1. PART 3 2014-2015 Introduction to Art

2. “Portrait with a Green Stripe” Henri Matisse 1905 Fauvism

8. “Women of Avignon” Picasso 1907 Cubism

13. ART IS A LIE THAT MAKES US REALIZE THE TRUTH - Pablo Picasso

15. “Nude Descending a Staircase” Duchamp 1912 Dada

17. “Nude Descending a Staircase” Toe upon toe, a snowing flesh, A gold of lemon, root and rind, She sifts in sunlight down the stairs With nothing on. Nor on her mind. We spy beneath the banister A constant thresh of thigh on thigh. Her lips imprint the swinging air That parts to let her parts go by. One-woman waterfall, she wears Her slow descent like a long cape And pausing, on the final stair Collects her motions into shape. --X. J. Kennedy

18. Duchamp Descending a Staircase

19. C3PO Descending a Staircase

23. “Composition II in Red, Blue, and Yellow” Piet Mondrian 1930 Minimalism

24. “Chrysanthemum”

25. “Gladiola”

26. “Composition” 1916

27. Evolution of Mondrian’s Art

29. As style developed…colors became bold, geo shapes solid and larger City-inspired

30. Very severe Black/white grid One small area of color One of his last paintings…

31. Mondrian highly influenced fashion and design

32. “Sleep” Salvador Dali 1937 Surrealism

36. “Self-Portrait with Thorn Necklace and Hummingbird” Frida Kahlo 1940 Surrealism/Magic Realism

41. “Nighthawks” Edward Hopper 1942 Realism

43. Nighthawks by Edward Hopper Khan Academy: https://www.youtube.com/watch?v=j24uh8cZ3wA https://www.youtube.com/watch?v=j24uh8cZ3wA

49. “Blue Poles” Jackson Pollock 1952 Abstract Expressionism

51. Traditional Art vs. Modern Art Traditional Realistic/ representational Illusion of 3-D/a window Inspiration from external world Not “shocking” Often religious or mythological subjects Detailed, multiple colors Modern Abstract/ non-representational Flat/emphasizes surface (paint canvas) Inspiration from internal life of the artist/emotion Often “shocking” Often normal, everyday scenes Large swaths of color

55. “Campbell’s Soup Cans” Andy Warhol 1962 Pop Art

59. “Andy [Warhol] showed the horror of our time as resolutely as Goya in his time.” (Julian Schnabel)