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Published byFrancine Phillips Modified over 9 years ago
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Toward Public Value: New Strategies for the Arts in the 21 st Century
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In the beginning... 1964 – the National Endowment for the Arts is established 1965 – the Ohio Arts Council is established
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Governor Rhodes with Stan Aronoff, 1965
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Late 1960’s – early 1970’s 1968 – the North American Assembly of State and Provincial Arts Agencies is organized 1972 – the Mid-American Arts Alliance is formed 1974 – Regional arts organizations are formed the served the Upper Midwest, the West and the Southwest
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Mid 1970’s 1976: establishment of the Ohio Citizens Committee for the Arts (now Ohio Citizens for the Arts) 1977: OAC creates Minority Arts, Traditional Arts and Individual Artist programs
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Mid-1990’s Technological advancements abound Major arts education partnerships are established OAC launches the Appalachian Arts Program
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Late 1990’s NEA staff reductions Term limits implemented in Ohio State economic woes begin
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in millions
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Survival Skills...... and luck has nothing to do with it!
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Foresight Being proactive Staying ready for challenges Close connections to – and dialogue with – constituents Strong advocacy organization in OCA
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1998: OAC begins work on the State of the Arts Report (SOAR)
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Wallace Foundation funds have enabled: Direct funding to 5 regional Ohio sites OAC “FAM-iliarization” tours Internal staff training, planning and professional development
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PassionDedicationCommitment
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“You can’t solve a problem with the same consciousness that created it.” - Albert Einstein
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Support and accessibility for all Strategies for inclusion and participation Persistence and willingness to embrace change Long-tenured staff and Executive Director Belief in the ability of the arts and artists to create healthy communities Other Keys to Success:
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The Future...
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SOAR Revisited: The universe of entry points to the arts is expansive Old “classical” definitions of the arts were not inclusive enough 3 of 4 Ohioans believe state tax dollars should be used to support the arts Only 40% are aware state tax dollars do support the arts
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SOAR at the local level: Going beyond who’s in the audience: do you know who isn’t? Why aren’t they there? How can you serve these constituents in a meaningful way if their voices are not heard?
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2003 OAC Field Survey: 86% agreed or strongly agreed that they value the OAC staff for their leadership and guidance 70% agreed that the OAC should provide programs that give them a broader perspective on arts policy / current research value 73% strongly agreed that the OAC should be a leader in helping Ohio’s citizens understand the of the arts
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Describe a personally meaningful arts experience : What / when / who / where? Describe a Sensory Memory / Metaphor. What was the personal value to you? What was the social or relational value? What was the value to your community / city?
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