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Chapter 30. North America Southwest- Anasazi- built Pueblo Bonito and Cliff Palace “Pueblo Indians” -descendants of nomadic hunters who arrived from northwestern.

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Presentation on theme: "Chapter 30. North America Southwest- Anasazi- built Pueblo Bonito and Cliff Palace “Pueblo Indians” -descendants of nomadic hunters who arrived from northwestern."— Presentation transcript:

1 Chapter 30

2 North America Southwest- Anasazi- built Pueblo Bonito and Cliff Palace “Pueblo Indians” -descendants of nomadic hunters who arrived from northwestern canada between 1200 & 1500

3 Navajo Rituals Sand painting ( aka Dry paintings) Created to accompany prayers and chants Also created to cure diseases Shamans- medicine men (made the images) Painting style, rigid, simple curves, straight lines, serial repetition Nightway: whirling logs (30-8) Franc J. Newcomb (not a shaman but had permission from a shaman to create the image) Mid 17 th century-navajo learned how to weave from Hopi and Pueblo neighbors

4 Hopi Kachinas Kachina doll- kachine (benevolent supernatural spirits that personify natural elements) Masked dancers impersonate kachinas Dedicated festivals to rain, fertility, and good hunting Otto pentewa-kachina doll (30-9)

5 (30-11)

6 Pueblo Pottery Utilitarian forms Worked without potter wheel Maria martinez- 1900’s. revived tecniques of these native artists

7 (30-10)

8 Masks for Transformation Rites Northwest coast Masks, totem poles, rattles, chests, etc. Rich oral tradition displayed by the art created

9 An intimidating war helmet (30-11) kwakiutl mask Dramatic style Wood used for masks Tlinit helmet- representational of dead spirits

10 Clan History on Haida Poles Frontal poles Totemic emblems- interest in prestige and family history (30-13) reconstructed haida village- bill reed Right to own and display crests-jealously guarded

11 Alaskan Ceremonial Blankets Chilkat Blanket (30-14)- tlinlit village -made of mountain goats wool -northwest coastal art is regarded as one of the sophisticated high points of native american artwork

12 Eskimo The north wings mask- Yupik Eskimo- wood and feathers (30-15) -paired human hands on the mask represent the shamans power to attract animals to hunt

13 Great Plains The europeans introduced the horse to north america, creating mobilized native americans Artists began to paint tipis, tipi linings, and buffalo skin robes with stiff figural designs The naturalistic scenes were introduced, usually of war exploits inspired by european visiting artists

14 Costume As Art (30-16) Karl Bodmer- Hidatsa Warrior Pehriska-Ruhpa (Two Ravens) Plains people were nomadic Aesthetic was focused on clothing and bodies and portable objects The items in focus in this painting are the buffalo rove, bear claw necklace, and feather decorations

15 Paintings in Ledger Books Plain arts flourished during the reservation period Women did beadwork and men painted in ledger books (30-17) Kiowa Artists depicts a tipi scene, in which native americans are celebrating. This piece shows the typical décor of the men and women in the native american tribes. -this particular drawing depicts a powwow


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