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Published byAmberlynn Henderson Modified over 9 years ago
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Growth of Royal Power Forms to Reflect the Substance
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Escorial and Versailles Comparison of Style
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The Old Chateau
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The Hall of Mirrors, 1685 Produced by the Faubourg Saint-Antoine Glass Manufactory (later moved to Saint-Gobain)
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Levee
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The Queen’s Bed Chamber
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The Grand and Lesser Stables
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The Power of Portraits Anthony van Dyck (1599-1641) Diego Velazquez (1599-1660) Peter Paul Rubens (1577-1640)
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Charles I by van Dyck Van Dyck’s portrait on horseback Patron of art and artists Rubens and van Dyck invited to court Invests in Titians and Raphaels Connoisseur of Baroque style
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Count Olivares and Philip IV Velasquez
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Marie de Medici by Rubens Wife of Henry IV Mother of Louis XIII Considered a “handsome, heartless, vulgar woman” Marriage short and unhappy (follows Henry’s divorce from Marguerite of Valois) Dauphin 9 at the time of Henry’s assassination
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What you do when the facts are too hot to handle Mythologize!
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Inigo Jones’s Banqueting Hall Built for James I Replaced previous one that had burned Palladian style Incorporates motifs from Greece and Rome (columns, pilasters, pediments
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