1. IMPACT OF THE ENLIGHTENMENT ON ART, ARCHITECTURE AND MUSIC

2. THE ENLIGHTENMENT A TIME BETWEEN THE 1600S AND 1700S AGE OF REASON CHALLENGED ESTABLISHED IDEAS ON POWER AND AUTHORITY REVOLUTION OF IDEAS TAKING NATURAL LAWS AND APPLYING THEM TO SOCIETY ENLIGHTENMENT IDEAS ABOUT ORDER AND REASON WERE REFLECTED IN ARCHITECTURE, ART AND MUSIC

3. BAROQUE ARCHITECTURE EUROPEAN ARCHITECTURE 0F THE 1600S AND EARLY 1700S WAS DOMINATED BY THE BAROQUE STYLE! EARLY ENLIGHTENMENT PERIOD TIME OF ABSOLUTISM!! WE WILL VIEW VARIOUS EXAMPLES OF BAROQUE ARCHITECTURE, ART AND MUSIC AND THEN COMPARE IT TO NEOCLASSICAL ARCHITECTURE, ART AND MUSIC. YOU WILL DETERMINE THE CHARACTERISTICS OF EACH!

4. BAROQUE ARCHITECTURE

5. PALACE OF VERSAILLES FRANCE

10. KING’S BEDROOM

11. QUEEN’S BEDROOM

13. ITALIAN BAROQUE FOUNTAIN BY BERNINI

14. TREVI FOUNTAIN-ROME

15. ST. PETER’S SQUARE AND COLANNADE

16. ST. PETER’S COLANNADES by BERNINI

17. BERNINI’S CANOPY( Baldachin) IN ST. PETERS OVER TOMB OF ST. PETER- 1634

18. ST. PAUL’S CATHEDRAL – LONDON -1697

19. CHARACTERISTICS OF BAROQUE ARCHITECTURE Ornate –highly decorative emotional Very heavy Gilded in gold Large in size Extravagant Popular during the time of Absolute Monarchs Began in Italy

20. NEO-CLASSICAL ARCHITECTURE ARCHITECTURE THAT WAS USED IN THE LATER 1700S. IN THE UNITED STATES REFERRED TO AS FEDERAL STYLE. Washington,D.C.

22. JEFFERSON’S MONTICELLO

24. STATE OF WEST VIRGINIA CAPITAL BUILDING

25. U.S. CAPITOL BUILDING

26. U.S. SUPREME COURT BUILDING

27. CHARACTERISTICS OF NEO- CLASSICAL ARCHITECTURE DISCOVERY OF POMPEII IN ITALY DURING THE 1700S AROUSED INTEREST IN GREECE AND ROME. NEO-CLASSICAL ARCHITECTURE INCORPORATED THE IDEAS OF CLASSICAL GREECE AND ROME: COLUMNS PEDIMENTS ARCHES DOMES ROUNDED WINDOWS

28. BAROQUE ART LATE 1500S TO 1700S TWO TYPES OF BAROQUE ART RELIGIOUS ROYAL

29. PETER PAUL RUBENS FLANDERS 1577-1640

30. PETER PAUL RUEBENS FLANDERS 1577-1640 HELENE FOURMENT AND 2 OF HER CHILDREN

31. REMBRANDT VON RIJN NETHERLANDS 1606-1669

32. MAN WITH THE GOLDEN HELMUT

33. DESCENT FROM THE CROSS

34. JOSEPH ACCUSED BY POTIPHAR’S WIFE

35. GIRL WITH A BROOM

36. REMBRANDT’S SELF PORTRAITS

37. JAN VERMEER NETHERLANDS 1632-1675

38. GIRL WITH A PEARL IN HER EAR

39. MILKMAID

40. GIRL ASLEEP

41. DIEGO RODRIGUEZ VELAZQUEZ SPAIN 1559-1660

42. Portrait de’L enfante

43. LAS MANINAS

44. CHARACTERISTICS OF BAROQUE ART BOLD, LARGE SCALE FORMS RICH IN COLOR CONTRAST BETWEEN LIGHT AND DARK LIGHT AND SHADOW GENRE: PORTRAITS, BIBLE THEMES, NUDES, EVERYDAY SCENES, MYTHOLOGY RELIGIOUS THEMES ROYAL THEMES MORE IN NORTH, PROTESTANT AREAS

45. NEO-CLASSICAL ART 1750-1850

46. JACQUES LOUIS DAVID 1748-1825 ONE OF THE GREATEST NEO- CLASSICAL ARTISTS

47. LICTORS BEARING TO BRUTUS THE BODIES OF HIS SONS

48. OATH OF THE HORATII

49. Death of Socrates

50. Ingres The Apotheosis of Homer

51. CHARACTERISTICS OF NEO-CLASSICAL ART DISCOVERY OF POMPEII IN 1700S RENEWED INTEREST IN CLASSICAL GREECE AND ROME GENRES: MYTHOLOGY, GOVERNMENT, CULTURE STYLE: BRIGHT, BOLD COLRS, CLASSICAL THEMES MORAL MESSAGE ENCOURAGED ORDER, REASON, DISCIPLINE

52. BAROQUE MUSIC 1600-1750

53. COMPOSERS OF BAROQUE MUSIC HANDEL 1685-1759 concertos, overtures, oratorios MESSIAH- most famous work BACH- 1685-1750 religious music, organ, fugue TOCCATO IN D MINOR

54. HANDEL MESSIAH HALLELUJAH CHORUS

55. BACH TOCCATO IN D MINOR

56. CHARACTERISTICS OF BAROQUE MUSIC COMPLEX- ELABORATE HEAVY NEW INSTRUMENTS –PIANO, WOODWINDS, BASS, PERCUSSION NEW VOCAL FORMS- ORATORIOS CHAMBER AND INSTRUMENTAL MUSIC

57. CLASSICAL HAYDN- 1750-1820 - sonata, symphony SYMPHONY # 94- SUPRISE MOZART- 1756-1791 OPERAS, SYMPHONIES, FIGUARO, SYMPHONY # 40 AND EINEKLEINE NACHTMUSIK

58. HAYDN SYMPHONY #94

59. MOZART EINEKLEINE NACHTMUSIK

60. MOZART SYMPHONY # 40

61. MOZART MARRIAGE OF FIGARO

62. CHARACTERISTICS OF CLASSICAL MUSIC LESS COMPLICATED LIGHTER PIANO FEATURED MORE VARIETY AND CONTRAST EMPHASIS ON BEAUTY, ELEGANCE AND BALANCE SONATA MOST IMPORTANT FORM ORCHESTRA IS LARGER