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1 ARCHITECTURAL SYNTHESIS …At the heart of architectural invention is the act of designing, the activity par excellence of the architect. In this act,

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Presentation on theme: "1 ARCHITECTURAL SYNTHESIS …At the heart of architectural invention is the act of designing, the activity par excellence of the architect. In this act,"— Presentation transcript:

1 1 ARCHITECTURAL SYNTHESIS …At the heart of architectural invention is the act of designing, the activity par excellence of the architect. In this act, the architect addresses the future, seeking the visual idea that will accommodate and express the function of his building... William Loerke

2 2 ARCHITECTURAL SYNTHESIS 1. Form, Function, and Materialization 2. Ideas

3 3 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.1. Form:Seeking geometrical order and expression of formal qualities 1.1.2. Function: Seeking adequate performance and expression of spaces 1.1.3. Materialization: Seeking adequate performance and expression of material elements 1.2. Design is a balancing act: wishing versus needing

4 4 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.1. FORM: SEEKING GEOMETRICAL ORDER AND EXPRESSION OF FORMAL QUALITIES

5 5

6 6 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.2. FUNCTION: SEEKING ADEQUATE PERFORMANCE AND EXPRESSION OF SPACES

7 7

8 8 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.3. MATERIALIZATION: SEEKING ADEQUATE PERFORMANCE AND EXPRESSION OF MATERIAL ELEMENTS The materialization of the is the creation of the physical shell around the building spaces. This materialization is concerned with the relationships between:

9 9 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.3. MATERIALIZATION: SEEKING ADEQUATE PERFORMANCE AND EXPRESSION OF MATERIAL ELEMENTS

10 10 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.3. MATERIALIZATION: SEEKING ADEQUATE PERFORMANCE AND EXPRESSION OF MATERIAL ELEMENTS

11 11 1. Form, Function, and Materialization 1.1. What we have learned about form, function, and materialization. 1.1.3. MATERIALIZATION: SEEKING ADEQUATE PERFORMANCE AND EXPRESSION OF MATERIAL ELEMENTS

12 12 1. Form, Function, and Materialization 1.2. DESIGN IS THE BALANCING ACT: WISHING VERSUS NEEDING

13 13 1. Form, Function, and Materialization 1.2. DESIGN IS THE BALANCING ACT: WISHING VERSUS NEEDING

14 14 1. Form, Function, and Materialization 1.2. DESIGN IS THE BALANCING ACT: WISHING VERSUS NEEDING

15 15 2. Ideas 2.1. Ideas Unify Parts into a Totality 2.2. Inferring a Prime Design Idea: Using Metaphors with a Humanistic Approach 2.3. Theory of Contrast for Aiding Design 2.3.1. Inside and Outside 2.3.2. Exposed and Tempered 2.3.3. Up and Down 2.3.4. Something and Nothing 2.3.5. Order and Mystery

16 16 2. Ideas 2.1. DEAS UNIFY PARTS INTO A TOTALITY

17 17 2. Ideas 2.2. INFERRING A PRIME DESIGN IDEA: USING METAPHORS WITH A HUMANISTIC APPROACH

18 18 2. Ideas 2.3. THEORY OF CONTRAST FOR AIDING DESIGN

19 19 2. Ideas 2.3. MORE ABOUT THE THEORY OF CONTRAST FOR AIDING DESIGN

20 20 2. Ideas 2.3. MORE ABOUT THEORY OF CONTRAST FOR AIDING DESIGN

21 21 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.1. SOME DIMENSIONS OF CONTRAST

22 22 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.1. SOME DIMENSIONS OF CONTRAST: INSIDE AND OUTSIDE

23 23 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.1. SOME DIMENSIONS OF CONTRAST: MORE ABOUT INSIDE AND OUTSIDE

24 24 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.2. SOME DIMENSIONS OF CONTRAST: EXPOSED AND TEMPERED

25 25 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.2. SOME DIMENSIONS OF CONTRAST: MORE... EXPOSED AND TEMPERED

26 26 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.3. SOME DIMENSIONS OF CONTRAST: UP AND DOWN

27 27 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.3. SOME DIMENSIONS OF CONTRAST: MORE ABOUT UP AND DOWN

28 28 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.3. SOME DIMENSIONS OF CONTRAST: MORE ABOUT UP AND DOWN

29 29 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.4. SOME DIMENSIONS OF CONTRAST: SOMETHING AND NOTHING

30 30 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.4. SOME DIMENSIONS OF CONTRAST: MORE … SOMETHING AND NOTHING

31 31 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.4. SOME DIMENSIONS OF CONTRAST: MORE … SOMETHING AND NOTHING

32 32 2. Ideas 2.3. Theory Of Contrast For Aiding Design 2.3.5. SOME DIMENSIONS OF CONTRAST: ORDER AND MYSTERY

33 33 References Architecture: Form, Space & Order, Francis Ching, ISBN 0- 442-21535-5 Elements of Architecture, Pierre Von Meiss, ISBN 0-747- 60014-7 Ordering Systems: An introduction to Architectural Design, Edward T. White, Architectural Media, University of Arizona. Principles of Form and Design, Wucius Wong, ISBN 0-442- 01405-8 The Good House: Contrast as a Design Tool, Max Jacobson, Murray Silverstein, Barbara Winslow, ISBN 0-942391-05-5


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