2. The Gothic Novel

3. Gothic Literature  originated in 18th century  is devoted to tales of horror, dark supernatural forces and romance.

4. Gothic Literature  derives name from barbaric Germanic tribe, the Goths.  both the literature and architecture are noted for “savage, unrestrained, majestic style.”

5. Gothic Architecture  Vaulting Arches- grasping for heavens… Dr. Frankenstein!

6. Gothic Architecture  spires reaching to the heavens  wild carvings depicting humanity in conflict with supernatural forces

7. Eight Gothic Motifs

8. The Doppelganger (Double)  A second self or alternate identity.  Represents opposing forces in human nature. Suggests humans have a dual nature

9. Forbidden Knowledge or Power  Hero attempts to control supernatural powers. Ambition leads to hero’s fall.

10. Dreams/Visions  reveal hidden truths of the unconscious mind Dracula visits his victim as she sleeps

11. Haunted Castle/House  Reflects hero’s mysterious, troubled psychological character

12. Blood  symbolizes paradox of human condition. represents life/death, guilt/innocence The vampire’s feast thwarted

13. Graveyards/Churches/Ruins  suggest human confrontation with infinite forces Whitby Churchyard from Dracula

14. Madness  Reflects realities beyond rational comprehension.  Mad characters spit the truths that we wish to deny! The madman compels passersby to listen

15. A n d...

16. The Literary Monster !  Fallen hero becomes a monster or confronts a monster who is his double  HERE’S WHERE IT GETS COOL! Locating Monsters… Monster(s)

17. Other Motifs: murder, innocence victimized by evil, incest, sexual perversion, reversal of values, the Wanderer, the Outcast, mistaken or secret identities, dichotomies (attraction/repulsion, life/death, innocence/evil, nobility/corruption, etc.); the femme fatale (“fatal woman” who leads men to their doom). murder, innocence victimized by evil, incest, sexual perversion, reversal of values, the Wanderer, the Outcast, mistaken or secret identities, dichotomies (attraction/repulsion, life/death, innocence/evil, nobility/corruption, etc.); the femme fatale (“fatal woman” who leads men to their doom).