1. The World of Music 6 th edition Part 4 Listening to Western Classical Music Chapter 10: Music of the Baroque Period (1600-1750)

2. Baroque newbies Location, location, location –Italy –France –Germany –England Its not what you know, its who … –Galileo –Newton –Descartes –Spinoza –Milton –Rubens –Rembrandt

3. Slip Slidin’ Away… A decline of the church’s influence and a rise of K+Q A rise of secular music … A rise of sponsorship outside of the church A rise of Protestant church music

4. New Terms Chorale Opera Oratorio Chamber Music Aria / Recitative Ornamentation / Embellishment Homophonic Tonality (Major/Minor) Modulation Terraced Dynamics Basso Continuo Figured Bass Word Painting Strophic Da Capo Aria (ABA form) Fugue Chorale Concerto

5. Baroque Instrumental Music Support Voices Orchestra Created –Violin Family…plus –Trumpets –Oboes –Flutes Much smaller than today’s orchestra in numbers Other Important Instruments –Lute –Harpsichord –Organ –Fortepiano (invented, but still rare)

6. Reasons for the Creation of Opera Interest in the famous Greek Tragedies More Theatrical Music and dramatic interest Word Painting in Music Shifting to a Homophonic Aesthetic from a Polyphonic tradition Creation of Aria and Recitative –One a tune to show-off, the other to carry the plot The first one was in Italy about 1600 A.D. Late Baroque saw the rise of Ballad opera (A satirizing of current Opera ( the SNL of Opera)

7. Orchestral Concepts Concerto vs. Concerto Grosso –Fast … Slow … Fast pattern Overture –Slow intro (H) … Fast finish (P) pattern Dance Suite –Allamande –Courante –Sarabande –Gigue Sonata (Church vs. Chamber) –Solo (3 peoples, soloist + continuo (Bass inst. + keyboard)) –Trio Sonata (4 peoples, 2 soloists + continuo) –Church Sonata = 4 mvmts. S…F…S…F –Chamber Sonata = Dance suite format with options to add stuff + Prelude + Aria + Other dances

8. Solo Keyboard Forms Fugue (The king of the forms) –Imitative Counterpoints’ end result.. –Included Modulation(s) –1 or 2 themes used Toccata Prelude –The above 3 can be combined in performances i.e. Toccata and Fugue, Prelude and Fugue, etc. Theme and Variations Fantasia (A freer, but more complex form of T + V on one theme) Passacaglia Chaconne –P + C used a repeated Bass Line (Ground Bass) Dance Suite (As in Orchestral forms) Usual Instruments –Harpsichord –Clavichord –Organ

9. Choral Music Cantata –Sacred Subject Material –Worship service (perf.) –Integral to the Lutheran service –Contained Arias, Recitatives, Choruses, Instrumental only sections –Accompanied by an Organ Oratorio –Sacred Subject Material –Concert Performance –Longer, Larger –Contained Arias, Recitatives, Choruses, Instrumental only sections –Accompanied by an Orchestra or Organ

10. Johann Sebastian Bach (1685-1750) German (traveled and worked all over the country) Composer, Choirmaster, and Organist Big Family (2 wives over time) –J. C. Bach and C. P. E. Bach developed into composers too –+ 8 others that survived to adulthood Phenomenal Skill with Counterpoint –His music is still studied today! –Prolific Output at the Highest Level –Master of Polyphony and Tonal Harmony Bach’s genius was neglected for a time, but was rediscovered in the 19 th Century. (Typical – you gotta be dead to be famous) Biggies: –Well-Tempered Clavier –Art of the Fugue –Goldberg Variations –Brandenburg Concerto(s) … all 6 of them –St. Matthew Passion –Mass in B minor –Cantatas, cantatas, cantatas …

11. George Frederic Handel (1685 – 1759) International Man –Born in Germany –Studied/Developed in Italy (Opera) –Lived (with great fame) in England for 50 Years The Messiah –Oratorio –His Most Famous Piece –The “Hallelujah Chorus” is from this work. Water Music (FYI premiered 7-17-1717) written to be performed on 2 barges (Royalty + Musicians) Music for the Royal Fireworks Guess why this music was written… –Celebrating the end of a war and the eventual treaty

12. Other Baroque Composers Arcangelo Corelli (1653-1713) –Italian –Violin Virtuoso and featured this instrument in his compositions François Couperin (1668-1733) –French –Harpsichord Virtuoso and featured this instrument in his compositions Elisabeth-Claude Jacquet de la Guerre (1666-1729) –French Henry Purcell (1659-1695) –English Famous Opera: Dido and Aeneas Antonio Vivaldi (1678-1741) –Italian –Concertos and Concerto Grossos were his speciality George Philip Telemann (1681-1767) –German –Church music Masses + Motets Oratorios + Cantatas –Instrumental works as well Concertos Sonatas Overtures Chamber music