1. Blair Kitrick November 20, 2013 Hollywood Renascence Final Presentation

2.  “I’m gonna make him an offer he can’t refuse.”

3.  Rejecting Establishment Value/Moral Ambiguity  Elliptical Nature  Not Morally Satisfying  Self-Consious Muse of Cinematic Effects  Rejects the Production Code  Social Values Presented in a New Way

4.  Director/Screenplay  “Film Brat”  31 Years Old  Going against Studios Wishes  Followed 3 other films  Wrote half of the script while Puzo wrote the other

5.  http://www.youtube.com/watch?v=i96VS_z8 y7g

6.  Created from Rejection of Establishment Values.  Who is good? Who is bad?

7.  Elliptical Nature in Hollywood Renascence

8.  At the end of The Godfather the audience is NOT morally satisfied.  Although the central question is answered.

10.  Like Bonnie and Clyde

12.  Simple intertextual ruptures such as “Don sits” when he is really standing in the film.  Three main, important, BIG intertextual ruptures.  Oranges  Enzo’s reaction to the possible shooting.  Luca Brasi sleeps with the fishes.

13.  Through out the script there are scenes were oranges are around but the script does not say anything about oranges.  “Int. Woltz dining room-Night. Hagen and Woltz are seated at the table being served.” (Page 20)  No mention of oranges  Importance of oranges  Why were oranges not mentioned?

15.  “A long black car drives up and stops. Michael and Enzo pretend they are armed. The car drives of.”

16.  “Int. Lobby of Building- Night Luca goes into the bar, to Bruno Tattaglia, who stands behind it.” http://www.youtube.com/watch?v=V7RMKq8R Qj4