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Published byElfrieda French Modified over 9 years ago
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A. From the Greek “dran” – to do B. 5 th century B.C. Greece C. Honor Dionysus, god of wine/fertility D. Established theater conventions
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A. Conflict for characters to resolve 1. Man vs. man 2. Man vs. circumstances 3. Man vs. self (desires) B. Complications – conflict becomes more difficult C. Climax – action that determines the outcome D. Resolution – the end of the conflict
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A. Ends unhappily B. Tragic hero – protagonist C. Tragic flaw – personal failing leads to tragedy, usually death 1. pride 2. rebelliousness 3. jealousy
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D. Themes 1. right/wrong 2. just/unjust 3. individual vs. higher power 4. Why do we live? 5. How should we die?
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A. Ends happily B. Boy-meets-girl, boy-loses-girl, boy- wins-girl. C. Conflict about romance D. Often ends in marriage E. Life goes on despite our problems
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A. Psychological development of characters B. Democratic societies create plays about ordinary people. C. Unconventional structures 1. long flashbacks 2. character’s fantasies 3. include music 4. unusual settings
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A. Thrust stage – audience surrounds stage on three sides
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B. In the round – audience surrounds stage on all sides
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C. Proscenium – audience sits in front of stage
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D. Stage directions 1. upstage – away from audience 2. downstage – towards audience 3. stage right – actor’s right when facing audience 4. stage left – actor’s left …
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E. Scene design 1. detailed and realistic 2. abstract
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E. Scene design 1. detailed and realistic 2. abstract F. Lighting affects mood and appearance G. Costumes H. Props – properties
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A. dialogue – conversations on stage
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B. monologue – one character speaks to others onstage
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A. dialogue – conversations on stage B. monologue – one character speaks to others onstage C. soliloquy – one character speaks alone; reveals thoughts
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A. dialogue – conversations on stage B. monologue – one character speaks to others onstage C. soliloquy – one character speaks alone; reveals thoughts D. asides – 1. character speaks to audience or 2. character speaks to one other person onstage and 3. other characters do not overhear
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E. Movement on stage 1. Stage directions – written in script by playwright 2. Blocking – movement around stage given by director 3. Business – use of props
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A. Plays speak to our experiences B. We recognize universal experiences C. We feel comfort in the shared experience.
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A. Exaggerated, stereotyped characters B. Ridiculous situations C. Slapstick comedy
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