1. American Realism
"Realism is nothing more and nothing less than the truthful treatment of material." - William Dean Howells

2. The Gilded Cage by Evelyn De Morgan

3. Write a brief description of the painting.
What is the most dominant image? What is on the periphery? Include discussion of color, medium, and style.
Write a brief analysis of the painting based on your description above. Why does the painter choose to make certain images dominant and others marginal? What might be the significance of the two birds?
Does the painting evoke a certain mood or theme? How? Why?
How might the title of the painting affect the analysis?

4. What Is Realism? A faithful representation of reality in literature.
Emphasis on development of believable characters.
Written in natural vernacular, or dialect.
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5. Principles of Realism
1. Insistence upon and defense of "the experienced commonplace".
2. Character more important than plot.
3. Attack upon romanticism and romantic writers.
4. Emphasis upon morality often self-realized and upon an examination of idealism.
5. Concept of realism as a realization of democracy.

6. Characteristics Of Realistic Writing
1. The philosophy of Realism is known as "descendental" or non-transcendental. The purpose of writing is to instruct and to entertain. Realists were pragmatic, relativistic, democratic, and experimental.
2. The subject matter of Realism is drawn from "our experience," - it treated the common, the average, the non- extreme, the representative, the probable.
3. The morality of Realism is intrinsic, integral, relativistic - relations between people and society are explored.
4. The style of Realism is the vehicle which carries realistic philosophy, subject matter, and morality. Emphasis is placed upon scenic presentation, de-emphasizing authorial comment and evaluation. There is an objection towards the omniscient point of view.

7. Major Ideologies of Realism
Realistic Complexity And Multiplicity
Complexity refers to the interwoven, entangled density of experience
Multiplicity indicates the simultaneous existence of different levels of reality or of many truths, equally "true" from some point of view.
Realistic Characterization
Realists believe that humans control their destinies
Characters act on their environment rather than simply reacting to it. Character is superior to circumstance.
The Use Of Symbolism And Imagery 
The Realists generally reject the kind of symbolism suggested by Emerson when he said "Every natural fact is a symbol of some spiritual fact."
Their use of symbolism is controlled and limited; they depend more on the use of images.

8. Realistic Techniques 1. Settings thoroughly familiar to the writer
2. Plots emphasizing the norm of daily experience
3. Ordinary characters, studied in depth
4. Complete authorial objectivity
5. Responsible morality; a world truly reported

9. Regionalism Often called “local color.”
Focuses on characters, dialect, customs, topography, and other features specific to a certain region (eg. the South)
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10. Typical Characteristics of Regionalism
Setting: The emphasis is frequently on nature and the limitations it imposes; settings are frequently remote and inaccessible.
The setting is integral to the story and may sometimes become a character in itself.
Characters: Local color stories tend to be concerned with the character of the district or region rather than with the individual: characters may become character types, sometimes quaint or stereotypical.
The characters are marked by their adherence to the old ways, by dialect, and by particular personality traits central to the region.
In women's local color fiction, the heroines are often unmarried women or young girls.

11. Narrator: The narrator is typically an educated observer from the world beyond who learns something from the characters while preserving a sometimes sympathetic, sometimes ironic distance from them.
The narrator serves as mediator between the rural folk of the tale and the urban audience to whom the tale is directed.
Plots. It has been said that "nothing happens" in local color stories by women authors, and often very little does happen.
Stories may include lots of storytelling and revolve around the community and its rituals.

12. Themes: Many local color stories share an antipathy to change and a certain degree of nostalgia for an always- past golden age.
A celebration of community and acceptance in the face of adversity characterizes women's local color fiction.
Thematic tension or conflict between urban ways and old- fashioned rural values is often symbolized by the intrusion of an outsider or interloper who seeks something from the community.