The Individual/ The Dreamer:  Individuals have unique, endless potential.  Self-realization comes through art  Artists are the true philosophers. The Individual/ The Dreamer:  Individuals have unique, endless potential.  Self-realization comes through art  Artists are the true philosophers.

10 The Dreamer Gaspar David Friedrich, 1835

11 Characteristics of Romanticism Glorification of Nature:  Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates].  Awesome, powerful, horrifying aspects of nature.  Indifferent to the fate of humans.  Overwhelming power of nature. Glorification of Nature:  Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates].  Awesome, powerful, horrifying aspects of nature.  Indifferent to the fate of humans.  Overwhelming power of nature.

12 1. The Second Great Awakening 1. The Second Great Awakening “Spiritual Reform From Within” [Religious Revivalism] Social Reforms & Redefining the Ideal of Equality Temperance Asylum & Penal Reform Education Women’s Rights Abolitionism

13 2. Transcendentalism (European Romanticism) 2. Transcendentalism (European Romanticism) eLiberation from understanding and the cultivation of reasoning.” e“Transcend” the limits of intellect and allow the emotions, the SOUL, to create an original relationship with the Universe.

14 Transcendentalist Thinking  Man must acknowledge a body of moral truths that were intuitive and must TRANSCEND more sensational proof: 1.The infinite benevolence of God. 2.The infinite benevolence of nature. 3.The divinity of man.  They instinctively rejected all secular authority and the authority of organized churches and the Scriptures, of law, or of conventions

15 Transcendentalism (European Romanticism) Transcendentalism (European Romanticism)  Therefore, if man was divine, it would be wicked that he should be held in slavery, or his soul corrupted by superstition, or his mind clouded by ignorance!!  Thus, the role of the reformer was to restore man to that divinity which God had endowed them.

16 Transcendentalist Intellectuals/Writers Concord, MA Ralph Waldo Emerson Henry David Thoreau Nature (1832) Walden (1854) Resistance to Civil Disobedience (1849) Self-Reliance (1841) “The American Scholar” (1837) R3-1/3/4/5

17 The Transcendentalist Agenda  Give freedom to the slave.  Give well-being to the poor and the miserable.  Give learning to the ignorant.  Give health to the sick.  Give peace and justice to society.

18 Basic Premise #1 An individual is the spiritual center of the universe, and in an individual can be found the clue to nature, history and, ultimately, the cosmos itself. It is not a rejection of the existence of G-d, but a preference to explain an individual and the world in terms of an individual.

19 Basic Premise #2 The structure of the universe literally duplicates the structure of the individual self—all knowledge, therefore, begins with self- knowledge. This is similar to Aristotle's dictum "know thyself."

20 Basic Premise #3 Transcendentalists accepted the concept of nature as a living mystery, full of signs; nature is symbolic.

21 Roots in European Romanticism Begins Germany, late 18 th century England: 1798 – 1830s –Wordsworth, Coleridge, Keats, Shelley, Byron, etc. America: 1820s – 1860s –Irving, Cooper, Emerson, Thoreau, Hawthorne, Melville, Poe, Whitman, etc. Image: William Wordsworth

22 Romanticism Reaction again “overly- rational” Enlightenment philosophy, art, religion, literature Poetry / art not a thing of logic, strict rhyming, strict meter, highest classes Art – inspiration, spontaneity, “naturalness” In NATURE and CHILDHOOD we see universal, spiritual truths Image: Grasmere Village, Hill Country, Great Britain

23 Romanticism Nature the key to self- awareness Open self to nature & you may receive its gifts: a deeper, more mystical experience of life Nature offers a kind of “grace”—“salvation” from mundane evil of everyday life Image: Mont Blanc

24 Nature and Romanticism External world of nature actually reflects invisible, spiritual reality Self-reliance: seek the truth in immediate perceptions of the world Then one can reconcile body and soul (which is part of “Universal Soul” or “Oversoul,” source of all life) Image: Niagara Falls, Thomas Cole, 1829

