1. Residency Partnership Program Application Deadline: November 6, 2015, Midnight, ET Notification: March 2016 This program is supported by the Chamber Music America Endowment Fund.

2. Goal of the Program

3. To support ensembles and presenters in building audiences through residency projects: Repeat performances Familiar community locations Closer interaction with the artists

4. What’s new? Online application process via Submittable; only online requests are accepted Two audio files, each featuring only 1 work or excerpt, must be uploaded online Attachments are titled using the CMA naming convention and uploaded in acceptable file formats as part of the application Coachings and masterclasses are not eligible for funding; rather the focus is on audience engagement

5. Partnership

6. Organizing Partner: Presenter or ensemble Receives grant funds Responsible for organizing residency and all activities Ensemble Partner: Performs residency May also be the Organizing Partner Community Partner: Local organization providing access to community

7. Eligibility

8. All Applicants Must be based in the U.S. or its territories Must have finished CMA-sponsored residency projects and received final payment from CMA Must not have been a 2014-15 grant recipient as Organizing or Ensemble Partner

9. Presenters Must have 501(c)(3) status Ensembles Professional group of 2-10 musicians, one musician per part Primary member of the ensemble is a U.S. citizen or has permanent resident status, or the group has 501(c)(3) status May perform with “fixed” instrumentation and personnel, or as a subset of a collective or flexible roster, and if a duo, must perform as equal partners and publicize itself as a duo Jazz ensembles: may be composer-led or a collective and must include jazz improvisation as an integral part of its composition and performance

10. CMA Membership

11. Both the Organizing and Ensemble Partners must be CMA Organization-level members Community Partners need not be CMA members If awaiting your CMA membership number at the time of application, type “Pending” in the CMA Member ID text box in the Application

12. Types of Residencies

13. Short-term projects A minimum of three activities taking place over a minimum of three consecutive or separate days within a month. $2,500 to $6,000 Extended projects 10 or more activities taking place over more than one month and up to one year. $5,000 to $12,000

14. Types of Community Partners Schools Libraries Community centers Parks Civic Organizations Hospitals Senior Centers Museums

15. Activities

16. May include, but are not limited to: Interactive or audience engagement programs Lecture/demonstrations Workshops that involve the audience participants Pop-up or flash concerts Each activity must be at least 45 minutes in length and performed by the full ensemble or a majority of its members.

17. The Application

18. The applica tion consists of: Written narrative Budget Audio sample(s) Supplemental materials

19. The Narrative must provide specific details: Goals of the residency The target audience The partners and the role each will play Activities that you have planned Schedule of activities Where will you perform the activities How you and your community partners(s) will attract audiences Your plan for evaluating the residency

20. Budget

21. The program funds up to 75 percent of the following expenses only: Ensembles Partner’s residency fee Related travel, hotel, and per diem Residency-related promotion and production costs Balance the budget with: Earned and/or contributed income In-kind not eligible

22. Audio Samples: Must be uploaded to the online application Files must be in mp3, m4a, wav, aac or aiff format Feature only one work or excerpt per sample of up to 5 minutes in length Edit and/or excerpt music within a file No cue times needed Include one selection that is similar to music planned for the residency May contain music from a concert, studio/home recording, and/or commercial releases Title each sample: Organizing Partner Name- Ensemble Name

23. Supplemental materials: Memorandums of Understanding Sample provided in guidelines Ensemble fee must be the same in Memorandum and Budget Must be uploaded to the online application Financial statement Projected budget for year in which the residency will take place; does not need to be audited Proof of non-profit status for presenters

24. Panel Evaluation

25. A panel of music professionals that specialize in residency work evaluate proposals based on: Written Application The application is read and scored by the panelists Artistry of the Audio Samples The panel will listen to the ensemble’s audio samples if the application advances past preliminary review

26. Panelists Look For: Goal(s) of the residency project Specificity in the written application Types and number of activities Reasons for choosing the community partner(s) Communities to be served How each partner will participate Relationship of project to the organization’s mission and purpose

27. Panelists Look For (cont’d.): The reason why you are interested in doing residency work Viability of project and organizational budgets Financial and human resources available to successfully accomplish this project Plan for attracting audiences to the residency

28. Panelists Listen For: Artistry of Ensemble

29. Some Examples of Successful Residencies

30. Quintet of the Americas Steve Griggs Ensemble Da Camera of Houston Orcas Island Chamber Music Festival

31. For Additional Information Program Guidelines Application FAQs For program inquiries, contact: Susan Dadian, program director, CMA Classical/ContemporarySusan Dadian For membership information, contact: Aryo Wicaksono, membership managerAryo Wicaksono

32. Thank you!