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The Classical Hollywood Silent Era 1908-1927
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In the beginning… As an art movement, The Silent Era follows…
Early Experimental Cinema (the inventors) in the US and France The Brighton School in England
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In the beginning… Filmmaking was still in its infancy as an art—films were more money-making ventures and technological experiments Directors were not encouraged to be artists—they were thought of as factory workers
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Early Edison Films The Kiss, 1896 Sandow, 1894
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The Great Train Robbery (1903)
First Western First to use editing as a storytelling technique One of the first to use panning and close-ups Moved from documentary to narrative Based on a true robbery by Butch Cassidy
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The Silent Era as Art The Classical Hollywood Silent era is marked by the films that emerged with the first film studios Silent films began to take on a narrative structure and use filmmaking conventions D.W. Griffith’s Birth of a Nation set the stage for modern cinematic storytelling
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Birth of a Nation (1915) Based Thomas Dixon Jr.'s anti-black, bigoted play, The Clansman Its release set up a major censorship battle over its vicious, extremist depiction of African Americans. Unbelievably, the film is still used today as a recruitment piece for Klan membership.
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Birth of a Nation (1915) It was one of the biggest box-office money-makers in the history of film, due to its charge of $2 per ticket. It made $18 million by the start of the talkies. Riots in Boston and Philadelphia. Chicago, Denver, St. Louis and other major cities refuse to show it
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Birth of a Nation (1915) Film scholars agree, however, that it is the single most important and key film of all time in American movie history Introduces & refines camera angles, traveling shots, artificial lighting, realistic sets, flashbacks, split screens, soft focus, dissolves, fades, and irises.
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Stars of the Silent Screen
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America’s 1st Movie Star
Florence Lawrence America’s 1st Movie Star
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Mary Pickford America’s Sweetheart
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Charlie Chaplin
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Harold Lloyd
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Buster Keaton
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Fatty Arbuckle
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Keystone Kops
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The King of Silent Hollywood
Douglas Fairbanks, Sr. The King of Silent Hollywood
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Clara Bow The “It” Girl
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Rudolph Valentino
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Dorothy & Lillian Gish
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Theda Bara
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The Man of a Thousand Faces
Lon Chaney The Man of a Thousand Faces
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Tom Mix
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Greta Garbo
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Meanwhile, over in Europe… German Expressionism 1919-1926
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German Expressionism WWI creates an isolated Germany in financial ruin
The new and booming film industry promises financial rewards Germany can’t compete with the glamour of Hollywood
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German Expressionism External representation of internal emotion – this means that if the main character is in a “dark place” emotionally, then the setting must reflect that Insanity/Obsession as a theme Crime or the criminal underworld
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German Expressionism Urban settings—but in a studio!
Twisted architecture – such as spiral staircases and ominous arches Chiaroscuro – heavily contrasted black and white, whether with paint, or light and shadow
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