25 The Sublime Heightened psychological state Overwhelming experience of awe, reverence, comprehension Achieved when soul is immersed in grandeur of nature Sense of transcendence from everyday world Image: Wanderer, Caspar David Friedrich

26 Romanticism in America Arrives in America 1820s Center around Concord, Massachusetts—kind of artists’ colony “Transcendentalist Club” 1836—writing, reading, reform projects Utopian communities— groups to escape American materialism

27 Roots in American Unitarianism Emerson a Unitarian minister Unitarianism (Christian denomination) rises in late 1700s; formalized by William Ellery Channing, early 1800s Liberal church—broken from strict New England Congregationalism Reject total depravity of humanity Believe in perfectibility of humanity Reject idea of “angry God”—focus on benevolent God UNITY of God rather than TRINITY of Father, Son, Holy Spirit

28 Emerson’s Break from Unitarianism Too intellectualized, too removed from direct experience of God Extend and radicalize Unitarian beliefs in benevolent God, closeness of God and humanity Bring these spiritual ideas to life If Unitarians believe that truth comes only through empirical study and rationality... Transcendentalists take that idea & add in romanticized mysticism—humankind capable of direct experience of the holy (Laurence Buell)

29 Transcendentalism as Spiritual Revival Ironic refiguring of Puritanism, without the theological dogma Transcendentalists lonely explorers (pilgrims) outside society and convention Trying to form new society based on metaphysical awareness Trying to purify society by purifying hearts and minds Nature a spiritual manifesto Image: Ralph Waldo Emerson

30 Spiritual Revival “Standing on the bare ground,—my head bathed in the blithe air, and uplifted into infinite space,—all mean egotism vanishes. I become a transparent eye-ball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or particle of God.” (Ralph Waldo Emerson, Nature, 1836)

31 The Transparent Eyeball Image: Christopher Pearse Cranch, parody of lines from Nature, 1838

32 eTheir pursuit of the ideal led to a distorted view of human nature and possibilities: * The Blithedale Romance A Transcendentalist Critic: Nathaniel Hawthorne (1804-1864) eOne should accept the world as an imperfect place: * Scarlet Letter * House of the Seven Gables

33 Late Life and Death Upset in the 1860s by the coming of the Civil War, lived a quiet life with his family. His house burnt to the ground in 1872. Died on April 27 th, 1882.

34 Henry David Thoreau Emerson’s most famous protégé. 20 year old student who wanted to put Transcendentalist philosophy in action. In 1845 he built a cottage in the woods at Walden Pond and went there to live alone. He sought to experience life on a simpler level, in harmony with nature, untied to material things. He lived there for two years and wrote about his experiences.

35 A copy of the one-room cabin near the Walden pond where Thoreau lived. The cottage is not far from Walden Pond.

36 He wanted to live simply with nature a Walden Pond

37 Walden Thoreau later documented his experiment in his famous memoir Walden. Famous quotes from Walden: “I went to the woods to live intentionally, to suck the marrow out of life.” "A lake is the landscape's most beautiful and expressive feature. It is Earth's eye; looking into which the beholder measures the depth of his own nature."

38 Fact from Fiction While reading excerpts of Walden it may seem Thoreau wrote his novel as a diary while being isolated in the woods, miles from civilization. However… Thoreau often went to Concord to buy supplies. He wrote thirteen drafts of Walden before publishing it. He often had friends visit him in the evenings. He house was built on Emerson’s property.

39 Civil Disobedience Another work that was a result of Thoreau’s Walden Experiment was his essay Civil Disobedience. Thoreau wrote the essay while spending the night in jail after refusing to pay a tax that would help fund slavery in the South. Civil Disobedience has been a highly influential work that has inspired peaceful activists such as Ghandi and Martin Luther King Jr. Famous Quote: “If... the machine of government... is of such a nature that it requires you to be the agent of injustice to another, then, I say, break the law.”

40 Thoreau, continued Thoreau was also a fierce abolitionist. In protest against slavery and the Mexican War, he refused to pay taxes and was imprisoned for a night. The theory of nonviolent civil disobedience affected the world. Mahatma Gandhi in India and Dr. Martin Luther King, Jr. followed the guiding principle.

