1. Line Shape Space Texture Value Color Form

2. Is the basis for most art. Created by a point moving in space. Can be thick or thin, curved or straight, spiraled or jagged. Can be used to create shading with hatching/ crosshatching. Can imply movement. Can be a simple contour. Can be implied

3. Is what most art can be reduced to after lines. Can be geometric or organic. Dale Chihuly Frank Gehry

4. Can be implied as in a painting or drawing or actual as in a sculpture or installation. Can be created through the use of linear and atmospheric perspective Pietro Perugino and Leonardo da Vinci

5. Andrea Zittel

6. Texture may be real or implied. Texture occasionally creates a pattern. Jean auguste dominique ingres Auguste Rodin http://polymerclaynotes.com/wp-content/uploads/2007/09/nolando-on-flickr.jpg

7. Here the texture seen is coming not from the object itself, but the manner in which it is described through a medium. http://www.brigantine.atlnet.org/GigapaletteGALLERY/websit es/ARTiculationFinal/MainPages/TextureMain.htm

8. Here the object itself provides the 2d illusion of texture

9. Here Gustav Klimt uses colors, shapes, patterns, and lines to create the illusion of a textured gown.

10. And here we see texture as a natural part of the 2d medium, giving the work a 3d feel.

11. Is the range of colors from the lightest to the darkest. Is often referred to as shading. Helps to make a 2D form appear 3D. Is where the light hits the object. michelangelo

12. Audrey flack Raphael

13. Can be used to give an emotional response. Can be used to abstract a work or make it appear more realistic. Colors can draw emphasis to a design or create optical effects. All colors are made from the 3 primaries red, blue, and yellow. Colors have different tints/hues based on the amount of light and pigment in them. titian

14. michelangelo

15. Vermeer

16. Is not unlike shape, but holds volume as well as mass. Is important when considering sculpture. Brancusi