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Published byMiles Cooper Modified over 9 years ago
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Framework for Analyzing Film
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Narrative the story, story line, what the story line is based on; two opposing elements; disruption of an equilibrium and how a new equilibrium sets in
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Characters heroes, villains, helpers, main characters, supporting characters, how characters function and contribute to our understanding of the story
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Setting physical environment in which filming occurs, indoor or outdoor setting, its significance
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Theme General statement about the subject of the film
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Signs anything perceptible that has significance beyond its usual function or meaning; an object, a sound, a person, an act, a color
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Genre (just a fancy word for “kind” romance, comedy, suspense, a combination of different genres
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Acting the performance of actors, whether it is convincing or not
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Costumes formal clothes, informal clothes, their color, and their contribution to the film
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Make-up style, color, whether it is exaggerated or plain, the effects it creates, colors
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Camera Angles, Movements, Positions low camera angle, high camera angle, dose-up, extreme close-up, tilted camera how these affect our understanding
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Sound and Vision sound effects, soundtrack music, visual effects
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Lighting Illumination in a scene
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The Language of Film In order to “read” film, students must understand how the director uses 1. Camera 2. Lights 3. Sound
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Questions to consider: What is pace or pacing? How does a director achieve pace in a film? What elements can he use? (Consider: camera movement, lighting, editing, selection of music, etc.) What is mood? What is purpose?
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Mis en scene This French term comes originally from the theatre where it refers to 'putting the scene together.' In film language it refers to - setting and props (including architecture and interior design) - costume, hairstyles and make-up - body language and facial expressions of the characters - the use of color and design
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