41 Thoreau, continued This movement lasted only ten years and produced only two books: Emerson’s Nature and Thoreau’s Walden. Nevertheless, still influences today.

42 An Avalanche in the Alps Philip James de Loutherbourg, 1803

43 Sunset After a Storm On the Coast of Sicily – Andreas Achenbach, 1853

44 The Deluge Francis Danby, 1840

45 Tree of Crows Caspar David Friedrich, 1822

46 The Wreck of the Hope (aka The Sea of Ice) Caspar David Friedrich, 1821

47 Shipwreck – Joseph Turner, 1805

48 The Raft of the Medusa Th é odore G é ricault, 1819

49 The Eruption of Vesuvius - John Martin

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51 Isaac Newton – William Blake, 1795

52 Dr. Frankenstein’s Adam & Eve??

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54 Rain, Steam, and Speed Joseph Mallord William Turner, 1844

55 Rain, Steam, & Speed (details)

56 The Slave Ship Joseph Mallord William Turner, 1842

57 The Slave Ship (details)

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59 Flatford Mill – John Constable, 1817

60 The Corn Field John Constable, 1826

61 The Hay Wain - John Constable, 1821

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64 Characteristics of Romanticism Revival of Past Styles:  Gothic & Romanesque revival.  “Neo-Gothic” architectural style.  Medieval ruins were a favorite theme for art and poetry. Revival of Past Styles:  Gothic & Romanesque revival.  “Neo-Gothic” architectural style.  Medieval ruins were a favorite theme for art and poetry.

65 Salisbury Cathedral from the Bishop’s Ground John Constable, 1825

66 Salisbury Cathedral from the Meadows John Constable, 1831

67 Hadleigh Castle - John Constable, 1829

68 Eldena Ruin Gaspar David Friedrich, 1825

69 Winter Landscape with Church Gaspar David Friedrich, 1811

70 British Houses of Parliament 1840-1865

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72 Characteristics of Romanticism The Supernatural:  Ghosts, fairies, witches, demons.  The shadows of the mind—dreams & madness.  The romantics rejected materialism in pursuit of spiritual self-awareness.  They yearned for the unknown and the unknowable. The Supernatural:  Ghosts, fairies, witches, demons.  The shadows of the mind—dreams & madness.  The romantics rejected materialism in pursuit of spiritual self-awareness.  They yearned for the unknown and the unknowable.

73 Cloister Cemetery in the Snow Caspar David Friedrich, 1817-1819

74 Abbey in an Oak Forest Caspar David Friedrich, 1809-1810

75 Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823 Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823

76 Pity - William Blake, 1795

77 The Great Red Dragon and the Woman Clothed with the Sun William Blake, 1808-1810

78 Stonehenge - John Constable, 1836

79 Nightmare (The Incubus) Henry Fuseli, 1781

80 Manfred and the Witch of the Alps John Martin - 1837

81 Witches Sabbath Francisco Goya, 1798

82 Procession of Flagellants on Good Friday Francisco Goya, 1793

83 Saturn Devours His Son Francisco Goya, 1819-1823

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85 Greece on the Ruins of Missolonghi Eug è ne Delacroix, 1827

86 Liberty Leading the People Eug è ne Delacroix, 1830

87 Detail of the Musket Bearer Delacoix, himself

88 The Rise of the Cartheginian Empire Joseph Turner, 1815

89 His Majesty’s Ship, “Victory” (Trafalgar) - John Constable, 1806

90 An Officer of the Imperial Horse Guard Th é odore G é ricault, 1814

91 Napoleon at the St. Bernard Pass David, 1803 Napoleon at the St. Bernard Pass David, 1803

92 The Shooting of May 3, 1808 Francisco Goya, 1815

93 Pandemonium - John Martin, 1841

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95 Characteristics of Romanticism Exoticism:  The sexy “other.”  A sense of escape from reality.  A psychological/moral justification of imperialism? Exoticism:  The sexy “other.”  A sense of escape from reality.  A psychological/moral justification of imperialism?

