2. Α ΠΟ ΤΗΝ ΑΠΛΟΤΗΤΑ Σ ΤΗΝ ΠΟΛΥΠΛΟΚΟΤΗΤΑ από την άποψη της γραμμής...

3. Ευθεία Οριζόντια Κάθετη Διαγώνια

4. B ARNETT N EWMAN, D IONYSIUS, 1944, 67 X 49 IN.

5. B ARNETT N EWMAN, Y ELLOW P AINTING, 1949

6. B ARNETT N EWMAN, U NTITLED (T HE C RY ), 36 X 24 IN., INK ON PAPER

7. Ύστερη Γοτθική/ Πρώιμη Αναγέννηση από το 1305 BOLD DIAGONAL G IOTTO, P IETA ( ΑΠΟΚΑΘΗΛΩΣΗ ) (Θ ΡΗΝΟΣ ) FRESCO

8. C ARAVAGGIO T HE C ALLING OF S T. M ATTHEW, 1599-1600

9. G ENTILESCHI, J UDITH S LAYING H OLOFERNES, 1620

10. L INES CAN BE IMPLIED...

11. IMPLIED LINES Not really there but guide the eye or organize the image

12. D IEGO R IVERA, T HE F LOWER C ARRIER, 1935, 48 X 48 IN. Note lines implied by directional gazes

13. P IERRE -A UGUSTE R ENOIR L E DÉJEUNER DES CANOTIERS, 1880–1881 O IL ON CANVAS, 129.5 × 172.7 CM

14. M ORANDI, G IORGIO S TILL L IFE (T HE B LUE V ASE ) 1920 O IL ON CANVAS The blue lines point out... IMPLIED LINES

15. M ORANDI, G IORGIO S TILL L IFE (T HE B LUE V ASE ) 1920 O IL ON CANVAS implied

16. S CHIELE, E GON S EATED G IRL 1911 W ATERCOLOR AND PENCIL 48 X 31.5 CM

17. C ARAVAGGIO, S UPPER AT E MMAUS, C.1601

19. K ENNETH N OLAND, T HRUST, 1963 45 X 45 IN.

20. A VENETIAN WOMAN J OHN S INGER S ARGENT (A MERICAN, B.1856, D.1925) 1882 OIL ON CANVAS 93 3/4 X 52 1/2 IN. (238.1 X 133.4 CM )

21. Lines used to create emphasis

22. L INES CAN CURVE...

23. H OKUSAI, K ATSUSHIKA T HE G REAT W AVE O FF K ANAGAWA F ROM "T HIRTY - SIX V IEWS OF M OUNT F UJI " 1823-29 C OLOR WOODCUT 10 X 15 IN.

24. J EAN H ONORE F RAGONARD, T HE B ATHERS, 1761

25. C Y T WOMBLY, U NTITLED, 1970

26. T HIS “ ARTLESS ” SCRIBBLE Defines an area Creates an illusion of depth (volume)

27. L OOK AGAIN …

28. B RICE M ARDEN A MERICAN, BORN B RONXVILLE, N EW Y ORK, 1938 C OLD M OUNTAIN 2, 1989-1991 O IL ON LINEN, 108 1/8 X 144 1/4 IN.

29. W HAT LINES LURK IN THIS TEXTURE ?

30. J ACKSON P OLLOCK, L AVENDAR M IST N O. 1, 1950

31. C ONSIDER THE EXPRESSIVE QUALITY OF THE JAGGED LINES IN THIS WORK...

32. C LYFFORD S TILL, 1957, N O.1

33. G EORGIA O’K EEFFE, R ED, W HITE AND B LUE, 1931

34. T HE O BVIOUS A GAIN STRAIGHT CURVED – SMOOTH, JAGGED

35. J OHANN K OERBECKE G ERMAN, C. 1420 - 1491 T HE A SCENSION, 1456/1457 TEMPERA ON PANEL, 92.7 X 64.8 CM (36 1/2 X 25 1/2 IN.) Curved, smooth Jagged Jagged, zig-zag straight

36. C LYFFORD S TILL A MERICAN, 1904 - 1980 1948-C, (1948) O IL ON CANVAS 80 7/8 X 68 3/4 IN. complex contour lines formed by these complex shapes

37. L INES CREATE OR IMPLY SHAPES Shapes can be open or closed Lines around a shape are CONTOUR lines

38. SHAPE open/closed geometric/ biomorphic or organic

39. P ICASSO, F EMME an open shape, a biomorphic form

40. F RANK S TELLA, W OLFEBORO II, 1966 closed, geometric

41. THE UPSTAIRS C HARLES S HEELER (A MERICAN, B.1883, D.1965) 1938 OIL ON CANVAS 19 1/2 X 12 3/4 IN. (49.5 X 32.4 CM ) Lines create planes; planes suggest volume

42. VOLUME Implied in painting; actual in sculpture LINE  SHAPE  VOLUME

43. K ENNETH S NELSON R ADOR, 1975 BRASS & STAINLESS STEEL 21 X 17 X 6 INCHES

44. K ENNETH S NELSON A MERICAN, BORN P ENDLETON, O REGON, 1927 N EEDLE T OWER, 1968 A LUMINUM AND STAINLESS STEEL 720 X 243-1/2 X 213-3/8 IN.

46. R ODIN B ALZAC

47. F RANK L LOYD W RIGHT, F ALLINGWATER, 1936-7

48. V OLUMES CANCAN C R E A T E LINES

49. F RANK L LOYD W RIGHT, F ALLINGWATER, 1936-37

50. F RANK G EHRY, D ISNEY C ONCERT H ALL

53. G IUSTI G ARDEN, V ERONA, I TALY

54. H ENRY M OORE K NIFE E DGE M IRROR T WO P IECE 1976-1978, BRONZE 534.5 X 721.1 X 363.1 CM (210 1/2 X 284 X 143 IN.)

55. Bird in Space, 1923 Constantin Brancusi (French, born Romania, 1876–1957) Marble; (with base) H. 56- 3/4, Diam. 6-1/2 in. Bird, 1940

56. B RANCUSI A DAM AND E VE 1921

57. BOTTOM LINE The concept of line plays a role in compositions of music and art, ranging from the simple to the complex.

58. Α ΠΟ ΤΗΝ ΑΠΛΟΤΗΤΑ ΣΤΗΝ ΠΟΛΥΠΛΟΚΟΤΗΤΑ από την άποψη της γραμμής...