2. ElementsBaroqueHIPVocal Musical Expression 10 20 30 40 50

3. Question 1 - 10 The aural quality of various instruments or voices.

4. Answer 1 – 10 Timbre

5. Question 1 - 20 Marks the passage of time by means of a regularly underlying pulse or beat. Examples include “duple” and “triple.”

6. Answer 1 – 20 Meter

7. Question 1 - 30 The succession of individual pitches which create a single line of music.

8. Answer 1 – 30 Melody

9. Question 1 - 40 The way we organize a piece of music into sections. One example of this is “ternary,” and can be heard in Handel’s da capo aria, “Rejoice greatly…”

10. Answer 1 – 40 Form

11. Question 1 - 50 The pattern of musical movement through time. The interchange of whole notes, half notes and eighth notes, for example, form this musical element.

12. Answer 1 – 50 Rhythm

13. Question 2 - 10 The time period previous to the Baroque era (1600-1750), characterized by humanism.

14. Answer 2 – 10 Renaissance

15. Question 2 - 20 Handel’s “Messiah,” is an example of this genre of music, not to be confused with opera.

16. Answer 2 – 20 Oratorio

17. Question 2 - 30 Bach, Handel and Vivaldi wrote music during this century.

18. Answer 2 – 30 18 th century

19. Question 2 - 40 This Handel oratorio is based on New Testament text.

20. Answer 2 – 40 Theodora

21. Question 2 - 50 The Drury Theatre was one of the performances venues of this 18 th century Baroque city.

22. Answer 2 – 50 London

23. Question 3 - 10 These instruments are used to help create “authentic” Baroque performances. Examples include the harpsichord and the baroque flute.

24. Answer 3 – 10 Period Instruments

25. Question 3 - 20 When did the HIP movement begin?

26. Answer 3 – 20 Around the 1970s

27. Question 3 - 30 These individuals became interested in asking and answering questions such as, “can we ever truly hear a piece of music as it sounded in the 18 th century?”

28. Answer 3 – 30 Musicologists, music performers, etc.

29. Question 3 - 40 State at least 4 musical considerations of HIP

30. Answer 3 – 40 Musical considerations such as – Venue – Timbre – Period instruments – Gender

31. Question 3 - 50 Name at least two sources that were consulted in an effort to have HIP.

32. Answer 3 – 50 Manuscripts Treatises Primary Source material Paintings

33. Question 4 - 10 A passage of several notes sung to one syllable of text

34. Answer 4 – 10 Melisma

35. Question 4 - 20 A style used in operas, oratorios, and cantatas in which the text is declaimed in the rhythm of natural speech with slight melodic variation and little orchestral accompaniment.

36. Answer 4 – 20 recitative

37. Question 4 - 30 This vocal solo is prevalent in operas and oratorios and is in ternary form An Extra 2 points will be rewarded if a title can be given as an example.

38. Answer 4 – 30 Da capo aria “Rejoice greatly…”

39. Question 4 - 40 The text of a dramatic musical work, such as an opera.

40. Answer 4 – 40 Libretto

41. Question 4 - 50 Vocal parts such as soprano, alto, tenor and bass divide show divisions based on this musical element

42. Answer 4 – 50 Register

43. Question 5 - 10 Terms used to identify different intensities of musical pitches

44. Answer 5 – 10 Dynamics

45. Question 5 - 20 The speed at which music is performed. Consider the differences associated with adagio and presto.

46. Answer 5 – 20 Tempo

47. Question 5 - 30 This type of technique was used by composers to help express certain emotions behind words such as in “Racks, Gibbets, swords, and fire.”

48. Answer 5 – 30 Word painting

49. Question 5 - 40 Vivaldi’s Four Seasons is an example of this type of story telling or musical expression found in instrumental music from the Baroque era.

50. Answer 5 – 40 Program music

51. Question 5 - 50 Major and minor keys are how we characterize this element of music

52. Answer 5 – 50 Tonality