96 Grand Canal, Venice Joseph Mallord William Turner, 1835

97 Massacre of Chios - Eug è ne Delacroix, 1824

98 The Fanatics of Tangiers Eug è ne Delacroix, 1837-1838

99 The Sultan of Morocco and His Entourage Eug è ne Delacroix, 1845

100 Women of Algiers in Their Apartment Eug è ne Delacroix, 1834

101 The Turkish Bath Jean Auguste Ingres, 1852-1863

102 The Bullfight - Francisco Goya

103 Charge of the Mamelukes, May 2 nd, 1808 Francisco Goya, 1814

104 The Royal Pavillion at Brighton John Nash, 1815-1823

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106 God as the Architect - William Blake, 1794

107 Elohim Creating Abraham William Blake, 1805

108 Body of Abel Found by Adam and Eve William Blake, 1825

109 Faust and Mephistopheles Eug è ne Delacroix, 1826-1827

110 The Seventh Plague of Egypt John Martin, 1823

111 The Cathedral Gaspar David Friedrich, 1818

112 The Cathedral (details) Gaspar David Friedrich, 1818

113 The Great Age of the Novel   Gothic Novel: Jane Eyre - Charlotte Bronte (1847) Wuthering Heights - Emily Bronte (1847)  Historical Novel: Ivanhoe - Sir Walter Scott (1819) Les Miserables - Victor Hugo (1862) The Three Musketeers – Alexander Dumas (1844)   Gothic Novel: Jane Eyre - Charlotte Bronte (1847) Wuthering Heights - Emily Bronte (1847)  Historical Novel: Ivanhoe - Sir Walter Scott (1819) Les Miserables - Victor Hugo (1862) The Three Musketeers – Alexander Dumas (1844)

114 The Great Age of the Novel  Science Fiction Novel: Frankenstein - Mary Shelley (1817) Dracula – Bramm Stoker (1897)  Novel of Purpose: Hugh Trevar - Thomas Holcroft (1794)  Science Fiction Novel: Frankenstein - Mary Shelley (1817) Dracula – Bramm Stoker (1897)  Novel of Purpose: Hugh Trevar - Thomas Holcroft (1794)

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116 Other Romantic Writers Jacob and Wilhelm Grimm - Grimm’s Fairy Tales (1814-1816) Johann Wolfgang von Goethe - Faust (1806-1832)

117 The Romantic Poets  Percy Byssche Shelley  Lord Byron (George Gordon)  Samuel Taylor Coleridge  William Wordsworth  John Keats  William Blake  Percy Byssche Shelley  Lord Byron (George Gordon)  Samuel Taylor Coleridge  William Wordsworth  John Keats  William Blake

118 George Gordon’s (Lord Byron) Poem The Prisoner of Chillon George Gordon’s (Lord Byron) Poem The Prisoner of Chillon

119 Mary Shelley Frankenstein Mary Shelley Frankenstein

120 Sir Walter Scott Ivanhoe Sir Walter Scott Ivanhoe

121 William Wordsworth’s Poem, Tintern Abbey William Wordsworth’s Poem, Tintern Abbey

122 Samuel Taylor Coleridge’s Poem, The Rime of the Ancient Mariner Samuel Taylor Coleridge’s Poem, The Rime of the Ancient Mariner

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124 The Political Implications e Romanticism could reinforce the greatest themes of political liberalism or political conservatism. e Contributed to growing nationalist movements.  The concepts of the Volk and the Volkgeist.  The uniqueness of cultures was emphasized. e Romanticism could reinforce the greatest themes of political liberalism or political conservatism. e Contributed to growing nationalist movements.  The concepts of the Volk and the Volkgeist.  The uniqueness of cultures was emphasized.

125 Bibliographic Sources   CGFA: A Virtual Art Museum. http://cgfa.sunsite.dk/fineart.htmhttp://cgfa.sunsite.dk/fineart.htm  “Romanticism” on Artchive. http://artchive.com/artchive/romanticism.html http://artchive.com/artchive/romanticism.html

126 By: Susan M. Pojer Horace Greeley College Chappaqua, NY


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